Duvidha
82'
India
P&I Selection 2022
There’s little by way of a story to Judit Elek’s feature debut The Lady from Constantinople – we just spend some time with a lonely elderly lady changing houses and walking around town. And yet, how rich this film is, as she finds herself time and again in weird, awkward, outright surreal situations, including a funeral on a rooftop and an impromptu party full of strangers.
Elek shot vast parts on streets and other places among unsuspecting ordinary folks who got dragged into the film’s fiction by legendary actress Kiss Manyi whenever she started to comment on stuff they said, for instance. Some added vérité mileage was provided by the work of handheld camera genius Elemér Ragályi, whose leanly muscular style would soon grace gems as different as István Gaál’s poetic study on the functioning of dictatorial structures, Magasiskola (1970) and György Szomjas’s romantic, revolutionary steppe Western, Talpuk alatt fütyül a szél (1975). A revelation!
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Available on Festival Scope Pro from 26 January 9:00 CET to 14 February 9:00 CET
P&I Selection 2022
Programme IFFR 2022
A sphere of collective remembrance and imagination offering restored classics, documentaries on film culture, and explorations of cinema’s heritage.
Read more about this programme82'
India
P&I Selection 2022
98'
Italy
P&I Selection 2022
Available on Festival Scope Pro from 26 January 9:00 CET to 14 February 9:00 CET
90'
ČSSR
P&I Selection 2022