Agate mousse
Photography, sex, reproduction and the power of minerals merge into one in this aesthetic alleviation of fear of the finite.
68'
Lebanon
IFFR 2021
A visit to a cosmetic-surgery clinic and the discovery of a lump in his testicle and an abscess in his mouth confront filmmaker Salim Mourad with transience and decay in this unashamedly navel-gazing film essay. ‘Salim from Beirut’ is the last in a long list of names of extinct species he recites during a loveless Grindr fuck.
After his death, which proceeds without any further explanation or ado, we see Salim’s image appear in an exhibition by a pretentious photographer. As he hangs nonchalantly on the gallery wall – looking like the love-child of Jean-Paul Belmondo and James Dean, complete with cigarette dangling from his lips – a visitor to the gallery comments that the round framing of these portraits of the dead is reminiscent of film. The actual film frame then also adopts this circular form, this time with Salim’s friend Tamara at the centre.
What follows is in many ways like a snake swallowing its own tail, with both maker and work constantly self-referencing; in the eternal cycle of birth and death this creates, Salim and Tamara finally become their own ancestors. The naked, queer body once again plays a prominent role in this concluding instalment of Mourad’s Linceul trilogy – preceded by the shorts Linceul (2017) and Cortex (2018). Using a combination of painterly images, form experimentation, mythical motifs and philosophical commentary, Agate mousse forms an aesthetic antidote to fear of The End.
IFFR 2021
Programme IFFR 2021
IFFR’s trademark competition celebrates the innovative and adventurous spirit of up-and-coming filmmakers from all over the world.
Still: Friends and Strangers
Read more about this programmePhotography, sex, reproduction and the power of minerals merge into one in this aesthetic alleviation of fear of the finite.
68'
Lebanon
IFFR 2021
A young model returns to the Georgian countryside, where a confrontation with her past offers hope for the future.
118'
Georgia
IFFR 2021
Chinese road movie with Western elements in crisp black-and-white about a woman, a lobster and a great sorrow.
111'
China
IFFR 2021