Edges: Waves
Everything happens at the edges of the frame here. The action is minimal: two lines build up an undulating pattern and unfurl again.
6'
United Kingdom
IFFR 2019
Comprised of 852 black-and-white photographs, The Modernist presents a dystopian view of Los Angeles, a city which has figured prominently in Opie’s work over the years. She uses the formal and narrative structures from Chris Marker’s legendary photo-play La jetée to address contemporary themes of environmental collapse, global upheaval, and political breakdown.
Also in this combined programme
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A reclusive cartographer briefly engages into a dialogue with a woman. The whole world shivers when these two people get close.
44'
Bosnia and Herzegovina
IFFR 2019
Touching Sound
Found-footage video of a woman opening Pandora’s box. Strange, radioactive sound waves affect the film's surface and the character’s hands.
4'
Switzerland
IFFR 2019
- Director
- Catherine Opie
- Country of production
- USA
- Production Year
- 2017
- Festival Edition
- IFFR 2019
- Length
- 22'
- Medium
- Other
- Language
- no dialogue
- Producer
- Catherine Opie
- Sales
- Catherine Opie
- Screenplay
- Catherine Opie
- Cinematography
- Catherine Opie
- Editor
- Catherine Opie, Heather Rasmussen
- Production Design
- Catherine Opie
- Sound Design
- Catherine Opie, Luke Lynch
- Cast
- Stosh Fila aka Pig Pen
Programme
Say No More
An invitation to the viewer to rediscover the compelling sensation of collective viewing, and the notion of togetherness in silence.
Read more about this programmeBlue
A woman lies awake at night. Nearby, a set of scrolled theatre backdrops unrolls to reveal two alternate landscapes.
12'
France
IFFR 2019
Edges: Waves
Everything happens at the edges of the frame here. The action is minimal: two lines build up an undulating pattern and unfurl again.
6'
United Kingdom
IFFR 2019
Het geluk van honden
An observation on sheperd dogs during their training for police work. But these unfathomable dogs also observe us.
23'
Belgium
IFFR 2019