Jonaki, an eighty-year-old woman, finds herself in a decaying world of nostalgia. She relives moments of her life with a strangeness that churns up feelings buried deep in her soul. Her memories surface in dream-like modes in which the line between real and surreal blurs. The echoing space of this fascinating meditative journey gently and carefully confronts us with a possible moment of transition between life and death.

The cinematic form of a beautiful, esoteric trance with meticulously created painterly images suggests a temporal and spatial void inhabited by a less immediate kind of time. The Bengali director (also a painter, animator and film author), whose remarkable debut Labour of Love was screened at IFFR in 2015, daringly and successfully digs deeper in search of an exciting personal cinematic language.