Eric Baudelaire
Eric BAUDELAIRE (1973, USA) is a visual artist who lives and works in Paris. His body of work consists of videos, photographs, printmaking and installations. Baudelaire is interested in the relationship between images and events, between fact and fiction. His first feature, The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images (2011) won the Special Jury Prize at DocLisboa. The Ugly One (2013), which premiered at Locarno, was his first narrative feature. His feature films have circulated widely at film festivals, including Locarno, Toronto, New York, FID Marseille and Rotterdam. When shown within exhibitions, Baudelaire’s films are part of broad installations that include works on paper, performance, publications and public programmes. His work is in the collections of the Reina Sofia Museum in Madrid, the MACBA in Barcelona, the Museum of Modern Art in New York and the Centre Pompidou in Paris. Un film dramatique (2019) won the Prix Marcel Duchamp, the biggest art prize in France.
Filmografie
[SIC] (2009, short), The Makes (2010, short), L’anabase/The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images (2011), The Ugly One (2013), Letters to Max (2014, doc), Also Known as Jihadi (2017), Walked the Way Home (2018, short), Un film dramatique (2019, doc)
More info: Eric Baudelaire
Eric Baudelaire at IFFR
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The Ugly One
Adachi, ex-member of the Japanese Red Army, narrates a story taking place in Beirut. The melancholy of war, the pain of disillusionment. A story being
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Un film dramatique
Film as collective workshop. Twenty French schoolchildren are given a camera to film themselves, one another and the world around them.
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Letters to Max
Abkhazia is a country no one knows and Max was its Foreign Minister. Eric, from Europe, sends letters questioning his friend about his weird country w
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The Anabasis of May and Fusako Shigenobu, Masao Adachi and the 27 Years Without Images
Eric Baudelaire, artist and photographer, films on Super-8 the political and personal reflections of May, the daughter of the founder of the Japanese
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The Makes
An investigation of the boundary between fact and fiction. In 1983, Antonioni published That Bowling Alley on the Tiber, acompilation of notes and int
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[sic]
In a Japanese art bookstore, a girl has to check all of the pictures first. What are we allowed to see and what not?