As indigenous stories and storytellers make an ever more significant mark in the film, TV, and immersive landscape, talents from within post colonial indigenous and minority communities are moving to the forefront of their field and taking ownership of their own narratives. Where are we in this (r)evolution and where are we heading?
What place is there for allies and funding bodies to support these voices without risking re-colonising? How do these authentic stories reach the broadest audience when the power centres of distribution, including platform festivals, streamers, and wide theatrical release are still rooted firmly in the Global North?
What lessons can we learn from similar cultural sovereignty battles being fought by Queer filmmakers and by women in the zone of gender parity?
