Samuel Fuller
Samuel FULLER (1912-1997) was already chief reporter for The New York Journal at the age of 17. After World War II, he directed several minor productions that he largely wrote and produced himself. A masterpiece was Pickup on South Street for 20th Century Fox in 1953. In the late fifties he continued as independent director and made many memorable films.
Filmography
It Happened in Hollywood (1937), Hats Off (1937), The Gangs of New York (1938), Adventure in Sahara (1938), Confirm or Deny (1941), Bowery Boy (1941), Power of the Press (1943), Margin for Error (1943), Gangs of the Waterfront (1945), I Shot Jesse James (1949), Shockproof (1949), The Baron of Arizona (1950), The Steel Helmet (1950), The Tanks are Coming (1951), Fixed Bayonets (1951), Park Row (1952), Scandal Sheet/The Dark Page (1952), Pickup on South Street (1953), The Command (1954), Hell and High Water (1954), House of Bamboo (1955), Run of the Arrow (1957), Forty Guns (1957), China Gate (1957), Verboten! (1958), The Crimson Kimono (1959), Underworld U.S.A. (1961), Merill+»+ Mauders (1962), Shock Corridor (1963), The Naked Kiss (1964), The Meanest Men in the West (1967), The Cape Town Affair (1967), Targets (1968), Shark!/Maneater (1970), Tatort- Tote Taube in der Beethovenstrasse/Dead Pigeon on Beethoven Street (1972), The Deadly Trackers (1973), The Klansman/The Burning Cross (1974), The Big Red One/Samuel Fuller and the Big Red One (1980), White Dog (1982), Les voleurs de la nuit/Thieves after Dark (1984), Let's Get Harry/The Rescue(1986), Street of no Return/Sans espoir de retour (1989), La Madonne et le dragon (1990, tv), The Day of Reckoning/Jour du châtiment (1990, tv), Girls in Prison (1994, tv)