In a sensitive and balanced way, He Yuan portrays two men who live in bitter poverty. Apuda is a simple man, who almost thinks like a child – a good child, because he dedicates himself to caring for his sick old father. Even though the film focuses on these two men specifically, it also provides a picture of a China in which millions of people still live in deprived circumstances.
Like other Chinese independent filmmakers, He Yuan has an ethnographic and anthropological background and also a fascination with the lives of ordinary Chinese citizens outside the modern urban centres. But he does not observe in the way a social scientist would. He prefers to compare himself with painters from olden times who went out into nature to capture reality as it revealed itself to them.
While Apuda worries about the health of his father and lovingly nurses him, the filmmaker observes the inevitable end no less lovingly.
Film details
- Country of production
- China
- Year
- 2010
- Festival edition
- IFFR 2012
- Length
- 145"
- Medium/Format
- HDcam
You may also like this
-
When the Bough Breaks
Experienced documentary filmmaker becomes involved in the lives of the children of a family trying to survive in their jury rigged shanty stuck in bet
-
Signals: Hidden Histories
-
-
The Road Toward Jokhang
Ostensibly merely a brief, amusing portrayal of the culture clash between Tibetan pilgrims and Chinese tourists, but in China even just the word Tibet
-
Signals: Hidden Histories
-
-
Shattered
Xu Tong continues his enervating, sometimes controversial reporting on the morals of the Chinese underclass. In the lead role, an 80-year-old, retired
-
Signals: Hidden Histories
-