IFFR 2015

Consists of Eccentric Circles <smallcaps>(1978),</smallcaps> 3 Frame Manifesto (<smallcaps>2000), Epater les badaud (<smallcaps>2000)</smallcaps> and Cong in Our Gregational Pompoms (2009). 'Singular among all the cameraless work that surrounds it, this programme gathers inaugural super-8 camera footage with material filmed two decades later. The film strips, animated at various speeds offered by projection equipment of this gauge, will be domesticized on a screen scaled for a living room and appreciated during a comparison of magnitude.' (Bruce McClure)

OBR#6

Signals: Bruce McClure

A performance programme involving triple 16mm projector works with three-coloured gels and horizontal and vertical slits.

OBR#1

A projection programme of four early works defining the basics, using found footage, permanent markers, India ink and hydrous water colours.

OBR#2

In his most elaborate installation to date, McClure references the seventeenth-century painting Interior with a Woman at the Virginals. Throughout the exhibition, the artist will continue to alternate and animate objects and light, implementing the parameters of his cinematic performances into the gallery spaces.

IFFR 2025
30 Jan – 9 Feb 2025

OBR#6

Signals: Bruce McClure

Courting Daylight in Saving Darkness

OBR#1

OBR#2