IFFR 2015

Consists of The Southern Star Passes Without Pressure (1998) and Divorce American Style (1999). 'The projectionist wrests control from two Hollywood films that become the backdrop for projective showjumps despite all handicaps.' (Bruce McClure)

OBR#4

Signals: Bruce McClure

A performance programme involving triple 16mm projector works with three-coloured gels and horizontal and vertical slits.

OBR#1

A projection programme of four early works defining the basics, using found footage, permanent markers, India ink and hydrous water colours.

OBR#2

In his most elaborate installation to date, McClure references the seventeenth-century painting Interior with a Woman at the Virginals. Throughout the exhibition, the artist will continue to alternate and animate objects and light, implementing the parameters of his cinematic performances into the gallery spaces.

IFFR 2025
30 Jan – 9 Feb 2025

OBR#4

Signals: Bruce McClure

Courting Daylight in Saving Darkness

OBR#1

OBR#2