This is Veilhan’s first film as such. He took advantge of the situation (a relative innocence and lightness of the production) to return to the first applications of cinema for both science and entertainment (Marey, Lumière, Méliès). As in his sculptural pieces, Veilhan likes to make up his work of little scenes, punctuated by combat and dance.
Drumball is the animated continuation of fixed visions and images. Abstract, dynamic elements are combined with realistic scenes. Numerous visual effects are made during the…
In its original presentation during the most recent Lyon Bienial, this enchanting film was accompanied by, on the one side a series of fluorescent posters…