Mysterious white sculptural forms are on display in an empty office environment. Digital graphic tools further enhance the visual alienation. All items rendered by the camera are remnants of prosthetic manufacture. Much like museological artefacts, these off-cuts have no manual function or ritual purpose.

The other films shown within Reverse Engineering

Filmmaker
Johann Arens
Country
South Korea, United Kingdom
Year
2017
Medium
File
Length
8’
Language
no dialogue
Producer
Johann Arens
Sales
Johann Arens
Website
http://www.johannarens.com