{"version":"1.0","provider_name":"IFFR","provider_url":"https:\/\/iffr.com\/nl","title":"Die Verrohung des Franz Blum - IFFR","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JbStF36FVt\"><a href=\"https:\/\/iffr.com\/nl\/iffr\/1975\/films\/die-verrohung-des-franz-blum\">Die Verrohung des Franz Blum<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/iffr.com\/nl\/iffr\/1975\/films\/die-verrohung-des-franz-blum\/embed#?secret=JbStF36FVt\" width=\"600\" height=\"338\" title=\"&#8220;Die Verrohung des Franz Blum&#8221; &#8212; IFFR\" data-secret=\"JbStF36FVt\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Hauffs film weet het niet bij voorbaat beter. Integendeel. Hij begint in zekere zin in onschuld: de kennismaking met het gevangenismilieu voltrekt zich bij de toeschouwer tegelijk met die van de onwetende Franz Blum. Reinhard Hauff heeft het verhaal over de manier waarop de gevangenen tot discipline komen op het eerste oog kritiekloos gefilmd. Maar [&hellip;]"}