1.0IFFRhttps://iffr.com/nlMy Friend the Polish Girl - IFFRrich600338<blockquote class="wp-embedded-content" data-secret="Mu3f2IzdQu"><a href="https://iffr.com/nl/iffr/2018/films/my-friend-the-polish-girl">My Friend the Polish Girl</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/nl/iffr/2018/films/my-friend-the-polish-girl/embed#?secret=Mu3f2IzdQu" width="600" height="338" title="“My Friend the Polish Girl” — IFFR" data-secret="Mu3f2IzdQu" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]> */
</script>
https://iffr.com/nl/wp-content/uploads/2024/04/804246b6-83c6-483b-9fcb-02ea7b12533e.jpg?image-crop-positioner-ts=171270653820001125Een speelse fictieve documentaire over het leven van een Poolse immigrant in Londen, verandert langzaam in een donkere psychologische verkenning van de relatie tussen het hoofdpersonage en de filmmaker. Terwijl haar camera diep doordringt in Alicja's desintegrerende leven, rijst onvermijdelijk de vraag naar de rol van de kunstenaar. En waar staan wijzelf?