1.0IFFRhttps://iffr.com/nlWindfarm - IFFRrich600338<blockquote class="wp-embedded-content" data-secret="5K8DuwdVee"><a href="https://iffr.com/nl/iffr/2002/films/windfarm">Windfarm</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/nl/iffr/2002/films/windfarm/embed#?secret=5K8DuwdVee" width="600" height="338" title="“Windfarm” — IFFR" data-secret="5K8DuwdVee" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]> */
</script>
https://iffr.com/nl/wp-content/uploads/2024/04/c997204e-2a50-4fc6-b4f0-b77a628761b1.jpg?image-crop-positioner-ts=171299355017721181Mark Lewis: ‘Volgens mij is bijna alle kunst van de vorige eeuw gemaakt in relatie tot de komst van de cinema. Zelfs in de ontkenning moest en wilde kunst zichzelf manifesteren in relatie tot wat we het cinematografische effect kunnen noemen. Kunstenaars maakten immers deel uit van het filmpubliek. Ze voelden het effect. Ze droomden […]