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In alle films van Simon Pummell keert, als een aanhoudende obsessie, de menselijke anatomie terug. Van Surface Tension (1986) tot Temptation of Sainthood (1993) en Evolution (1995) lijkt het alsof hij elke keer zeer verschillende technieken heeft ontwikkeld om de menselijke figuur steeds verder te bevrijden uit diens (zowel conceptuele als materiële) harnas. Tussen de […]