1.0IFFRhttps://iffr.com/nlEye to eye - IFFRrich600338<blockquote class="wp-embedded-content" data-secret="QHSMUtmw8R"><a href="https://iffr.com/nl/iffr/1992/films/eye-to-eye">Eye to eye</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/nl/iffr/1992/films/eye-to-eye/embed#?secret=QHSMUtmw8R" width="600" height="338" title="“Eye to eye” — IFFR" data-secret="QHSMUtmw8R" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]> */
</script>
Een korte zwart-wit documentaire over de overleden fotograaf Robert Mapplethorpe. Het werk van Mapplethorpe is in de Verenigde Staten spraakmakend geworden door de processen waarmee gepoogd werd tentoonstellingen te verbieden vanwege de expliciete (homo)seksualiteit in zijn werk die als pornografie werd aangemerkt. (In Damned in the USA van Paul Yule, die ook in het Limits […]