IFFR 2025
30 Jan – 9 Feb 2025

      EN

      Paul Sharits

      Paul SHARITS (USA, 1943-1993) studied painting at the University of Denver and visual design at the University of Indiana. As a teenager he started experimenting with film. His work is represented in many major museums. He taught film at among others the Buffalo State University.


      Filmography

      (all short) Wintercourse (1962), Ray Gun Virus (1966), Unrolling Event (Fluxfilm, 1966), Wrist Trick (Fluxfilm, 1966), Dots 1 & 2 (Fluxfilm, 1966), Sears Catalogue (Fluxfilm, 1966), Word Movie (Fluxfilm 29, 1966), Piece Mandala/End War (1966), Razor Blades (1965-68, install), N.OT.H.I.N.G. (1968), T,O,U,C,H,I,N,G, (1968), S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED (1968-71), Inferential Current (1971), Axiomatic Granularity (1972-73), Synchronousoundtracks (1973-74, install), Color Sound Frames (1974), Analytical Studies III: Color Frame Passages (1973-74), Apparent Motion (1975), Shutter Interface (1975, install), Analytical Studies I: The Film Frame (1971-76), Analytical Studies II: Un-Frame-Lines (1971-76), Analytical Studies IV: Blank Color Frames (1975-76), Dream Displacement (1976, install), Epileptic Seizure Comparison (1976), Declarative Mode (1976-77, install), Episodic Generation (1978), 3rd Degree (1982), Bad Burns (1982), Brancusi’s Sculpture Ensemble at Tirgu Jiu (1977-84, install), Figment I: Fluxglam Voyage in Search of the Real Maciunas (1977-86, install), Rapture (1987)


      Paul Sharits op IFFR