Hito Steyerl (1966, Germany) followed media and film courses in Tokyo and Munich and obtained a PhD in Philosophy in Vienna. As the most formative parts of her education, she recalls her work as a stunt-girl and bouncer. At the moment, Steyerl works as a journalist, writer, visual artist, filmmaker and teacher. Her work focuses on media technology, political violence and desire; she collects and creates stories describing realities that are stranger than fiction. Exhibitions of her work have been held at Documenta 12 in Kassel and the Shanghai Biennial.
(all short) Germany and Identity (1994), Land of Smiles (1996), Babenhausen (1997), The Empty Center (1998), Normality 1-X (2001), November (2004), Lovely Andrea (2007), Filmjournal No. 1 - An Artist's Impression (2007), Red Alert (2007), After the Crash (2010), In Free Fall (2008), The Building (2009), Strike (2010), The Kiss (2011), Abstract (2012), Adorno’s Grey (2012), Guards (2012), HOW NOT TO BE SEEN. A Fucking Didactic Educational .Mov File (2013)