{"id":232172,"date":"2026-10-14T11:07:04","date_gmt":"2026-10-14T09:07:04","guid":{"rendered":"https:\/\/iffr.com\/en\/?p=232172"},"modified":"2026-10-14T11:07:38","modified_gmt":"2026-10-14T09:07:38","slug":"blog-hubert-bals-fund-in-brazil-2026","status":"publish","type":"post","link":"https:\/\/iffr.com\/en\/blog-hubert-bals-fund-in-brazil-2026","title":{"rendered":"Hubert Bals Fund in Brazil: A Margem do Rio wins in Rio as supported films head to Mostra"},"content":{"rendered":"\n

Hubert Bals Fund-backed A Margem do Rio<\/strong> by Matheus Farias and Enock Carvalho was the big winner at the 28th Festival do Rio, taking five awards including best fiction feature. Fellow HBF title The French Teacher<\/strong> by Ricardo Alves Jr. won three. Twelve HBF titles screened in Rio, before even more head to the 50th Mostra Internacional de Cinema em S\u00e3o Paulo (Thursday 15 to Thursday 29 October), where Head of the Hubert Bals Fund Tamara Tatishvili joins two talks on development support and international careers.<\/p>\n\n\n

<\/p>\n\n\n

\"\"
Film still: A Margem do Rio<\/strong><\/figcaption><\/figure>\n\n\n\n

Festival do Rio<\/h2>\n\n\n\n

Several Hubert Bals Fund, IFFR Pro and IFFR 2026 films screened across the Festival do Rio (Thursday 1 to Sunday 11 October 2026) programme.<\/p>\n\n\n\n

In the Premi\u00e8re Brasil competition, A Margem do Rio<\/strong> (HBF Development 2022) \u2013 a queer thriller set in the mangroves of Recife, which won the Special Jury Prize at Locarno in August \u2013 took five awards: best fiction feature, best supporting actress for Renna Costa, Artia and \u00cdsis Broken, best cinematography for Luciana Baseggio and best sound for Moabe Filho, Guma Farias, Daniel Turini and Jo\u00e3o Victor Coura, plus best film from the Felix Awards jury, which celebrates queer cinema.<\/p>\n\n\n\n

The French Teacher<\/strong> (HBF Development 2017) won three: best actress for Grace Pass\u00f4 (shared with Isabel Teixeira for Days of Fire<\/strong>), best supporting actor for Pedro Goifman and best original soundtrack for Florencia Di Concilio.<\/p>\n\n\n

<\/p>\n\n\n

\"\"
Film still: The French Teacher<\/strong><\/figcaption><\/figure>\n\n\n\n

Mostra S\u00e3o Paulo<\/h2>\n\n\n\n

Just as the Rio festival closes, a wide spread of supported titles head to Mostra Internacional de Cinema em S\u00e3o Paulo, which features the Displacement Film Fund short film collection and several IFFR 2026 titles including the 2026 opening film Providence and the Guitar<\/strong>, Big Screen Competition titles Projecto Global<\/strong> and The Arab<\/strong>, and Carlos Casas\u2019s Krakatoa<\/strong>.<\/p>\n\n\n

<\/p>\n\n\n

\"\"
Film still: Projecto Global<\/strong><\/figcaption><\/figure>\n\n\n\n

This year, Head of the Hubert Bals Fund Tamara Tatishvili joins Encontro de Ideias Audiovisuais, Mostra\u2019s industry event of talks, mentoring and one-to-one meetings (Tuesday 20 to Friday 23 October). On Wednesday 21 October, she takes part in two table discussions.<\/p>\n\n\n\n

In 2024, the event was the launchpad for the HBF+Brazil scheme, a unique collaboration between the Hubert Bals Fund and leading organisations for the promotion of cinema in Brazil: Spcine (a company of the Municipal Secretariat of Culture and Creative Economy of the City of S\u00e3o Paulo), RioFilme (a company of Rio de Janeiro City Hall), Projeto Paradiso (a national philanthropic organisation) and Embratur (the Brazilian Tourism Board).<\/p>\n\n\n

<\/p>\n\n\n

Why support films before they even exist? with Projeto Paradiso (16.45 \u2013 17.45)<\/h3>\n\n\n\n

How development support strengthens projects and careers, with Thomas Rosso (Semaine de la Critique, Next Step) and Paula Gastaud (Mediocielo Films, Incubadora Paradiso), moderated by Josephine Bourgois, Executive Director of Projeto Paradiso.<\/p>\n\n\n\n

Careers in Motion (19.15 \u2013 20.00)<\/h3>\n\n\n\n

Tamara joins a discussion on careers, connections and choices in international cinema, with Dutch producer Mari\u00ebtte Rissenbeek, former Executive Director of the Berlinale.<\/p>\n\n\n\n

Films at Mostra S\u00e3o Paulo<\/h2>\n\n\n\n

HBF titles<\/h3>\n\n\n\n
    \n
  • A Margem do Rio<\/strong> \u2013 dir. Matheus Farias, Enock Carvalho (Brazil) \u2013 HBF Development 2022 \u2013 Mostra Brasil<\/li>\n\n\n\n
  • Elephants in the Fog<\/strong> \u2013 dir. Abinash Bikram Shah (Nepal, France, Germany, Brazil, Norway) \u2013 HBF Development 2021, HBF+Europe: Minority Co-production Support 2023 \u2013 Perspectiva Internacional<\/li>\n\n\n\n
  • Few of Us<\/strong> (1996) \u2013 dir. \u0160ar\u016bnas Bartas (Lithuania, France) \u2013 Retrospectiva: Paulo Branco<\/li>\n\n\n\n
  • The French Teacher<\/strong> \u2013 dir. Ricardo Alves Jr. (Brazil, France, Portugal) \u2013 HBF Development 2017 \u2013 Mostra Brasil<\/li>\n\n\n\n
  • Milk Powder<\/strong> \u2013 dir. Carlos Segundo (France, Brazil, Germany) \u2013 HBF Development \u2013 Mostra Brasil<\/li>\n\n\n\n
  • Princesa Burro<\/strong> (working title Los Angeles<\/strong>) \u2013 dir. Crist\u00f3bal Le\u00f3n, Joaqu\u00edn Coci\u00f1a (Chile, France, Uruguay, Netherlands, Germany) \u2013 HBF Development 2020, NFF+HBF 2023<\/li>\n<\/ul>\n\n\n\n
    \"\"\/
    Film still: Few of Us<\/strong><\/figcaption><\/figure>\n\n\n\n

    CineMart and Darkroom<\/h3>\n\n\n\n
      \n
    • Amor es el monstruo<\/strong> \u2013 dir. Neto Villalobos (Costa Rica, Peru, Panama, Chile) \u2013 Darkroom 2026 \u2013 Perspectiva Internacional<\/li>\n<\/ul>\n\n\n\n

      Displacement Film Fund<\/h3>\n\n\n\n
        \n
      • Allies in Exile<\/strong> \u2013 dir. Hasan Kattan (United Kingdom, Syria) \u2013 Apresenta\u00e7\u00e3o Especial<\/li>\n\n\n\n
      • Rotation<\/strong> \u2013 dir. Maryna Er Gorbach (Ukraine, T\u00fcrkiye)<\/li>\n\n\n\n
      • Sense of Water<\/strong> \u2013 dir. Mohammad Rasoulof (Iran, Germany)<\/li>\n\n\n\n
      • Super Afghan Gym<\/strong> \u2013 dir. Shahrbanoo Sadat (Germany)<\/li>\n\n\n\n
      • Whispers of a Burning Scent<\/strong> \u2013 dir. Mo Harawe (Somalia, Austria, Germany)<\/li>\n<\/ul>\n\n\n\n

        IFFR 2026 titles<\/h3>\n\n\n\n
          \n
        • The Arab<\/strong> \u2013 dir. Malek Bensmail (Algeria, France, Switzerland, Saudi Arabia, Belgium) \u2013 IFFR 2026 Big Screen Competition \u2013 Perspectiva Internacional<\/li>\n\n\n\n
        • ChaO<\/strong> \u2013 dir. Aoki Yasuhiro (Japan) \u2013 IFFR 2026 Limelight \u2013 Mostrinha<\/li>\n\n\n\n
        • Krakatoa<\/strong> \u2013 dir. Carlos Casas (Spain, United Kingdom, Poland, France, Indonesia) \u2013 IFFR 2026 Harbour \u2013 Perspectiva Internacional<\/li>\n\n\n\n
        • The Passion According to G.H.B.<\/strong> \u2013 dir. Gustavo Vinagre, Vinicius Couto (Brazil) \u2013 IFFR 2026 Harbour \u2013 Mostra Brasil<\/li>\n\n\n\n
        • Projecto Global<\/strong> \u2013 dir. Ivo M. Ferreira (Portugal, Luxembourg) \u2013 IFFR 2026 Big Screen Competition<\/li>\n\n\n\n
        • Providence and the Guitar<\/strong> \u2013 dir. Jo\u00e3o Nicolau (Portugal) \u2013 IFFR 2026 Limelight \u2013 Perspectiva Internacional<\/li>\n<\/ul>\n\n\n\n

          HBF alumni are well represented elsewhere in the Mostra line-up: Kleber Mendon\u00e7a Filho, Mamadou Dia, Mariano Llin\u00e1s, Mohammad Shirvani, Alain Gomis, Lav Diaz, Mani Haghighi, Cristian Mungiu, Sergei Loznitsa, Lisandro Alonso, Amos Gitai, Radu Jude, Ye\u015fim Ustao\u011flu, Visar Morina, Benjam\u00edn Naishtat, Dominga Sotomayor, Sandra Kogut, Jia Zhangke, Eliane Caff\u00e9, Shahrbanoo Sadat and Abderrahmane Sissako.<\/p>\n\n\n

          <\/p>\n\n\n

          Films at Festival do Rio<\/h2>\n\n\n\n

          HBF titles<\/h3>\n\n\n\n

          Premi\u00e8re Brasil: In Competition<\/h4>\n\n\n\n
            \n
          • A Margem do Rio<\/strong> \u2013 dir. Matheus Farias, Enock Carvalho \u2013 HBF Development 2022<\/li>\n\n\n\n
          • The French Teacher<\/strong> \u2013 dir. Ricardo Alves Jr. \u2013 HBF Development 2017<\/li>\n<\/ul>\n\n\n\n

            Expectativa<\/h4>\n\n\n\n
              \n
            • Ben’imana<\/strong> \u2013 dir. Marie-Cl\u00e9mentine Dusabejambo \u2013 HBF Development 2022<\/li>\n\n\n\n
            • The Burning Giants<\/strong> \u2013 dir. Phuttiphong Aroonpheng \u2013 HBF Development 2021, CineMart 2023, NFF+HBF 2024<\/li>\n\n\n\n
            • Dear Ajayi<\/strong> \u2013 dir. Damilola Orimogunje \u2013 HBF+Europe: Post-production Support 2026<\/li>\n\n\n\n
            • Elephants in the Fog<\/strong> \u2013 dir. Abinash Bikram Shah \u2013 HBF Development 2021, HBF+Europe: Minority Co-production Support 2023<\/li>\n<\/ul>\n\n\n\n
              \"\"
              Film still: The Burning Giants<\/strong> by Phuttiphong Aroonpheng<\/figcaption><\/figure>\n\n\n\n

              World Panorama<\/h4>\n\n\n\n
                \n
              • Conversation with the Sea<\/strong> \u2013 dir. Muayad Alayan \u2013 HBF Development 2024, HBF+Europe: Minority Co-production Support 2025<\/li>\n\n\n\n
              • Dau<\/strong> \u2013 dir. Ilya Khrzhanovsky \u2013 HBF Development 2005, CineMart 2006<\/li>\n\n\n\n
              • No Good Men<\/strong> \u2013 dir. Shahrbanoo Sadat \u2013 HBF Development, CineMart 2021<\/li>\n\n\n\n
              • Only Rebels Win<\/strong> \u2013 dir. Danielle Arbid<\/li>\n<\/ul>\n\n\n\n

                Premi\u00e8re Latina<\/h4>\n\n\n\n
                  \n
                • Seis meses en el edificio rosa con azul<\/strong> \u2013 dir. Bruno Santamar\u00eda Razo \u2013 HBF+Europe: Minority Co-production Support 2024<\/li>\n<\/ul>\n\n\n\n

                  Cinema Circula\u00e7\u00e3o<\/h4>\n\n\n\n
                    \n
                  • The Blue Trail<\/strong> \u2013 dir. Gabriel Mascaro \u2013 HBF Development, NFF+HBF 2020<\/li>\n<\/ul>\n\n\n\n

                    IFFR 2026 titles<\/h3>\n\n\n\n
                      \n
                    • Bowels of Hell<\/strong> \u2013 dir. Gustavo Vinagre, Gurcius Gewdner (Premi\u00e8re Brasil: In Competition)<\/li>\n\n\n\n
                    • A Fading Man<\/strong> \u2013 dir. Welf Reinhart (Expectativa)<\/li>\n\n\n\n
                    • Guo Ran<\/strong> \u2013 dir. Li Dongmei (Expectativa)<\/li>\n\n\n\n
                    • I Swear<\/strong> \u2013 dir. Kirk Jones (World Panorama)<\/li>\n<\/ul>\n\n\n\n

                      HBF alumni Ma\u00edra B\u00fchler, Rithy Panh, Benjam\u00edn Naishtat and Dominga Sotomayor also presented work in Rio.<\/p>\n","protected":false},"excerpt":{"rendered":"

                      Hubert Bals Fund-backed A Margem do Rio by Matheus Farias and Enock Carvalho was the big winner at the 28th Festival do Rio, taking five awards including best fiction feature. <\/p>\n","protected":false},"author":4,"featured_media":232174,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"categories":[1310,931,10,940],"tags":[],"class_list":["post-232172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-displacement-film-fund","category-hbf","category-iffr-pro","category-tips"],"acf":[],"yoast_head":"\nHubert Bals Fund in Brazil: A Margem do Rio wins in Rio as supported films head to Mostra - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/blog-hubert-bals-fund-in-brazil-2026\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hubert Bals Fund in Brazil: A Margem do Rio wins in Rio as supported films head to Mostra - 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