{"id":206197,"date":"2025-01-24T11:32:11","date_gmt":"2025-01-24T10:32:11","guid":{"rendered":"https:\/\/iffr.com\/en\/?p=206197"},"modified":"2025-01-31T12:06:18","modified_gmt":"2025-01-31T11:06:18","slug":"blog-hubert-bals-fund-at-iffr-2025","status":"publish","type":"post","link":"https:\/\/iffr.com\/en\/blog-hubert-bals-fund-at-iffr-2025","title":{"rendered":"Hubert Bals Fund at IFFR 2025"},"content":{"rendered":"\n<p class=\"has-intro-font-size\">As we gear up towards another edition of IFFR, we invite you to explore how the Hubert Bals Fund remains true to its mission of representing cinema in all its forms, discovering and supporting new talent, and reminding us of the power of human solidarity. Explore the activities of IFFR\u2019s film fund across&nbsp;the IFFR 2025 and IFFR Pro programmes.<\/p>\n\n\n<figure style=\"aspect-ratio:16\/9;\" class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1152\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025.jpg?image-crop-positioner-ts=1737641553\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025.jpg?image-crop-positioner-ts=1737641553 2048w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025-288x162.jpg?image-crop-positioner-ts=1737641553 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025-432x243.jpg?image-crop-positioner-ts=1737641553 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025-832x468.jpg?image-crop-positioner-ts=1737641553 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025-1296x729.jpg?image-crop-positioner-ts=1737641553 1296w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n<p>During IFFR 2025, you can find HBF across an exceptional lineup of projects, as well as in industry events and panels \u2013 from the five films featured in the festival\u2019s various programming sections, to four CineMart and three Darkroom projects, and many alumni throughout the programmes.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>IFFR Pro Dialogue: Representing Voices and Experiences of Displacement in Film<\/strong><\/h2>\n\n\n\n<p>With one in every 67 people on earth forcibly displaced due to conflict, war, or persecution, supporting displaced filmmakers and authentic storytelling around the experiences of displaced people has never been more urgent. Cate Blanchett \u2013 actor, producer and global Goodwill Ambassador for UNHCR (the UN Refugee Agency) \u2013 together with Oscar nominated filmmakers Koji Yanai (producer,&nbsp;<strong>Perfect Days<\/strong>), Waad Al-Kateab (director,&nbsp;<strong>For Sama<\/strong>), Jonas Rasmussen (director,&nbsp;<strong>Flee<\/strong>) and Head of the HBF, Tamara Tatishvili will discuss how the film industry can better represent these voices and experiences. Moderated by producer Uzma Hasan.<\/p>\n\n\n\n<p>Saturday 1 February, 15.30. Open to industry and press badge-holders, reservation information to follow.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-panel-collage-v3.png?image-crop-positioner-ts=1737710665\" alt=\"\" class=\"wp-image-206277\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-panel-collage-v3.png?image-crop-positioner-ts=1737710665 1920w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-panel-collage-v3-288x162.png?image-crop-positioner-ts=1737710665 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-panel-collage-v3-432x243.png?image-crop-positioner-ts=1737710665 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-panel-collage-v3-832x468.png?image-crop-positioner-ts=1737710665 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-panel-collage-v3-1296x729.png?image-crop-positioner-ts=1737710665 1296w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Panellists from left to right: Waad Al-Kateab (credit: Sharbel Kanoun), Cate Blanchett (credit: Renato Campora), Koji Yanai (credit: Chiyoe Sugita), Tamara Tatishvili (credit: Elene Mikaberidze) and Jonas Rasmussen (credit: Andreas Omvik) <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Supported films in the IFFR 2025 selection<\/h2>\n\n\n\n<p>Five titles supported by the Hubert Bals Fund, for development, production and post-production, feature in the official IFFR 2025 selection. As well as <strong>This City Is a Battlefield<\/strong>, which has its world premiere as the IFFR 2025 closing film, all the titles have found immense recognition and applause at major international festivals, which made 2024 a milestone year for the Hubert Bals Fund.<\/p>\n\n\n\n<p>In the Limelight section of the programme is Payal Kapadia\u2019s fiction debut <strong>All We Imagine As Light. <\/strong>With a historical prize-winning festival run, including the 2024 Grand Prix at Cannes, the film is a poetic exploration of the intertwined lives of three nurses living in Mumbai, a gentrified metropole that bears witness to moments of friendship, tenderness, and loss. In an interview with IFFR Pro, the Indian filmmaker explains her bitter-sweet relationship with Mumbai, the use of documentary techniques, and the role of HBF\u2019s support in bringing the film to life.<\/p>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/blog-payal-kapadia-on-all-we-imagine-as-light\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tRead the interview with Kapadia here\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<p>Artist-filmmaker Jessica Sarah Rinland takes on the Harbour section of the programme with her intimate documentary <strong>Mon\u00f3logo colectivo, <\/strong>carefully painting a portrait of the charged, affective bond between the captive animals and those dedicated to caring for them with disarming attention and devotion. Her work can also be found in the Art Directions programme, with the installation <strong>Extramission: The Capture of Glowing Eyes<\/strong> presenting moving images and audio recordings alongside materials from early 20th-century issues of National Geographic magazines.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1152\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Monologo_colectivo_Film_Still_1.jpg?image-crop-positioner-ts=1737634936\" alt=\"\" class=\"wp-image-206204\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Monologo_colectivo_Film_Still_1.jpg?image-crop-positioner-ts=1737634936 2048w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Monologo_colectivo_Film_Still_1-288x162.jpg?image-crop-positioner-ts=1737634936 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Monologo_colectivo_Film_Still_1-432x243.jpg?image-crop-positioner-ts=1737634936 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Monologo_colectivo_Film_Still_1-832x468.jpg?image-crop-positioner-ts=1737634936 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Monologo_colectivo_Film_Still_1-1296x729.jpg?image-crop-positioner-ts=1737634936 1296w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><figcaption class=\"wp-element-caption\">Film still:<strong> <strong>Mon\u00f3logo colectivo<\/strong><\/strong><\/figcaption><\/figure>\n\n\n\n<p>Wang Bing\u2019s <strong>Youth Trilogy <\/strong>\u2013 <strong>Youth (Hard Times)<\/strong>, <strong>Youth (Spring), Youth (Homecoming) <\/strong>\u2013 has its European premiere in Harbour. One of the most accomplished voices of contemporary documentary filmmaking, Wang Bing immerses audiences in the everyday lives of a group of young textile workers who migrate 150 kilometers from Shanghai to the manufacturing city of Zhili.<\/p>\n\n\n\n<p>Georgian filmmaker Tato Kotetishvili uses his stylish fable <strong>Holy Electricity<\/strong> to transform the city of Tbilisi into a magical space that comes alive through fantastical and absurd vignettes. The Locarno-awarded and CineMart- and Darkroom-presented project will screen in the Harbour section.<\/p>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/blog-a-little-neon-intervention-holy-electricity-by-tato-kotetishvili\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tRead the interview with Kotetishvili here\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<p>IFFR\u2019s closing film, <strong>This City Is a Battlefield<\/strong>, is set in 1946 and recreates life in Jakarta under Dutch colonial occupation in fastidious detail, unveiling it in all its seductive and brutal textures. Mouly Surya\u2019s fifth feature is closely tied to the Bandung Conference Focus Programme, reinforcing the stories of the colonised and dispossessed while celebrating Indonesia\u2019s cultural contributions to Rotterdam\u2019s diverse heritage.<\/p>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/blog-im-portraying-a-shared-history-mouly-surya-on-the-iffr-2025-closing-film-this-city-is-a-battlefield\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tRead the interview with Surya here\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">CineMart<\/h2>\n\n\n\n<p>Highlighting the historic interdependency between HBF-backed films and projects selected for CineMart and Darkroom, we present no less than seven projects \u2013 four CineMart and three Darkroom \u2013 that also received HBF support.<\/p>\n\n\n\n<p>Kenyan filmmaker Angela Wanjiku Wamai\u2019s (Shimoni, IFFR 2023) epic neo-Western <strong>Enkop (The Soil)<\/strong> sets the story of fifty-five-year-old Lorna Marwa\u2019s fight to reclaim her life on the dusty expanses of Kenya\u2019s volatile ranch land.<\/p>\n\n\n\n<p>Indonesian filmmaker Kamila Andini brings <strong>Four Seasons in Java<\/strong>, exploring a woman\u2019s journey in finding peace after being unjustly convicted of murdering a young man in self defence.<\/p>\n\n\n\n<p>In the road film <strong>How Melissa Blew a Fuse, <\/strong>Melissa steals \u20ac200k from her workplace in&nbsp; Germany, buys a car, puts on music and heads towards her home town in Bosnia. This is the second feature from Bosnian filmmaker Una Gunjak.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1350\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Corte-Culebra_Still-scaled.jpeg?image-crop-positioner-ts=1737635080\" alt=\"\" class=\"wp-image-206205\" \/><figcaption class=\"wp-element-caption\">Film still: <strong>Corte Culebra<\/strong> (CineMart 2025)<\/figcaption><\/figure>\n\n\n\n<p>From Kenya to Panama, Ana Elena Tejera\u2019s <strong>Corte Culebra <\/strong>tells another anti-colonial story of displacement in the Panama Canal Zone, co-produced by Rotterdam Lab graduate Elisa Sepulveda Ruddoff, imagining a reconnection with the ancestral lands and communities after its return from American occupation.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Darkroom<\/h2>\n\n\n\n<p>Indian filmmaker Bikas Ranjan Mishra brings the anticipated CineMart 2013 presented <strong>Bayaan<\/strong>, a police procedural drama that explores the rise of religious nationalism in mainstream politics in India, starring Huma Qureshi as a rookie female detective.<\/p>\n\n\n\n<p>For the first time, Darkroom features a dedicated focus, which for 2025 will be on Georgian filmmakers, providing them a platform of support and visibility.<\/p>\n\n\n\n<p>Set amid violent demonstrations in Tbilisi, Uta Beria\u2019s <strong>Tear Gas<\/strong> is a love story where Elene and Andro find each other among thousands of protesters. The project features the filmmaker\u2019s personal images of demonstrations in Georgia in 2019.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1412\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/Wild_Dogs_Still-scaled.jpg?image-crop-positioner-ts=1737635186\" alt=\"\" class=\"wp-image-206206\" \/><figcaption class=\"wp-element-caption\">Concept still: <strong>Wild Dogs Don&#8217;t Bite<\/strong> (Darkroom 2025)<\/figcaption><\/figure>\n\n\n\n<p>Another Georgian project included in this dedicated focus is Rati Oneli\u2019s <strong>Wild Dogs Don\u2019t Bite<\/strong>, a noir-inspired revenge thriller that was supported by the HBF+Europe: Post-production Support scheme in October.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">HBF alumni across IFFR programmes<\/h2>\n\n\n\n<p>In addition to the many HBF-backed projects across the IFFR programme, CineMart, and Darkroom, no less than eight HBF alumni will be present at the festival across various programmes.&nbsp;<\/p>\n\n\n\n<p>Ukrainian filmmaker Dmytro Sukholytkyy, whose debut Pamfir was supported by HBF in 2023, returns to IFFR with <strong>Something Strange Happened to Me, <\/strong>which is presented at CineMart.<\/p>\n\n\n\n<p>Also selected for CineMart is Ashim Ahluwalia\u2019s <strong>Unidentified Actress, <\/strong>about an ex-child star turned sex-worker \u2013 a disturbing glimpse into the dark side of Indian cinema and the broken lives it left behind.<\/p>\n\n\n\n<p>Jazm\u00edn L\u00f3pez (HBF-backed <strong>Leones<\/strong>, IFFR 2013<strong>; Si yo fuera el invierno mismo<\/strong>, IFFR Tiger Competition 2020) investigates Argentina\u2019s decent into military rule in the CineMart-presented project&nbsp;<strong>Faust<\/strong>, combining psychological thriller, espionage, and intimate drama inspired by Isabel Per\u00f3n\u2019s biography, president of Argentina before the dictatorship that seized power in 1976. <\/p>\n\n\n\n<p>Brazilian filmmaker Marcelo Gomes (HBF-supported <strong>Cinema, Aspirins and Vultures<\/strong>, 2005; <strong>Portrait of a Certain Orient<\/strong>, Big Screen Competition IFFR 2024) returns to IFFR with <strong>Cape of Pleasures<\/strong>, set in a near-future where the elderly are forced into residences where they extract memories from the brains to provide new learning experiences to an AI system. The project will also be presented at CineMart.<\/p>\n\n\n\n<p>In the Short &amp; MId-length section of the programme, four filmmakers return to IFFR: Singaporean filmmaker Nelson Yeo with <strong>Durian, Durian, <\/strong>Brazilian filmmaker Pethrus Tiburcio with <strong>Tell Her What Happened to Me<\/strong>, Cabo Verdean filmmaker Nuno Boaventura Miranda with <strong>The Last Harvest, <\/strong>and Indian filmmaker Lipika Singh Darai with <strong>B and S<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2050\" height=\"1152\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/A-ultima-colheita_Film-Still-1.jpg?image-crop-positioner-ts=1737635253\" alt=\"\" class=\"wp-image-206207\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/A-ultima-colheita_Film-Still-1.jpg?image-crop-positioner-ts=1737635253 2050w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/A-ultima-colheita_Film-Still-1-288x162.jpg?image-crop-positioner-ts=1737635253 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/A-ultima-colheita_Film-Still-1-432x243.jpg?image-crop-positioner-ts=1737635253 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/A-ultima-colheita_Film-Still-1-832x468.jpg?image-crop-positioner-ts=1737635253 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/A-ultima-colheita_Film-Still-1-1296x729.jpg?image-crop-positioner-ts=1737635253 1296w\" sizes=\"auto, (max-width: 2050px) 100vw, 2050px\" \/><figcaption class=\"wp-element-caption\">Film still: <strong>The Last Harvest<\/strong> by Nuno Boaventura Miranda<\/figcaption><\/figure>\n\n\n\n<p>Finally, Pelin Esmer returns to IFFR with <strong>And the Rest Will Follow<\/strong>, a tender drama in which two strangers spur one another\u2019s imaginations to give shape to their life stories. Working across documentary and fiction, she distils our human relationships to \u2018storytellers\u2019 and \u2018listeners\u2019 who, inescapably, transform one another. Her debut feature <strong>10 TO 11<\/strong> (IFFR 2010) was supported by the HBF.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">IFFR Pro Days 31 Jan \u2013 5 Feb<\/h2>\n\n\n\n<p>The fund is active in the festival\u2019s industry activities during the IFFR Pro Days, offering advice and informal guidance to filmmaking talent in the festival selection through networking roundtables, panels and workshops, as well as providing emerging producers in the Rotterdam Lab big picture perspective of industry transformation and challenges met by public funds internationally.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1669\" height=\"1113\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2024\/10\/Studio-5-De-Doelen-Pro-Activity-IFFR-280124-VCornelc-8609-2-edited.jpg\" alt=\"\" class=\"wp-image-188102\" \/><\/figure>\n\n\n\n<p>During the <strong>HBF Days<\/strong> on 2 and 3 February, the fund organises a number of panels and activities open to industry delegates. Staying true to its historical legacy, HBF fosters inclusive co-productions and addresses the current challenges of the funding landscape by unpacking its structural inequities and developing inclusive policies that empower producers and projects worldwide. Find an overview of the activities below.<\/p>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/iffr-pro\/pro-hub\/pro-hub-2025\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tPro Hub 2025\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Inclusive Film Funding: Practical Steps for Impact, 2 February<\/strong><\/h2>\n\n\n\n<p>Based on insights shared in the EAVE Impact Think Tank Report on Inclusive Co-Productions, the invite-only day-long Inclusive Film Fund Workshop will unpack the topic of inclusive productions on 2 February.<\/p>\n\n\n\n<p>Two HBF-focused panels will be presented as part of the Pro Hub\u2019s Pro Dialogues programme of industry discussions open to all IFFR Pro delegates.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>IFFR Pro Dialogue: Co-production Beyond Western Europe, 2 February, 11.00<\/strong><\/h2>\n\n\n\n<p>Co-hosted by IFFR&#8217;s Pro Hub and panelists among which Payal Kapadia (<strong>All We Imagine as Light<\/strong>), Julien Ezanno (CNC), and Tamara Tatishvilii (Head of HBF), this panel engages participants in a conversation around how CNC \u2013 Aide au Cin\u00e9ma du Monde and HBF funding tools can elevate your project and bring extra leverage in co-producing outside of Western Europe.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>IFFR Pro Dialogue: Rethinking Co-productions \u2013 Strategies for a More Inclusive Industry, 3 February, 16.00<\/strong><\/h2>\n\n\n\n<p>This panel aims to equip producers with the tools and strategies to thrive in the world of international co-productions. Attendees will gain real, practical insights with clear steps to create more compelling, impact films, and new connections to expand their networks and resources.<\/p>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/iffr-pro\/pro-hub\/pro-hub-2025\/pro-dialogues-2025\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Pro Dialogues 2025\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/iffr-pro\/pro-hub\/pro-hub-2025\/pro-encounters-2025\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Pro Encounters 2025\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">HBF Empowerment Award<\/h2>\n\n\n\n<p>For the first time and thanks to a private donor, the Hubert Bals Fund is granting a \u20ac10,000 cash award to one of the participants of the IFFR Pro Darkroom programme. This Award focuses on empowering filmmakers who come from politically challenging contexts or whose work addresses themes such as freedom of expression, displacement, human rights and\/or underrepresented communities.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Upcoming deadlines and NFF+HBF guide<\/h2>\n\n\n\n<p>Look out for next deadlines following the festival and read through our support scheme deadlines.<\/p>\n\n\n\n<p>The new NFF+HBF guide, which aims to link Dutch producers with HBF-backed projects, is now available.<\/p>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-primary  \"\n\t\t\thref=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/NFFHBF-Guide-Jan-2025.pdf\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tDownload the guide here\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-posts\" class=\"alignwide\" >\n\t\t\t\t\t<h2 class=\"sr-only\">A list with articles<\/h2>\n\t\t\n\t\t<div class=\"flex flex-col gap-4\">\n\n\t\t\t\n\t\t\t<ul class=\"grid items-stretch grid-cols-1 gap-4 lg:gap-8 lg:grid-cols-3 lg:text-zoom-lg:grid-cols-2\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<li>\n\t\t\t\t\t\t<div data-component=\"teaser-post\" class=\"@container h-full group\">\n\t<div class=\"relative flex flex-col h-full rounded-lg bg-base-300 @md:flex-row\">\n\t\t\t\t\t<div class=\"relative overflow-hidden image:w-full image:object-cover image:aspect-video image:rounded-t-lg @md:image:rounded-b-lg @md:basis-1\/3 @md:pl-8 @md:py-8 @lg:basis-1\/2\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"468\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/Screenshot-2026-04-01-3.52.39-PM-832x468.png?image-crop-positioner-ts=1775051577\" class=\"attachment-video_md size-video_md\" alt=\"\" sizes=\"auto, (max-width: 693px) 100vw, (max-width: 1400px) 33vw, 408px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/Screenshot-2026-04-01-3.52.39-PM-832x468.png?image-crop-positioner-ts=1775051577 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/Screenshot-2026-04-01-3.52.39-PM-288x162.png?image-crop-positioner-ts=1775051577 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/Screenshot-2026-04-01-3.52.39-PM-432x243.png?image-crop-positioner-ts=1775051577 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/Screenshot-2026-04-01-3.52.39-PM-1296x729.png?image-crop-positioner-ts=1775051577 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/Screenshot-2026-04-01-3.52.39-PM.png?image-crop-positioner-ts=1775051577 1362w\" \/>\n\n\t\t\t\t<div class=\"@md:hidden \">\n\t\t\t\t\t\n\n<div data-component=\"arrow\" class=\"absolute bottom-0 right-0 transition-transform ease-out delay-75 -translate-x-6 group-hover:translate-x-0 group-hover:delay-0\">\n\t<div class=\"p-2 rounded-t-lg bg-base-300 group-hover:rounded-tr-none group-hover:delay-75\">\n\t\t<span class=\"relative z-10 w-[1em] h-[1em] icon\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t<div class=\"absolute bottom-0 -left-1\/2\">\n\t\t\t\t<svg class=\"text-base-300 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\n\t\t<div class=\"absolute top-0 right-0 z-0 transition-transform translate-y-2 group-hover:-translate-y-full group-hover:delay-[50ms]\">\n\t\t\t\t<svg class=\"text-base-300 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t\t<div class=\"flex flex-col gap-2 p-6 @xs:px-8 @md:py-8 @md:px-8 @md:basis-2\/3 @lg:basis-1\/2\">\n\t\t\t\t\t\t<h3 class=\"text-lg font-heading @lg:text-xl\">\n\t\t\t\t<a href=\"https:\/\/iffr.com\/en\/blog-lightroom-report-2026\" class=\"absolute-link hocus:underline\">\n\t\t\t\t\tLightroom Report 2026\n\t\t\t\t<\/a>\n\t\t\t<\/h3>\n\n\t\t\t\n\t\t\t<div>\n\t\t\t\t<span class=\"sr-only\">Published on:<\/span>\n\t\t\t\t<time class=\"block text-sm\" datetime=\"2026-04-01\">April 1, 2026<\/time>\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<div>\n\t\t\t\t\t\t\t\t\t\n\t<ul data-component=\"list-badges\" class=\"flex flex-wrap items-center gap-2\" aria-label=\"Place in categorie\">\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tIFFR Pro\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tImmersive\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tNews\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tStories\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t<\/ul>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\t<div class=\"hidden @md:block \">\n\t\t\t\n\n<div data-component=\"arrow\" class=\"absolute bottom-0 right-0 transition-transform ease-out delay-75 -translate-x-6 group-hover:translate-x-0 group-hover:delay-0\">\n\t<div class=\"p-2 rounded-t-lg bg-base-50 group-hover:rounded-tr-none group-hover:delay-75\">\n\t\t<span class=\"relative z-10 w-[1em] h-[1em] icon\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t<div class=\"absolute bottom-0 -left-1\/2\">\n\t\t\t\t<svg class=\"text-base-50 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\n\t\t<div class=\"absolute top-0 right-0 z-0 transition-transform translate-y-2 group-hover:-translate-y-full group-hover:delay-[50ms]\">\n\t\t\t\t<svg class=\"text-base-50 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t<\/li>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<li>\n\t\t\t\t\t\t<div data-component=\"teaser-post\" class=\"@container h-full group\">\n\t<div class=\"relative flex flex-col h-full rounded-lg bg-base-300 @md:flex-row\">\n\t\t\t\t\t<div class=\"relative overflow-hidden image:w-full image:object-cover image:aspect-video image:rounded-t-lg @md:image:rounded-b-lg @md:basis-1\/3 @md:pl-8 @md:py-8 @lg:basis-1\/2\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"468\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/HBFEurope-2026-stills-832x468.png?image-crop-positioner-ts=1773747171\" class=\"attachment-video_md size-video_md\" alt=\"\" sizes=\"auto, (max-width: 693px) 100vw, (max-width: 1400px) 33vw, 408px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/HBFEurope-2026-stills-832x468.png?image-crop-positioner-ts=1773747171 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/HBFEurope-2026-stills-288x162.png?image-crop-positioner-ts=1773747171 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/HBFEurope-2026-stills-432x243.png?image-crop-positioner-ts=1773747171 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/HBFEurope-2026-stills-1296x729.png?image-crop-positioner-ts=1773747171 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/HBFEurope-2026-stills.png?image-crop-positioner-ts=1773747171 1640w\" \/>\n\n\t\t\t\t<div class=\"@md:hidden \">\n\t\t\t\t\t\n\n<div data-component=\"arrow\" class=\"absolute bottom-0 right-0 transition-transform ease-out delay-75 -translate-x-6 group-hover:translate-x-0 group-hover:delay-0\">\n\t<div class=\"p-2 rounded-t-lg bg-base-300 group-hover:rounded-tr-none group-hover:delay-75\">\n\t\t<span class=\"relative z-10 w-[1em] h-[1em] icon\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t<div class=\"absolute bottom-0 -left-1\/2\">\n\t\t\t\t<svg class=\"text-base-300 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\n\t\t<div class=\"absolute top-0 right-0 z-0 transition-transform translate-y-2 group-hover:-translate-y-full group-hover:delay-[50ms]\">\n\t\t\t\t<svg class=\"text-base-300 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t\t<div class=\"flex flex-col gap-2 p-6 @xs:px-8 @md:py-8 @md:px-8 @md:basis-2\/3 @lg:basis-1\/2\">\n\t\t\t\t\t\t<h3 class=\"text-lg font-heading @lg:text-xl\">\n\t\t\t\t<a href=\"https:\/\/iffr.com\/en\/blog-hbfeurope-support-2026\" class=\"absolute-link hocus:underline\">\n\t\t\t\t\tHBF+Europe support for eight co-productions announced\n\t\t\t\t<\/a>\n\t\t\t<\/h3>\n\n\t\t\t\n\t\t\t<div>\n\t\t\t\t<span class=\"sr-only\">Published on:<\/span>\n\t\t\t\t<time class=\"block text-sm\" datetime=\"2026-03-17\">March 17, 2026<\/time>\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<div>\n\t\t\t\t\t\t\t\t\t\n\t<ul data-component=\"list-badges\" class=\"flex flex-wrap items-center gap-2\" aria-label=\"Place in categorie\">\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tHubert Bals Fund\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tNews\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tPress 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data-component=\"teaser-post\" class=\"@container h-full group\">\n\t<div class=\"relative flex flex-col h-full rounded-lg bg-base-300 @md:flex-row\">\n\t\t\t\t\t<div class=\"relative overflow-hidden image:w-full image:object-cover image:aspect-video image:rounded-t-lg @md:image:rounded-b-lg @md:basis-1\/3 @md:pl-8 @md:py-8 @lg:basis-1\/2\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"468\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/My_Semba_Film_still_3-1-832x468.jpg?image-crop-positioner-ts=1773753170\" class=\"attachment-video_md size-video_md\" alt=\"\" sizes=\"auto, (max-width: 693px) 100vw, (max-width: 1400px) 33vw, 408px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/My_Semba_Film_still_3-1-832x468.jpg?image-crop-positioner-ts=1773753170 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/03\/My_Semba_Film_still_3-1-288x162.jpg?image-crop-positioner-ts=1773753170 288w, 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d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t\t<div class=\"flex flex-col gap-2 p-6 @xs:px-8 @md:py-8 @md:px-8 @md:basis-2\/3 @lg:basis-1\/2\">\n\t\t\t\t\t\t<h3 class=\"text-lg font-heading @lg:text-xl\">\n\t\t\t\t<a href=\"https:\/\/iffr.com\/en\/blog-african-indies-a-continent-of-new-directions\" class=\"absolute-link hocus:underline\">\n\t\t\t\t\tAfrican Indies \u2013 A Continent of New Directions\n\t\t\t\t<\/a>\n\t\t\t<\/h3>\n\n\t\t\t\n\t\t\t<div>\n\t\t\t\t<span class=\"sr-only\">Published on:<\/span>\n\t\t\t\t<time class=\"block text-sm\" datetime=\"2026-03-17\">March 17, 2026<\/time>\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<div>\n\t\t\t\t\t\t\t\t\t\n\t<ul data-component=\"list-badges\" class=\"flex flex-wrap items-center gap-2\" aria-label=\"Place in categorie\">\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tIFFR Pro\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li>\n\t\t\t\t\t\t\n\t\n\t<div data-component=\"badge\" class=\"text-sm font-bold rounded relative px-2  text-base-900 border border-base-900\" style=\"\">\n\t\t\t\t\tStories\n\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t<\/ul>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\t<div class=\"hidden @md:block \">\n\t\t\t\n\n<div data-component=\"arrow\" class=\"absolute bottom-0 right-0 transition-transform ease-out delay-75 -translate-x-6 group-hover:translate-x-0 group-hover:delay-0\">\n\t<div class=\"p-2 rounded-t-lg bg-base-50 group-hover:rounded-tr-none group-hover:delay-75\">\n\t\t<span class=\"relative z-10 w-[1em] h-[1em] icon\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t<div class=\"absolute bottom-0 -left-1\/2\">\n\t\t\t\t<svg class=\"text-base-50 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\n\t\t<div class=\"absolute top-0 right-0 z-0 transition-transform translate-y-2 group-hover:-translate-y-full group-hover:delay-[50ms]\">\n\t\t\t\t<svg class=\"text-base-50 w-[1em] h-[1em]\" aria-hidden=\"true\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M-6.99382e-07 16L0 0L14.8537 6.49274e-07L0.000454783 0.000453934L0.000454791 16L1.14844 16C9.31183 16 15.9369 9.41382 16 1.2653L16 16L-6.99382e-07 16Z\" fill=\"currentColor\"\/>\n\t<\/svg>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n","protected":false},"excerpt":{"rendered":"<p>We invite you to explore how the Hubert Bals Fund remains true to its mission of representing cinema in all its forms, discovering and supporting new talent, and reminding us of the power of human solidarity.<\/p>\n","protected":false},"author":2432,"featured_media":206219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"categories":[931,10],"tags":[],"class_list":["post-206197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hbf","category-iffr-pro"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hubert Bals Fund at IFFR 2025 - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/blog-hubert-bals-fund-at-iffr-2025\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hubert Bals Fund at IFFR 2025 - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"We invite you to explore how the Hubert Bals Fund remains true to its mission of representing cinema in all its forms, discovering and supporting new talent, and reminding us of the power of human solidarity.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/iffr.com\/en\/blog-hubert-bals-fund-at-iffr-2025\" \/>\n<meta property=\"og:site_name\" content=\"IFFR EN\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-24T10:32:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-31T11:06:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/01\/HBF-IFFR-2025.jpg?image-crop-positioner-ts=1737641553\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1152\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"smaranda\" 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