{"id":87127,"date":"2024-05-16T15:14:03","date_gmt":"2024-05-16T13:14:03","guid":{"rendered":"https:\/\/iffr.com\/en\/?page_id=87127"},"modified":"2026-02-03T00:35:10","modified_gmt":"2026-02-02T23:35:10","slug":"knf-award","status":"publish","type":"page","link":"https:\/\/iffr.com\/en\/awards-competitions\/knf-award","title":{"rendered":"KNF Award"},"content":{"rendered":"\n<p>The KNF Award is given to a film in the Tiger Short Competition. The winner is selected by a jury made up of members of the \u2018Circle of Dutch Film Journalists\u2019.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">KNF Award 2026 winner<\/h2>\n\n\n\n<p><strong>The Apple Doesn\u2019t Fall\u2026 <\/strong>by Dean Wei (China)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/iffr.com\/nl\/wp-content\/uploads\/2026\/02\/5feb0e8a-04f2-4344-ba20-39014bed66dc.jpg\" alt=\"\" class=\"wp-image-224801\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">The IFFR 2026 KNF jury<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fritz de Jong<\/li>\n\n\n\n<li>Navid Nikkhah-Azad<\/li>\n\n\n\n<li>Timna Rauch<\/li>\n<\/ul>\n\n\n\n<p>The winner of the IFFR 2026 KNF Award will be announced during the Awards Ceremony on Monday 2 February.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Past winners<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2025<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/temo-re\">Temo Re<\/a><\/strong> by Anka Gujabidze<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/nl\/iffr\/2024\/films\/daphne-was-a-torso-ending-in-leaves\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Daphne was a torso ending in leaves<\/strong><\/a>&nbsp;(Italy, Greece) by Catriona Gallagher<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2023<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/aqueronte\" target=\"_blank\" rel=\"noreferrer noopener\">Aqueronte<\/a><\/strong>&nbsp;by&nbsp;Manuel Mu\u00f1oz Rivas<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/expanded\/2022\/films\/punctured-sky?utm_medium=email&amp;utm_source=direct_mail&amp;utm_campaign=iffr2022&amp;utm_content=press\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Punctured Sky<\/strong><\/a>&nbsp;by Jon Rafman<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2021<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/2021\/films\/manifesto\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Manifesto<\/strong><\/a>&nbsp;by Ane Hjort Guttu<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2020<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2020\/films\/kala-azar\" target=\"_blank\" rel=\"noreferrer noopener\">Kala azar<\/a>&nbsp;<\/strong>by Janis Rafa<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2019<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2019\/films\/tarde-para-morir-joven\" target=\"_blank\" rel=\"noreferrer noopener\">Tarde para morir joven<\/a><\/strong>&nbsp;by Dominga Sotomayor<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2018<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/zama\">Zama<\/a>&nbsp;<\/strong>by Lucrecia Martel<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2017<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/professionals\/2017\/films\/king-of-the-belgians\">King of the Belgians<\/a><\/strong>&nbsp;by Peter Brosens and Jessica Woodworth<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2016<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/de-waarneming\">De waarneming<\/a><\/strong>&nbsp;by Frank Scheffer<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2015<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/key-house-mirror\">Key House Mirror<\/a><\/strong>&nbsp;by Michael Noer (Denmark)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2014<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/to-kill-a-man\">To Kill a Man<\/a><\/strong>&nbsp;by Alejandro Fern\u00e1ndez Almendras<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2013<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/il-futuro\">Il futuro<\/a><\/strong>&nbsp;by Alicia Scherson (Chile\/Germany\/Italy\/Spain, 2013)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2012<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/clip\">Clip<\/a>&nbsp;<\/strong>by Maja Milo\u0161 (Serbia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2011<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/winter-vacation\">Winter Vacation<\/a><\/strong>&nbsp;by Li Hongqi (China)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2010<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/norteado\">Norteado<\/a><\/strong>&nbsp;by Rigoberto Per\u00e9zcano (Mexico\/Spain)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2009<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/tony-manero\">Tony Manero<\/a><\/strong>&nbsp;by Pablo Larra\u00edn (Chile)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2008<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/cargo-200\">Cargo 200<\/a><\/strong>&nbsp;by Alexei Balabanov (Russia)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2007<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/operation-filmmaker\">Operation Filmmaker<\/a>&nbsp;<\/strong>by Nina Davinport (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2006<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/look-both-ways\">Look Both Ways<\/a><\/strong>&nbsp;by Sarah Watt (Australia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2005<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/illumination\">Illumination<\/a>&nbsp;<\/strong>by Pascale Breton (France)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2004<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/the-missing\">The Missing<\/a><\/strong>&nbsp;by Lee Kang-sheng (Taiwan)<br><em>Special mention:<\/em><br><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/save-the-green-planet\">Save the Green Planet!<\/a><\/strong>&nbsp;by Jang Jun-Hwan (South Korea)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2003<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2003\/films\/blissfully-yours\">Blissfully Yours<\/a><\/strong>&nbsp;by Apichatpong Weerasethakul (Thailand)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2002<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2002\/films\/bolivia\">Bolivia<\/a>&nbsp;<\/strong>by Adri\u00e1n Caetano (Argentina)<br><em>Special mention:<\/em><br><strong>Sabado<\/strong>&nbsp;by Juan Villagas (Argentina)<br><strong>La libertad<\/strong>&nbsp;by Lisandro Alonso (Argentina)<br><strong>Take Care Of My Cat<\/strong>&nbsp;by Jeong Jae-Eun (South Korea)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2001<\/h3>\n\n\n\n<p><strong>No Place to Go<\/strong>&nbsp;by Oskar R\u00f6hler (Germany)<br><em>Special mention:<\/em><br><strong>Beay travail<\/strong>&nbsp;by Claire Denis (France)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2000<\/h3>\n\n\n\n<p><strong>Audition<\/strong>&nbsp;by Miike Takashi (Japan)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1999<\/h3>\n\n\n\n<p><strong>La vida es silbar<\/strong>&nbsp;by Fernando P\u00e9rez (Cuba)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1998<\/h3>\n\n\n\n<p><strong>Gummo<\/strong>&nbsp;by Harmony Korine (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1997<\/h3>\n\n\n\n<p><strong>Irma Vep<\/strong>&nbsp;by Olivier Assayas (France)<br><em>Special Mention:<\/em><br><strong>A Petal<\/strong>&nbsp;by Jung Sun-Woo (South Korea)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1996<\/h3>\n\n\n\n<p><strong>The Journals of Jean Seberg<\/strong>&nbsp;by Mark Rapaport (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1995<\/h3>\n\n\n\n<p><strong>La buttane<\/strong>&nbsp;by Aurelio Grimaldi (Italy)<\/p>\n\n\n\n<p><em>Special mention:<\/em><br><strong>Moeder Dao, de schildpadvergelijkende<\/strong>&nbsp;by Vincent van Monnikendam (the Nederlands)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1994<\/h3>\n\n\n\n<p><strong>Living with an Idiot<\/strong>&nbsp;by Alexandr Rogozhkin (Russia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1993<\/h3>\n\n\n\n<p><strong>Observations<\/strong>&nbsp;by Ruud Monster (Nederland)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1992<\/h3>\n\n\n\n<p><strong>Thank You and Good Night<\/strong>&nbsp;by Jan Oxenberg (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1991<\/h3>\n\n\n\n<p><strong>Elegiya &amp; Prostaya elegiya by short films<\/strong>&nbsp;by Aleksandr Sokoerov<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1990<\/h3>\n\n\n\n<p><strong>Life Is Cheap&#8230; But Toilet Paper Is Expensive<\/strong>&nbsp;by Wayne Chang (Hong Kong\/USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1989<\/h3>\n\n\n\n<p><strong>The Prisoner of St. Petersburg<\/strong>&nbsp;by Ian Pringle (Australia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1988<\/h3>\n\n\n\n<p><strong>The Emperor&#8217;s Naked Army Marches On<\/strong>&nbsp;by Kazuo Hara (Japan)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1987<\/h3>\n\n\n\n<p>Alexei Guerman (Russia), for his three films.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1986<\/h3>\n\n\n\n<p><strong>Zina<\/strong>&nbsp;by Ken McMullen (UK)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1985<\/h3>\n\n\n\n<p><strong>Manuel op het Wondereiland<\/strong>&nbsp;by Ra\u00fal Ruiz (Chili)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1984<\/h3>\n\n\n\n<p>Peter Hutton (USA): six short films<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1983<\/h3>\n\n\n\n<p><strong>Stranger Than Paradise<\/strong>&nbsp;by Jim Jarmusch (USA)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The KNF Award is given to a film in the Tiger Short Competition. The winner is selected by a jury made up of members of the \u2018Circle of Dutch Film Journalists\u2019. KNF Award 2026 winner The Apple Doesn\u2019t Fall\u2026 by Dean Wei (China) The IFFR 2026 KNF jury The winner of the IFFR 2026 KNF [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":79318,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"class_list":["post-87127","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>KNF Award - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/awards-competitions\/knf-award\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KNF Award - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"The KNF Award is given to a film in the Tiger Short Competition. 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