{"id":84944,"date":"2024-05-16T14:22:23","date_gmt":"2024-05-16T12:22:23","guid":{"rendered":"https:\/\/iffr.com\/en\/?page_id=84944"},"modified":"2026-02-08T12:17:46","modified_gmt":"2026-02-08T11:17:46","slug":"audience-award","status":"publish","type":"page","link":"https:\/\/iffr.com\/en\/awards-competitions\/audience-award","title":{"rendered":"Audience Award"},"content":{"rendered":"\n<p>The IFFR Audience Award is given to the filmmaker of the film in the official selection with the highest average vote in the audience poll.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How does it work?<\/h2>\n\n\n\n<p>It&#8217;s one of those things that contribute to the ultimate festival feeling: the audience poll. As soon as the film screening starts, all members of the audience will receive a voting card in their inbox via email. After the screening you can judge the film by clicking on &#8220;Vote&#8221; in the email. You will be sent to a page where you can select your rating. Don&#8217;t forget: you can only vote once!&nbsp;<\/p>\n\n\n\n<p>Voting cards are not sent out at all screenings. Precisely because it has a big impact and it is difficult to compare apples and oranges, there are as many common dividers as possible. For example, they will only be sent out at screenings of feature films (movies longer than 60 minutes), and not at the first screening of a Dutch premiere or film where a large delegation is present. The scores of personal relatives are not comparable to those of the objective visitor.<\/p>\n\n\n\n<p>The film must be new (recently produced), and there need to be more than 35 respondents prior for a film to be included in the list. Movies that do not meet these criteria are no less important. In fact, they are unique. It&#8217;s what makes IFFR fun: there are movies of all kinds and sizes and an audience with an opinion. And don&#8217;t forget: you are always allowed to give your opinion, maybe not through the voting system, but in the pub, on Facebook or Twitter.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Audience Award winner 2026<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>I Swear<\/strong> by Kirk Jones<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/59194a07-6415-4d8e-a8cc-a8e446eede7d-2576x1449-1-scaled.jpg\" alt=\"\" class=\"wp-image-230244\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/59194a07-6415-4d8e-a8cc-a8e446eede7d-2576x1449-1-scaled.jpg?image-crop-positioner-ts=1770549450 2560w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/59194a07-6415-4d8e-a8cc-a8e446eede7d-2576x1449-1-288x162.jpg?image-crop-positioner-ts=1770549450 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/59194a07-6415-4d8e-a8cc-a8e446eede7d-2576x1449-1-432x243.jpg?image-crop-positioner-ts=1770549450 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/59194a07-6415-4d8e-a8cc-a8e446eede7d-2576x1449-1-832x468.jpg?image-crop-positioner-ts=1770549450 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/59194a07-6415-4d8e-a8cc-a8e446eede7d-2576x1449-1-1296x729.jpg?image-crop-positioner-ts=1770549450 1296w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Past winners<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2025<\/h3>\n\n\n\n<p><strong>I&#8217;m Still Here<\/strong> by Walter Salles <\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/green-border\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Green Border<\/strong><\/a>&nbsp;by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/agnieszka-holland\" target=\"_blank\" rel=\"noreferrer noopener\">Agnieszka Holland<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2023<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/dalva\"><strong>Dalva<\/strong><\/a>&nbsp;by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/emmanuelle-nicot\" target=\"_blank\" rel=\"noreferrer noopener\">Emmanuelle Nicot<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2022\/films\/freaks-out\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Freaks Out<\/strong><\/a>&nbsp;by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/gabriele-mainetti\" target=\"_blank\" rel=\"noreferrer noopener\">Gabriele Mainetti<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2021<\/h3>\n\n\n\n<p><strong>February<br><a href=\"https:\/\/iffr.com\/en\/2021\/films\/quo-vadis-aida\" target=\"_blank\" rel=\"noreferrer noopener\">Quo vadis, Aida?<\/a><\/strong>&nbsp;by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/jasmila-%C5%BEbani%C4%87\" target=\"_blank\" rel=\"noreferrer noopener\">Jasmila \u017dbani\u0107<\/a><\/p>\n\n\n\n<p><strong>June<\/strong><br><a href=\"https:\/\/iffr.com\/en\/2021\/films\/mi-chiamo-francesco-totti\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Mi chiamo Francesco Totti<\/strong><\/a><em>&nbsp;<\/em>by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/alex-infascelli\" target=\"_blank\" rel=\"noreferrer noopener\">Alex Infascelli<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2020<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2020\/films\/parasite-b-w-version\" target=\"_blank\" rel=\"noreferrer noopener\">Parasite (B&amp;W Version)<\/a><\/strong>&nbsp;by Bong Joon Ho<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2019<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/2019\/films\/capharna%C3%BCm\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Capharna\u00fcm<\/strong><\/a>&nbsp;by Nadine Labaki<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2018<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/the-guilty\">The Guilty<\/a><\/strong>&nbsp;by&nbsp;Gustav&nbsp;M\u00f6ller<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2017<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2017\/films\/moonlight\">Moonlight<\/a>&nbsp;<\/strong>by Barry Jenkins<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2016<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/land-of-mine\">Land of Mine<\/a><\/strong>&nbsp;by Martin Zandvliet&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2015<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/the-dark-horse\">The Dark Horse<\/a><\/strong>&nbsp;by James Napier (New Zealand)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2014<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/nebraska\">Nebraska<\/a>&nbsp;<\/strong>by Alexander Payne (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2013<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/matterhorn\">Matterhorn<\/a>&nbsp;<\/strong>by Diederik Ebbinge (The Netherlands)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2012<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/monsieur-lazhar\">Monsieur Lazhar<\/a><\/strong>&nbsp;by Philippe Falardeau (Canada)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2011<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/incendies\">Incendies<\/a>&nbsp;<\/strong>by Denis Villeneuve (Canada)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2010<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2010\/films\/yo-tambi%C3%A9n\" target=\"_blank\" rel=\"noreferrer noopener\">Yo, tambi\u00e9n<\/a><\/strong>&nbsp;by \u00c1lvaro Pastor &amp; Antonio Naharro (Spain)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2009<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/slumdog-millionaire\">Slumdog Millionaire<\/a><\/strong>&nbsp;by Danny Boyle (UK)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2008<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/persepolis\">Persepolis<\/a>&nbsp;<\/strong>by Marjane Satrapi and Vincent Paronnaud (France)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2007<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/das-leben-der-anderen\">Das Leben der Anderen<\/a>&nbsp;<\/strong>by Florian Henckel von Donnersmarck (Germany)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2006<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/eden\">Eden<\/a>&nbsp;<\/strong>by Michael Hofmann, (Germany\/Switzerland)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2005<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/turtles-can-fly\">Turtles Can Fly<\/a><\/strong>&nbsp;by Bahman Ghobadi (Iraq\/Iran)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2004<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/la-meglio-giovent%C3%B9-1\">La Meglio Gioventu<\/a><\/strong>&nbsp;by Marco Tullio Giordana (Italy)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2003<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2003\/films\/whale-rider\">Whale Rider<\/a><\/strong>&nbsp;by Niki Caro (New-Zealand)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2002<\/h3>\n\n\n\n<p><strong>No Man&#8217;s Land<\/strong>&nbsp;by Danis Tanovic (Bosnia\/France\/Belgium)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2001<\/h3>\n\n\n\n<p><strong>Promises<\/strong>&nbsp;by Carlos Bolado, B.Z. Goldberg and Justine Shapiro (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2000<\/h3>\n\n\n\n<p><strong>Shower<\/strong>&nbsp;by Zhang Yang (China)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1999<\/h3>\n\n\n\n<p><strong>Festen<\/strong>&nbsp;by Thomas Vinterberg (Denmark)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1998<\/h3>\n\n\n\n<p><strong>De Poolse Bruid<\/strong>&nbsp;(The Polish Bride) by Karim Tra\u00efdia (The Netherlands)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1997<\/h3>\n\n\n\n<p><strong>Shine<\/strong>&nbsp;by Scott Hicks (Australia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1996<\/h3>\n\n\n\n<p><strong>Angel Baby<\/strong>&nbsp;by Michael Rymer (Australia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1995<\/h3>\n\n\n\n<p><strong>Once Were Warriors<\/strong>&nbsp;by Lee Tamahori (New Zealand)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1994<\/h3>\n\n\n\n<p><strong>Ein Ganz Gewohnliches Leben<\/strong>&nbsp;by Imre Gy\u00f6ngy\u00f6ssy and Barna Kabay (Hungary)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The IFFR Audience Award is given to the filmmaker of the film in the official selection with the highest average vote in the audience poll. How does it work? It&#8217;s one of those things that contribute to the ultimate festival feeling: the audience poll. As soon as the film screening starts, all members of the [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":79318,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"class_list":["post-84944","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Audience Award - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/awards-competitions\/audience-award\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Audience Award - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"The IFFR Audience Award is given to the filmmaker of the film in the official selection with the highest average vote in the audience poll. 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