{"id":79331,"date":"2024-05-15T18:16:45","date_gmt":"2024-05-15T16:16:45","guid":{"rendered":"https:\/\/iffr.com\/en\/?page_id=79331"},"modified":"2026-02-06T18:23:49","modified_gmt":"2026-02-06T17:23:49","slug":"netpac-award","status":"publish","type":"page","link":"https:\/\/iffr.com\/en\/awards-competitions\/netpac-award","title":{"rendered":"NETPAC Award"},"content":{"rendered":"\n<p>The NETPAC Award is annually awarded to the feature film from the&nbsp; Asia and Pacific regions by a jury from the Network for the Promotion of Asian Cinema. NETPAC\u2019s mission is to highlight new talents, and as such the jury considers directors\u2019 first and second features only, with European, International or World premiere status at IFFR. The film selected for this award must be from one of 71 eligible countries in Asia or the Pacific Nations and Islands to be considered.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">NETPAC Award winner 2026<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>i grew an inch when my father died<\/strong> by P. R. Monencillo Patindol <em>(Philippines)<\/em><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-scaled.jpg?image-crop-positioner-ts=1770398048\" alt=\"\" class=\"wp-image-230156\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-scaled.jpg?image-crop-positioner-ts=1770398048 2560w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-288x162.jpg?image-crop-positioner-ts=1770398048 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-432x243.jpg?image-crop-positioner-ts=1770398048 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-832x468.jpg?image-crop-positioner-ts=1770398048 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-1296x729.jpg?image-crop-positioner-ts=1770398048 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/I_Grew_an_Inch_When_My_Father_Died_Still_1-1-2576x1449.jpg?image-crop-positioner-ts=1770398048 2576w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Special mention<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Seoul Guardians <\/strong>by Kim Jong-Woo, Kim Shin-Wan and Cho Chul-Young <em>(South Korea)<\/em><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">The IFFR 2026 NETPAC jury<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fr\u00e9d\u00e9ric Ambroisine<\/li>\n\n\n\n<li>Rada \u0160e\u0161i\u0107<\/li>\n\n\n\n<li>Miyuki Takamatsu<\/li>\n<\/ul>\n\n\n\n<p>The winner of the IFFR 2026 NETPAC Award will be announced during the Awards Ceremony on Friday 6 February.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Past winners<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2025<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/bad-girl\">Bad Girl<\/a><\/strong> by Varsha Bharath<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/schirkoa-in-lies-we-trust\" target=\"_blank\" rel=\"noreferrer noopener\">Schirkoa: In Lies We Trust<\/a>&nbsp;<\/strong>by Ishan Shukla<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2023<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/whispering-mountains\" target=\"_blank\" rel=\"noreferrer noopener\">Whispering Mountains<\/a>&nbsp;<\/strong>by&nbsp;Jagath Manuwarna<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><em>no award<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2021<\/h3>\n\n\n\n<p><em>no award<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2020<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2020\/films\/nasir\" target=\"_blank\" rel=\"noreferrer noopener\">Nasir<\/a><\/strong>&nbsp;by Arun Karthick<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2019<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2019\/films\/last-night-i-saw-you-smiling\" target=\"_blank\" rel=\"noreferrer noopener\">Last Night I Saw You Smiling<\/a><\/strong>&nbsp;by Kavich Neang<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2018<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/nervous-translation\">Nervous Translation<\/a><\/strong>&nbsp;by&nbsp;Shireen Seno<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2017<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2017\/films\/children-are-not-afraid-of-death-children-are-afraid-of-ghosts\">Children Are Not Afraid of Death, Children Are Afraid of Ghosts<\/a><\/strong>&nbsp;by&nbsp;Rong Guang Rong<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2016<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/the-plague-at-the-karatas-village\">The Plague at the Karatas Village<\/a><\/strong>&nbsp;by Adilkhan Yerzhanov<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2015<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/poet-on-a-business-trip\">Poet on a Business Trip<\/a><\/strong>&nbsp;by Ju Anqi (China)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2014<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/28\">28<\/a>&nbsp;<\/strong>by Jayakody Prasanna (Sri Lanka)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2013<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/what-they-dont-talk-about-when-they-talk-about-love\">What They Don&#8217;t Talk About When They Talk About Love<\/a><\/strong>&nbsp;by Mouly Surya (Indonesia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2012<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/sentimental-animal\" target=\"_blank\" rel=\"noreferrer noopener\">Sentimental Animal<\/a>&nbsp;<\/strong>by Wu Quan (China)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2011<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/black-blood\" target=\"_blank\" rel=\"noreferrer noopener\">Black Blood<\/a><\/strong>&nbsp;by Zhang Miaoyan (China\/France)<br><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/the-day-i-disappeared\">The Day I Disappeared<\/a><\/strong>&nbsp;by Atousa Bandeh Ghiasabadi (Iran)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2010<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/moscow\">Moscow<\/a>&nbsp;<\/strong>by Whang Cheol-Mean (South Korea)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2009<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/the-land\">The Land<\/a><\/strong>&nbsp;by He Jia (China)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2008<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/what-on-earth-have-i-done-wrong\" target=\"_blank\" rel=\"noreferrer noopener\">What on Earth Have I Done Wrong?!<\/a><\/strong>&nbsp;by Niu Chen-zer (Taiwan)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2007<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/fourteen\">Fourteen<\/a>&nbsp;<\/strong>(<strong>Ju-yon-sai<\/strong>) by Hirosue Hiromasa (Japan)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2006<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/the-lost-hum\">The Lost Hum<\/a>&nbsp;<\/strong>(Hanauta-Dorobou) by Hirosue Hiromasa (Japan)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2005<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/sanctuary\" target=\"_blank\" rel=\"noreferrer noopener\">Sanctuary<\/a>&nbsp;<\/strong>by Ho Yuhang (Malaysia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2004<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/the-missing\">The Missing<\/a><\/strong>&nbsp;(Bu Jian) by Lee Kang-sheng (Taiwan)&nbsp;<\/p>\n\n\n\n<p><em>Special mention:&nbsp;<\/em><br><strong>Uniform<\/strong>&nbsp;(<strong>Zhifu<\/strong>) by Diao Yinan (China)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2003<\/h3>\n\n\n\n<p>(No NETPAC Jury, no Award awarded)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2002<\/h3>\n\n\n\n<p><strong>Wave<\/strong>&nbsp;by Okuhara Hiroshi (Japan)&nbsp;<br><em>Special mention:&nbsp;<\/em><br><strong>Secret Ballot<\/strong>&nbsp;by Babak Payami (Italy\/Iran)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2001<\/h3>\n\n\n\n<p><strong>Dokhtaran Khorshid<\/strong>&nbsp;(<strong>Daughters of the Sun<\/strong>) by Mariam Shahriar (Iran)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2000<\/h3>\n\n\n\n<p><strong>Nang Nak<\/strong>&nbsp;by Nonzee Nimibutr (Thailand)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1999<\/h3>\n\n\n\n<p><strong>The Servant&#8217;s Shirt<\/strong>&nbsp;by Mani Kaul (India)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1998<\/h3>\n\n\n\n<p><strong>Dance of the Wind<\/strong>&nbsp;by Rajan Khosa (India)&nbsp;<br><em>Special mention:&nbsp;<\/em><br><strong>Green Fish<\/strong>&nbsp;by Lee Chang-Dong (South Korea)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1997<\/h3>\n\n\n\n<p><strong>2 Duo<\/strong>&nbsp;by Suwa Nobuhiro (Japan)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1996<\/h3>\n\n\n\n<p>ex aequo:&nbsp;<br><strong>Heartbreak Island<\/strong>&nbsp;by Hsu Hsiao-Ming (Taiwan)&nbsp;<br><strong>Nostalgia For Countryland<\/strong>&nbsp;by Dang Nath Minh (Vietnam)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1995<\/h3>\n\n\n\n<p><strong>Vidheyan&nbsp;<\/strong>by&nbsp;Adoor Gopalakrishnan (India)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The NETPAC Award is annually awarded to the feature film from the&nbsp; Asia and Pacific regions by a jury from the Network for the Promotion of Asian Cinema. NETPAC\u2019s mission is to highlight new talents, and as such the jury considers directors\u2019 first and second features only, with European, International or World premiere status at [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":79318,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"class_list":["post-79331","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NETPAC Award - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/awards-competitions\/netpac-award\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NETPAC Award - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"The NETPAC Award is annually awarded to the feature film from the&nbsp; Asia and Pacific regions by a jury from the Network for the Promotion of Asian Cinema. 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