{"id":79329,"date":"2024-05-15T18:01:11","date_gmt":"2024-05-15T16:01:11","guid":{"rendered":"https:\/\/iffr.com\/en\/?page_id=79329"},"modified":"2026-02-02T22:18:36","modified_gmt":"2026-02-02T21:18:36","slug":"tiger-short-competition","status":"publish","type":"page","link":"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition","title":{"rendered":"Tiger Short Competition"},"content":{"rendered":"\n<p>The power of short. An expert jury hands out 3 equal awards each year to films selected for the Tiger Short Competition.<\/p>\n\n\n\n<p>Short films can be found at many places during IFFR: as part of video installations, preceding feature films and, naturally, in combined programmes. Films between 1 and 63&nbsp;minutes long, from all over the world. There are fiction films, experimental work and documentaries. Short films prove that filmmakers play with a whole range of cinematic forms and ideas.&nbsp;<\/p>\n\n\n\n<p>The short films have their own competition at IFFR. What differentiates it from the\u00a0Tiger Competition\u00a0for feature-length films is the fact that it\u2019s not just for young and upcoming talents; all filmmakers have a chance at winning. 22 shorts are competing for three equal Tiger Short Awards at IFFR 2026, each worth\u00a0\u20ac5,000.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tiger Short Competition winners 2026<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2026\/films\/the-second-skin\">The Second Skin<\/a><\/strong> by Mariia Lapidus (USA, Mexico)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2026\/films\/the-apple-doesnt-fall\">The Apple Doesn\u2019t Fall\u2026<\/a><\/strong>\u00a0by Dean Wei (China)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2026\/films\/ndjimu\">Ndjimu (Deep Cobalt)<\/a><\/strong>\u00a0by Petna Ndaliko Katondolo (Democratic Republic of the Congo, USA)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Tiger Short Competition Jury 2026<\/h2>\n\n\n\n\t<div data-name=\"acf\/block-carousel\">\n\t\t\t\t\t\t\t\t\t<h2 class=\"sr-only js-reference\">A list of images<\/h2>\n\t\t\t\n\t\t\t\n\n<div data-component=\"image-slider\" data-module=\"image-slider\">\n\t<div class=\"w-full h-full overflow-hidden focus-within:outline outline-2 outline-storm\">\n\t\t<ul class=\"flex min-h-full overflow-x-scroll rounded-lg no-scrollbar js-track snap-x scroll-smooth snap-mandatory\" role=\"presentation\" aria-live=\"polite\">\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"false\" id=\"tabpanel-69d250dcb97ac1\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji-1296x729.png?image-crop-positioner-ts=1765566254\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji-1296x729.png?image-crop-positioner-ts=1765566254 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji-288x162.png?image-crop-positioner-ts=1765566254 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji-432x243.png?image-crop-positioner-ts=1765566254 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji-832x468.png?image-crop-positioner-ts=1765566254 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji.png?image-crop-positioner-ts=1765566254 1920w\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"true\" id=\"tabpanel-69d250dcb97ac2\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-1296x729.png?image-crop-positioner-ts=1765566260\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-1296x729.png?image-crop-positioner-ts=1765566260 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-288x162.png?image-crop-positioner-ts=1765566260 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-432x243.png?image-crop-positioner-ts=1765566260 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-832x468.png?image-crop-positioner-ts=1765566260 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze.png?image-crop-positioner-ts=1765566260 1920w\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"true\" id=\"tabpanel-69d250dcb97ac3\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-1296x729.png?image-crop-positioner-ts=1765566263\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-1296x729.png?image-crop-positioner-ts=1765566263 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-288x162.png?image-crop-positioner-ts=1765566263 288w, 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1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Sammy-Baloji.png?image-crop-positioner-ts=1765566254 1920w\" \/>\n\t\t\t\t<\/button>\n\t\t\t\t\t\t\t<button role=\"tab\" aria-selected=\"false\" aria-controls=\"tabpanel-69d250dcb97ac2\" aria-label=\"Image 2\" class=\"relative w-20 p-1 overflow-hidden transition-[color,border,transform] duration-150 border rounded-lg border-base-300 sm:w-24 js-tab aspect-video image:object-center image:w-full image:h-full image:object-cover hocus:border-base-900 hocus:border-2 aria-selected:border-base-900 aria-selected:border-2 image:rounded-md\">\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"243\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-432x243.png?image-crop-positioner-ts=1765566260\" class=\"attachment-video_sm size-video_sm\" alt=\"\" sizes=\"auto, 85px\" aria-hidden=\"true\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-432x243.png?image-crop-positioner-ts=1765566260 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-288x162.png?image-crop-positioner-ts=1765566260 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-832x468.png?image-crop-positioner-ts=1765566260 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze-1296x729.png?image-crop-positioner-ts=1765566260 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Anka-Gujabidze.png?image-crop-positioner-ts=1765566260 1920w\" \/>\n\t\t\t\t<\/button>\n\t\t\t\t\t\t\t<button role=\"tab\" aria-selected=\"false\" aria-controls=\"tabpanel-69d250dcb97ac3\" aria-label=\"Image 3\" class=\"relative w-20 p-1 overflow-hidden transition-[color,border,transform] duration-150 border rounded-lg border-base-300 sm:w-24 js-tab aspect-video image:object-center image:w-full image:h-full image:object-cover hocus:border-base-900 hocus:border-2 aria-selected:border-base-900 aria-selected:border-2 image:rounded-md\">\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"243\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-432x243.png?image-crop-positioner-ts=1765566263\" class=\"attachment-video_sm size-video_sm\" alt=\"\" sizes=\"auto, 85px\" aria-hidden=\"true\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-432x243.png?image-crop-positioner-ts=1765566263 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-288x162.png?image-crop-positioner-ts=1765566263 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jukka-Pekka-Laakso-832x468.png?image-crop-positioner-ts=1765566263 832w, 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xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m.425 10.98 8.639-8.638a1.442 1.442 0 1 1 2.04 2.04l-6.18 6.178H22.56a1.44 1.44 0 1 1 0 2.88H4.923l6.178 6.18a1.442 1.442 0 1 1-2.04 2.04L.423 13.022a1.44 1.44 0 0 1 .002-2.041Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t\n\t\n\t<\/button>\n\n\t\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\n<button\n\tclass=\"group btn btn-outline  btn-square btn-small js-control\"\n\t\t\t\t\t\t\t\t\t\taria-label=\"Next&#x20;image\"\n\t\t\t\t\t\t\t\t\tdata-action=\"next\"\n\t>\n\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/button>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t<\/div>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSammy Baloji\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><b>Sammy Baloji<\/b><span style=\"font-weight: 400;\"> lives and works between Lubumbashi and Brussels. Since 2005, he has been exploring the memory and history of the Democratic Republic of the Congo. After his studies in literature and human sciences, he began to work as a cartoonist and later specialised in video art and photography. In 2008, he co-founded the biennale at Lubumbashi with Gulda el Magambo bin Ali. Baloji\u2019s work is an ongoing investigation into the cultural, architectural and industrial heritage of the Katanga region, as well as questioning the impact of Belgian colonisation. His use of archives allows him to manipulate time and space, juxtaposing old colonial narratives with contemporary economic imperialism. His video works, installations and photographic series highlight the ways in which identities are shaped, transformed, perverted and reinvented. His feature film <\/span><b>L\u2019arbre de l\u2019authenticit\u00e9 <\/b><span style=\"font-weight: 400;\">screened in IFFR\u2019s 2025 Tiger Competition, winning the Special Jury Award.<\/span><\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAnka Gujabidze\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><b>Anka Gujabidze<\/b><span style=\"font-weight: 400;\"> is a visual artist from Tbilisi who has worked in photography for 17 years, a practice that shaped her deep sensibility for social issues, the environment and contemporary stories. She recently became a filmmaker. In 2024, she completed her first film <\/span><b>Temo Re <\/b><span style=\"font-weight: 400;\">(IFFR 2025), composed entirely of black-and-white photographs, an elegy where stillness itself carries the rhythm of life. <\/span><b>Temo Re<\/b><span style=\"font-weight: 400;\"> received the Tiger Short Award and the KNF Award<\/span> <span style=\"font-weight: 400;\">at IFFR 2025, as well as the SFCC Critic\u2019s Award at Brive Film Festival, and has since been traveling to festivals around the world. Her earlier works trace lives and places often overlooked, revealing resilience within decay, defiance within silence, and beauty within impermanence<\/span><\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJukka-Pekka Laakso\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><b>Jukka-Pekka Laakso<\/b><span style=\"font-weight: 400;\"> has been the festival director of Tampere Film Festival since 2002, and shares the responsibility of strategic planning and programming with a co-director. He has been a member of more than 70 film festival juries, including Edinburgh International Film Festival and Locarno Film Festival, and has been an expert at Berlinale Talents and at the European Film Academy\u2019s \u2018A Sunday in the Country\u2019. Laakso has also given lectures and training at a number of universities. He acts as the executive director for Pirkanmaa Film Centre in Tampere, a non-profit organisation which runs an art-house cinema, distributes films in Finland and works with media education. He is also a member of the European Film Academy.<\/span><\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Past winners<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2025<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/merging-bodies\">Merging Bodies<\/a><\/strong> by Adrian Paci<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/a-metamorphosis\">A Metamorphosis<\/a><\/strong> by Lin Htet Aung<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/temo-re\">Temo Re<\/a><\/strong> by Anka Gujabidze<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/crazy-lotus\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Crazy Lotus<\/strong><\/a>&nbsp;(Thailand) by Naween Noppakun<br><a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/few-can-see\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Few Can See<\/strong><\/a>&nbsp;(Ireland) by Frank Sweeney<br><a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/workers-wings\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Workers\u2019 Wings<\/strong><\/a>&nbsp;(Kosovo) by Ilir Hasanaj<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2023<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/natureza-humana\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Natureza Humana<\/strong><\/a>&nbsp;by M\u00f3nica Lima (Portugal, Germany)<br><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/tito\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Tito<\/strong><\/a>&nbsp;by Kervens Jimenez and Taylor McIntosh (Haiti)<br><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/what-the-soil-remembers\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>What the Soil Remembers<\/strong><\/a>&nbsp;by Jos\u00e9 Cardoso (South Africa, Ecuador)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2022\/films\/becoming-male-in-the-middle-ages\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Becoming Male in the Middle Ages<\/strong><\/a>&nbsp;by Pedro Neves Marques (Portugal)<br><a href=\"https:\/\/iffr.com\/en\/expanded\/2022\/films\/nazarbazi?utm_medium=email&amp;utm_source=direct_mail&amp;utm_campaign=iffr2022&amp;utm_content=press\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Nazarbazi<\/strong><\/a>&nbsp;by Maryam Tafakory (Iran)<br><a href=\"https:\/\/iffr.com\/en\/iffr\/2022\/films\/nosferasta-first-bite\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Nosferasta: First Bite<\/strong>&nbsp;<\/a>by Bayley Sweitzer and Adam Khalil (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2021<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/2021\/films\/maat\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Maat<\/strong><\/a>&nbsp;by&nbsp;Fox Maxy (USA)<br><a href=\"https:\/\/iffr.com\/en\/2021\/films\/sunsets-everyday\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Sunsets, everyday<\/strong><\/a>&nbsp;by&nbsp;Basir Mahmood (Italy)<br><a href=\"https:\/\/iffr.com\/en\/2021\/films\/terranova\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Terranova<\/strong><\/a>&nbsp;by Alejandro P\u00e9rez Serrano and Alejandro Alonso Estrella (Cuba)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2020<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/2020\/films\/apparition\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Apparition<\/strong><\/a>&nbsp;by&nbsp;Isma\u00efl Bahri (France)<br><a href=\"https:\/\/iffr.com\/en\/2020\/films\/communicating-vessels\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Communicating Vessels<\/strong><\/a>&nbsp;by&nbsp;Ma\u00efder Fortun\u00e9 and Annie MacDonell (Canada)<br><a href=\"https:\/\/iffr.com\/en\/2020\/films\/sun-dog\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Sun Dog<\/strong><\/a>&nbsp;by&nbsp;Dorian Jespers (Belgium, Russia)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2019<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2019\/films\/wong-pings-fables-1\" target=\"_blank\" rel=\"noreferrer noopener\">Wong Ping&#8217;s Fables 1<\/a><\/strong>&nbsp;by Wong Ping&nbsp;(Hong Kong)<br><strong><a href=\"https:\/\/iffr.com\/en\/2019\/films\/ultramarine\" target=\"_blank\" rel=\"noreferrer noopener\">Ultramarine<\/a>&nbsp;<\/strong>by Vincent Meessen (Belgium\/France\/Canada)<br><strong><a href=\"https:\/\/iffr.com\/en\/2019\/films\/freedom-of-movement\" target=\"_blank\" rel=\"noreferrer noopener\">Freedom of Movement<\/a><\/strong>&nbsp;by&nbsp;Nina Fischer and Maroan el Sani (Germany\/Italy)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2018<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/mountain-plain-mountain\">Mountain Plain Mountain<\/a><\/strong>&nbsp;by Araki Yu and Daniel Jacoby (Spain)<br><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/rose-gold\">Rose Gold<\/a>&nbsp;<\/strong>by Sara Cwynar (USA)<br><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/with-history-in-a-room-filled-with-people-with-funny-names-4\">With History in a Room Filled with People with Funny Names 4<\/a><\/strong>&nbsp;by Korakrit Arunanondchai (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2017<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2017\/films\/rubber-coated-steel\">Rubber Coated Steel<\/a><\/strong>&nbsp;by Lawrence Abu Hamdan (Lebanon\/Germany)<br><strong><a href=\"https:\/\/iffr.com\/en\/2017\/films\/el-cuento-de-antonia\">El cuento de Antonia<\/a><\/strong>&nbsp;by Jorge Cadena (Colombia\/Switzerland)<br><strong><a href=\"https:\/\/iffr.com\/en\/2017\/films\/sakhisona\">Sakhisona<\/a>&nbsp;<\/strong>by Prantik Basu (India)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2016<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/dream-english-kid-1964-1999-ad\">Dream English Kid 1964-1999 AD<\/a><\/strong>&nbsp;by Mark Leckey&nbsp;(United Kingdom)<br><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/faux-d%C3%A9part\">Faux d\u00e9part<\/a><\/strong>&nbsp;by Yto Barrada&nbsp;(Morocco)<br><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/engram-of-returning\">Engram of Returning<\/a><\/strong>&nbsp;by&nbsp;Da\u00efchi Sa\u00efto&nbsp;(Canada)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2015<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/things\">Things<\/a>&nbsp;<\/strong>by Ben Rivers (United Kingdom)<br><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/la-fi%C3%A8vre\">La fi\u00e8vre<\/a><\/strong>&nbsp;by Safia Benhaim (France)<br><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/greetings-to-the-ancestors\">Greetings to the Ancestors<\/a><\/strong>&nbsp;by Ben Russell (USA\/South Africa\/United Kingdom)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2014<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/la-isla\">La isla<\/a><\/strong>&nbsp;by&nbsp;Dominga Sotomayor&nbsp;and&nbsp;Katarzyna Klimkiewicz&nbsp;(Chile\/Poland\/Denmark)<br><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/giant\">Giant<\/a>&nbsp;<\/strong>by&nbsp;Salla Tykk\u00e4&nbsp;(Finland, Romania<br><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/the-chimera-of-m\">The Chimera of M.<\/a><\/strong>&nbsp;by&nbsp;Sebastian Buerkner&nbsp;(United Kingdom)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2013<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/janus\">Janus<\/a>&nbsp;<\/strong>by Erik van Lieshout (Netherlands)<br><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/the-tigers-mind\">The Tiger&#8217;s Mind<\/a><\/strong>&nbsp;by Beatrice Gibson (United Kingdom)<br><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/unsupported-transit\">Unsupported Transit<\/a><\/strong>&nbsp;by Zachary Formwalt (Netherlands)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2012<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/generator\">Generator<\/a>&nbsp;<\/strong>by Makino Takashi (Japan)<br><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/big-in-vietnam\">Big in Vietnam<\/a><\/strong>&nbsp;by Mati Diop (France)<br><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/springtime\">Springtime<\/a>&nbsp;<\/strong>by Jeroen Eisinga (Netherlands)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2011<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/stardust\">Stardust<\/a>&nbsp;<\/strong>by Nicolas Provost (Belgium)<br><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/pastourelle\">Pastourelle<\/a>&nbsp;<\/strong>by Nathaniel Dorsky (USA)<br><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/jan-villa\">Jan Villa<\/a><\/strong>&nbsp;by Natasha Mendonca (USA\/India)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2010<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/atlantiques\">Atlantiques<\/a><\/strong>&nbsp;by Mati Diop (Senegal\/France)<br><a href=\"https:\/\/iffr.com\/en\/2010\/films\/condolences\"><strong>Wei Wen<\/strong>&nbsp;(<strong>Condolences<\/strong>)<\/a>&nbsp;by Ying Liang (China)<br><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/wednesday-morning-two-a-m\" target=\"_blank\" rel=\"noreferrer noopener\">Wednesday Morning 2 A.M.<\/a><\/strong>&nbsp;by Lewis Klahr (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2009<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/bernadette\">Bernadette<\/a>&nbsp;<\/strong>by Duncan Campbell (UK)<br><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/despair\">Despair<\/a>&nbsp;<\/strong>by Galina Myznikova &amp; Sergey Provorov (Russia)<br><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/a-necessary-music\">A Necessary Music<\/a>&nbsp;<\/strong>by Beatrice Gibson (UK)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2008<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/ah-liberty\">Ah, Liberty!<\/a><\/strong>&nbsp;by Ben Rivers (UK)<br><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/as-i-lay-dying\">As I Lay Dying<\/a><\/strong>&nbsp;by Ho Yuhang (Malaysia)&nbsp;<br><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/observando-el-cielo\">Observando el cielo<\/a><\/strong>&nbsp;by&nbsp;Jeanne Liotta (USA)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2007<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/video-game\">Video Game<\/a><\/strong>&nbsp;by Vipin Vijay (India, 2006)<br><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/hinterland\">Hinterland<\/a>&nbsp;<\/strong>by Geoffrey Boulang\u00e9 (France, 2007)<br><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/the-flag\">The Flag<\/a><\/strong>&nbsp;by K\u00f6ken Ergun (Turkey, 2007)&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2006<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/beginnings\">Beginnings<\/a>&nbsp;<\/strong>by Roy Villevoye (Netherlands, 2006)&nbsp;<br><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/rabbit\">Rabbit<\/a>&nbsp;<\/strong>by Run Wrake (United Kingdom, 2005)&nbsp;<br><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/who-i-am-and-what-i-want\">Who I Am and What I Want<\/a><\/strong>&nbsp;by David Shrigley &amp; Chris Shepherd (United Kingdom, 2005)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2005<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/nl\/2005\/films\/interlude\">Interlude<\/a><\/strong>&nbsp;by Joost van Veen (Netherlands)<br><strong><a href=\"https:\/\/iffr.com\/nl\/2005\/films\/nuuk\">Nuuk<\/a>&nbsp;<\/strong>by Thomas K\u00f6ner (Germany)<br><strong><a href=\"https:\/\/iffr.com\/nl\/2005\/films\/veere\">Veere<\/a>&nbsp;<\/strong>by David Lammers (Netherlands)&nbsp;<br><em>Special mention:<\/em>&nbsp;<br><strong><a href=\"https:\/\/iffr.com\/nl\/2005\/films\/fare-bene-m%C3%ACkles\">Fare bene M\u00eckles<\/a><\/strong>&nbsp;by Christian Angeli (Italy)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The power of short. An expert jury hands out 3 equal awards each year to films selected for the Tiger Short Competition. Short films can be found at many places during IFFR: as part of video installations, preceding feature films and, naturally, in combined programmes. Films between 1 and 63&nbsp;minutes long, from all over the [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":79318,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"class_list":["post-79329","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tiger Short Competition - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tiger Short Competition - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"The power of short. An expert jury hands out 3 equal awards each year to films selected for the Tiger Short Competition. Short films can be found at many places during IFFR: as part of video installations, preceding feature films and, naturally, in combined programmes. Films between 1 and 63&nbsp;minutes long, from all over the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition\" \/>\n<meta property=\"og:site_name\" content=\"IFFR EN\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-02T21:18:36+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition\",\"url\":\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition\",\"name\":\"Tiger Short Competition - IFFR EN\",\"isPartOf\":{\"@id\":\"https:\/\/iffr.com\/en\/#website\"},\"datePublished\":\"2024-05-15T16:01:11+00:00\",\"dateModified\":\"2026-02-02T21:18:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/iffr.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Awards &amp; Competitions\",\"item\":\"https:\/\/iffr.com\/en\/awards-competitions\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Tiger Short Competition\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/iffr.com\/en\/#website\",\"url\":\"https:\/\/iffr.com\/en\/\",\"name\":\"IFFR EN\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/iffr.com\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tiger Short Competition - IFFR EN","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/iffr.com\/en\/awards-competitions\/tiger-short-competition","og_locale":"en_GB","og_type":"article","og_title":"Tiger Short Competition - IFFR EN","og_description":"The power of short. An expert jury hands out 3 equal awards each year to films selected for the Tiger Short Competition. Short films can be found at many places during IFFR: as part of video installations, preceding feature films and, naturally, in combined programmes. 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