{"id":79319,"date":"2024-05-15T17:44:34","date_gmt":"2024-05-15T15:44:34","guid":{"rendered":"https:\/\/iffr.com\/en\/?page_id=79319"},"modified":"2026-02-06T18:50:15","modified_gmt":"2026-02-06T17:50:15","slug":"tiger-competition","status":"publish","type":"page","link":"https:\/\/iffr.com\/en\/awards-competitions\/tiger-competition","title":{"rendered":"Tiger Competition"},"content":{"rendered":"\n<p class=\"has-intro-font-size\">IFFR\u2019s trade mark competition celebrates the innovative and adventurous spirit of up-and-coming filmmakers from all over the world.<\/p>\n\n\n\n<p>The competition was founded in 1995 with the aim of discovering, raising the profile of and rewarding up-and-coming international film talent. The Tiger Award is accompanied by a \u20ac40,000 cash prize, to be shared between the director and producer of the winning film. Two Special Jury Awards worth \u20ac10,000 will also be presented for exceptional artistic achievement within the competition. Equally important is the international recognition for the&nbsp;nominees and their works&nbsp;that a Tiger Competition nomination brings with it. The Tiger Awards are an indispensable backdrop for many filmmakers: it can be the final step to convince financiers to allow a next project.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tiger Award winner 2026<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Variations on a Theme <\/strong>by Jason Jacobs and Devon Delmar<em> (South Africa, Netherlands, Qatar)<\/em><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/Variations_on_a_Theme_Film_still_1-1.jpg?image-crop-positioner-ts=1770398490\" alt=\"\" class=\"wp-image-230161\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/Variations_on_a_Theme_Film_still_1-1.jpg?image-crop-positioner-ts=1770398490 2560w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/Variations_on_a_Theme_Film_still_1-1-288x162.jpg?image-crop-positioner-ts=1770398490 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/Variations_on_a_Theme_Film_still_1-1-432x243.jpg?image-crop-positioner-ts=1770398490 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/Variations_on_a_Theme_Film_still_1-1-832x468.jpg?image-crop-positioner-ts=1770398490 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/02\/Variations_on_a_Theme_Film_still_1-1-1296x729.jpg?image-crop-positioner-ts=1770398490 1296w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Special Jury Award winners 2026<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>La belle ann\u00e9e <\/strong>by Angelica Ruffier <em>(Sweden, Norway)<\/em><\/li>\n\n\n\n<li><strong>Supporting Role <\/strong>by Ana Urushadze <em>(Georgia, Estonia, Turkey, Switzerland, United States)<\/em><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Tiger Competition Jury 2026<\/h2>\n\n\n\n\t<div data-name=\"acf\/block-carousel\">\n\t\t\t\t\t\t\t\t\t<h2 class=\"sr-only js-reference\">A list of images<\/h2>\n\t\t\t\n\t\t\t\n\n<div data-component=\"image-slider\" data-module=\"image-slider\">\n\t<div class=\"w-full h-full overflow-hidden focus-within:outline outline-2 outline-storm\">\n\t\t<ul class=\"flex min-h-full overflow-x-scroll rounded-lg no-scrollbar js-track snap-x scroll-smooth snap-mandatory\" role=\"presentation\" aria-live=\"polite\">\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"false\" id=\"tabpanel-69d40fcea25dd1\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-1296x729.png?image-crop-positioner-ts=1765560584\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-1296x729.png?image-crop-positioner-ts=1765560584 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-288x162.png?image-crop-positioner-ts=1765560584 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-432x243.png?image-crop-positioner-ts=1765560584 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-832x468.png?image-crop-positioner-ts=1765560584 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani.png?image-crop-positioner-ts=1765560584 1920w\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"true\" id=\"tabpanel-69d40fcea25dd2\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes-1296x729.png?image-crop-positioner-ts=1765560620\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes-1296x729.png?image-crop-positioner-ts=1765560620 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes-288x162.png?image-crop-positioner-ts=1765560620 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes-432x243.png?image-crop-positioner-ts=1765560620 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes-832x468.png?image-crop-positioner-ts=1765560620 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes.png?image-crop-positioner-ts=1765560620 1920w\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"true\" id=\"tabpanel-69d40fcea25dd3\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed-1296x729.png?image-crop-positioner-ts=1765560622\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed-1296x729.png?image-crop-positioner-ts=1765560622 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed-288x162.png?image-crop-positioner-ts=1765560622 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed-432x243.png?image-crop-positioner-ts=1765560622 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed-832x468.png?image-crop-positioner-ts=1765560622 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed.png?image-crop-positioner-ts=1765560622 1920w\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"true\" id=\"tabpanel-69d40fcea25dd4\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson-1296x729.png?image-crop-positioner-ts=1765560631\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson-1296x729.png?image-crop-positioner-ts=1765560631 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson-288x162.png?image-crop-positioner-ts=1765560631 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson-432x243.png?image-crop-positioner-ts=1765560631 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson-832x468.png?image-crop-positioner-ts=1765560631 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson.png?image-crop-positioner-ts=1765560631 1920w\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<li role=\"tabpanel\" aria-hidden=\"true\" id=\"tabpanel-69d40fcea25dd5\" class=\"js-slide relative aspect-video snap-center flex-[0_0_100%]\">\n\t\t\t\t\t<figure class=\"image:rounded-lg image:object-contain image:w-full image:h-full\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"729\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jurica-Pavicic-1296x729.png?image-crop-positioner-ts=1765560633\" class=\"attachment-video_lg size-video_lg\" alt=\"\" sizes=\"auto, 850px\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jurica-Pavicic-1296x729.png?image-crop-positioner-ts=1765560633 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jurica-Pavicic-288x162.png?image-crop-positioner-ts=1765560633 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jurica-Pavicic-432x243.png?image-crop-positioner-ts=1765560633 432w, 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image:rounded-md\">\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"243\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-432x243.png?image-crop-positioner-ts=1765560584\" class=\"attachment-video_sm size-video_sm\" alt=\"\" sizes=\"auto, 85px\" aria-hidden=\"true\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-432x243.png?image-crop-positioner-ts=1765560584 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-288x162.png?image-crop-positioner-ts=1765560584 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-832x468.png?image-crop-positioner-ts=1765560584 832w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani-1296x729.png?image-crop-positioner-ts=1765560584 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Soheila-Golestani.png?image-crop-positioner-ts=1765560584 1920w\" \/>\n\t\t\t\t<\/button>\n\t\t\t\t\t\t\t<button role=\"tab\" aria-selected=\"false\" aria-controls=\"tabpanel-69d40fcea25dd2\" aria-label=\"Image 2\" class=\"relative w-20 p-1 overflow-hidden transition-[color,border,transform] duration-150 border rounded-lg border-base-300 sm:w-24 js-tab aspect-video image:object-center image:w-full image:h-full image:object-cover hocus:border-base-900 hocus:border-2 aria-selected:border-base-900 aria-selected:border-2 image:rounded-md\">\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"243\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Marcelo-Gomes-432x243.png?image-crop-positioner-ts=1765560620\" class=\"attachment-video_sm size-video_sm\" alt=\"\" sizes=\"auto, 85px\" aria-hidden=\"true\" 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1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Ariane-Labed.png?image-crop-positioner-ts=1765560622 1920w\" \/>\n\t\t\t\t<\/button>\n\t\t\t\t\t\t\t<button role=\"tab\" aria-selected=\"false\" aria-controls=\"tabpanel-69d40fcea25dd4\" aria-label=\"Image 4\" class=\"relative w-20 p-1 overflow-hidden transition-[color,border,transform] duration-150 border rounded-lg border-base-300 sm:w-24 js-tab aspect-video image:object-center image:w-full image:h-full image:object-cover hocus:border-base-900 hocus:border-2 aria-selected:border-base-900 aria-selected:border-2 image:rounded-md\">\n\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"243\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Kristy-Matheson-432x243.png?image-crop-positioner-ts=1765560631\" class=\"attachment-video_sm size-video_sm\" alt=\"\" sizes=\"auto, 85px\" aria-hidden=\"true\" 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https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jurica-Pavicic-1296x729.png?image-crop-positioner-ts=1765560633 1296w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2025\/12\/Jurica-Pavicic.png?image-crop-positioner-ts=1765560633 1920w\" \/>\n\t\t\t\t<\/button>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"flex items-center gap-2 mt-4 sm:gap-6\" aria-label=\"Navigate to previous or next image\">\n\t\t\t<div class=\"flex items-center gap-2 shrink-0\">\n\t\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\n<button\n\tclass=\"group btn btn-outline  btn-square btn-small js-control\"\n\t\t\t\t\t\t\t\t\t\taria-label=\"Previous&#x20;image\"\n\t\t\t\t\t\t\t\t\tdata-action=\"previous\"\n\t>\n\t\t\t\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:-translate-x-2 group-focus-visible:-translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m.425 10.98 8.639-8.638a1.442 1.442 0 1 1 2.04 2.04l-6.18 6.178H22.56a1.44 1.44 0 1 1 0 2.88H4.923l6.178 6.18a1.442 1.442 0 1 1-2.04 2.04L.423 13.022a1.44 1.44 0 0 1 .002-2.041Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t\n\t\n\t<\/button>\n\n\t\t\t\t\n\n\n\t\t\t\t\t\t\t\t\n\n<button\n\tclass=\"group btn btn-outline  btn-square btn-small js-control\"\n\t\t\t\t\t\t\t\t\t\taria-label=\"Next&#x20;image\"\n\t\t\t\t\t\t\t\t\tdata-action=\"next\"\n\t>\n\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/button>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t<\/div>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSoheila Golestani\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><b>Soheila Golestani <\/b><span style=\"font-weight: 400;\">was born in 1980 in Tehran and studied stage design and theatre costumes. Her professional career began with acting in cinema and theatre, and she later transitioned into filmmaking, producing short films and television work. A significant achievement was her creation of Iran\u2019s first narrative short film using virtual reality technology, which won the Best Film award at the Tampere Film Festival. She also directed her first feature film, <\/span><b>Two<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In subsequent years, her career path shifted due to Iran\u2019s restrictive policies, leading her to focus more on independent work. This included a protest performance in December 2022, which garnered international attention and coincided with her imprisonment. Her most recent activity is acting in Mohammad Rasoulof&#8217;s film, <\/span><b>The Seed of the Sacred Fig <\/b><span style=\"font-weight: 400;\">(IFFR 2025), which earned her a German Film Critics Award and Asia Pacific Film Festival acting award nomination.<\/span><\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tMarcelo Gomes\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><b>Marcelo Gomes<\/b><span style=\"font-weight: 400;\">\u2019 first feature film, <\/span><b>Cinema, Aspirins and Vultures<\/b><span style=\"font-weight: 400;\"> (IFFR 2006), premiered at Cannes Film Festival as part of the Un Certain Regard programme, where it received an award from the French Ministry of Education. Gomes&#8217; films have been shown at various international film festivals, including Venice, Rotterdam, Toronto, San Sebasti\u00e1n and the Berlinale. <\/span><b>Portrait of a Certain Orient <\/b><span style=\"font-weight: 400;\">(2024), premiered at IFFR in the Big Screen Competition. He recently directed the TV Series <\/span><b>Oxygen Masks Will Not Drop Automatically<\/b><span style=\"font-weight: 400;\">, released by HBO Max in August 2025. His latest film <\/span><b>Dolores<\/b><span style=\"font-weight: 400;\"> (2025, co-directed with Maria Clara Escobar) premiered at the San Sebasti\u00e1n Film Festival. <\/span><\/p>\n<p>[image credit: Mujica]<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAriane Labed\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><span style=\"font-weight: 400;\"><strong>Ariane Labed<\/strong> is a Greek-French actress and film director. She studied drama at Provence University, where she co-founded the Vasistsas theatre company. At the 67th Venice International Film Festival, she was awarded the Volpi Cup for Best Actress for her feature film debut in <\/span><b>Attenberg <\/b><span style=\"font-weight: 400;\">(2010). She starred in Yorgos Lanthimos&#8217; films <\/span><b>Alps <\/b><span style=\"font-weight: 400;\">(IFFR 2012)<\/span> <span style=\"font-weight: 400;\">and <\/span><b>The Lobster <\/b><span style=\"font-weight: 400;\">(2015). She made her directorial debut with <\/span><b>September Says <\/b><span style=\"font-weight: 400;\">(IFFR 2025),<\/span> <span style=\"font-weight: 400;\">which premiered in the Un Certain Regard section at the 2024 Cannes Film Festival.<\/span><\/p>\n<p>[image credit: Yorgos Lanthimos]<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKristy Matheson\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><strong>Kristy Matheson<\/strong> is the BFI Festivals Director. Her\u202finterest in connecting audiences, artists and ideas has led to her work as a Curator and Festival Director \u2013 in 2022 she was the Creative Director of the Edinburgh International Film Festival and prior to moving to the UK, was the Director of Film at ACMI, Australia\u2019s national museum of screen culture. Matheson has held roles at Sydney Film Festival, Brisbane International Film Festival and in independent film distribution for Dendy Films. She served on Screen Australia\u2019s Gender Matters Taskforce, as a jury member for BAFTA\u2019s Outstanding Debut by a British Writer, Director, or Producer and is a recipient of the Natalie Miller Fellowship.<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJurica Pavi\u010di\u0107\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><b>Jurica Pavi\u010di\u0107<\/b><span style=\"font-weight: 400;\"> is a Croatian novelist, screenwriter, short story writer and journalist. Author of 11 novels and two short story collections, he gained literary reputation with his unorthodox thrillers and crime novels which mix social analysis with deep insights into morally complex situations and human destinies. His crime novel <\/span><i><span style=\"font-weight: 400;\">Red Water<\/span><\/i><span style=\"font-weight: 400;\"> (published in Croatian in 2017) won the Le Points award and the Grand Prix de Litt\u00e9rature Polici\u00e8re for the best European crime novel in 2021. It was also selected as one of the 10 best crime novels or thrillers in 2025 by the <\/span><i><span style=\"font-weight: 400;\">Financial Times<\/span><\/i><span style=\"font-weight: 400;\">. <\/span><i><span style=\"font-weight: 400;\">The Guardian<\/span><\/i><span style=\"font-weight: 400;\"> declared him &#8220;one of Europe&#8217;s top crime novelists&#8221;. Pavi\u010di\u0107 is also a renowned journalist and film critic. He has published several books on film criticism, and the history of Yugoslav and Croatian cinema.<\/span><\/p>\n<p>[image credit: Jakov Prki\u0107]<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Past winners<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2025<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/fiume-o-morte\">Fiume o morte!<\/a><\/strong> by Igor Bezinovi\u0107<br>Special Jury Award: <strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/larbre-de-lauthenticit\u00e9\">L\u2019arbre de l\u2019authenticit\u00e9<\/a><\/strong>&nbsp;by Sammy Baloji<br>Special Jury Award: <strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2025\/films\/im-haus-meiner-eltern\">Im Haus meiner Eltern<\/a><\/strong>&nbsp;by Tim Ellrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/rei\" target=\"_blank\" rel=\"noreferrer noopener\">Rei&nbsp;<\/a><\/strong>by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/tanaka-toshihiko\" target=\"_blank\" rel=\"noreferrer noopener\">Tanaka Toshihiko<\/a><br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/flathead\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Flathead&nbsp;<\/strong><\/a>by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/jaydon-martin\" target=\"_blank\" rel=\"noreferrer noopener\">Jaydon Martin<\/a><br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/iffr\/2024\/films\/kiss-wagon\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kiss Wagon<\/strong><\/a>&nbsp;by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/midhun-murali\" target=\"_blank\" rel=\"noreferrer noopener\">Midhun Murali<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2023<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/le-spectre-de-boko-haram\" target=\"_blank\" rel=\"noreferrer noopener\">Le spectre de Boko Haram<\/a>&nbsp;<\/strong>by&nbsp;<a href=\"https:\/\/iffr.com\/en\/persons\/cyrielle-raingou\" target=\"_blank\" rel=\"noreferrer noopener\">Cyrielle Raingou<\/a><br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/munnel\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Munnel<\/strong><\/a>&nbsp;by Visakesa Chandrasekaram<br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/iffr\/2023\/films\/new-strains\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>New Strains<\/strong><\/a>&nbsp;by&nbsp;Artemis Shaw,&nbsp;Prashanth Kamalakanthan<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/iffr\/2022\/films\/eami\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>EAMI<\/strong><\/a>&nbsp;by Paz Encina<br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/iffr\/2022\/films\/excess-will-save-us\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Excess Will Save Us<\/strong><\/a>&nbsp;by Morgane Dziurla-Petit<br>Special Jury Award:&nbsp;<strong><a href=\"https:\/\/iffr.com\/en\/expanded\/2022\/films\/to-love-again\" target=\"_blank\" rel=\"noreferrer noopener\">To Love Again<\/a><\/strong>&nbsp;by Gao Linyang<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2021<\/h3>\n\n\n\n<p><a href=\"https:\/\/iffr.com\/en\/2021\/films\/pebbles\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Pebbles<\/strong><\/a>&nbsp;by Vinothraj P.S.<br>Special Jury Award:&nbsp;<strong><a href=\"https:\/\/iffr.com\/en\/2021\/films\/i-comete-%E2%88%92-a-corsican-summer\" target=\"_blank\" rel=\"noreferrer noopener\">I Comete \u2013 A Corsican Summer<\/a>&nbsp;<\/strong>by&nbsp;Pascal Tagnati<br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/2021\/films\/looking-for-venera\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Looking for Venera<\/strong><\/a>&nbsp;by Norika Sefa<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2020<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2020\/films\/the-cloud-in-her-room\" target=\"_blank\" rel=\"noreferrer noopener\">The Cloud in Her Room<\/a>&nbsp;<\/strong>by&nbsp;Zheng Lu Xinyuan<br>Special Jury Award:&nbsp;<strong><a href=\"https:\/\/iffr.com\/en\/2020\/films\/beasts-clawing-at-straws\" target=\"_blank\" rel=\"noreferrer noopener\">Beasts Clawing at Straws<\/a><\/strong>&nbsp;by Kim Yonghoon<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2019<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2019\/films\/present-perfect\" target=\"_blank\" rel=\"noreferrer noopener\">Present.Perfect.<\/a>&nbsp;<\/strong>by Zhu Shengze<br>Special Jury Award:&nbsp;<a href=\"https:\/\/iffr.com\/en\/2019\/films\/take-me-somewhere-nice\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Take Me Somewhere Nice<\/strong><\/a>&nbsp;by&nbsp;Ena Sendijarevi\u0107<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2018<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/the-widowed-witch\">The Widowed Witch<\/a><\/strong>&nbsp;by Cai Chengjie<br>Special Jury Award:&nbsp;the screenplay of&nbsp;<strong><a href=\"https:\/\/iffr.com\/en\/2018\/films\/the-reports-on-sarah-and-saleem\">The Reports on Sarah and Saleem<\/a><\/strong>,&nbsp;written by Rami Alayan<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2017<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/nl\/2017\/films\/sexy-durga\">Sexy Durga<\/a><\/strong>&nbsp;by Sanal Kumar Sasidharan<br>Special Jury Award:&nbsp;<strong><a href=\"https:\/\/iffr.com\/nl\/2017\/films\/rey\">Rey<\/a>&nbsp;<\/strong>by Niles Atallah<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2016<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/radio-dreams\">Radio Dreams<\/a><\/strong>&nbsp;by Babak Jalali<br>Special Jury Award:&nbsp;<strong><a href=\"https:\/\/iffr.com\/en\/2016\/films\/la-%C3%BAltima-tierra\">La \u00faltima tierra<\/a>&nbsp;<\/strong>by Pablo Lamar, for exceptional artistic achievement in sound design<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2015<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/la-obra-del-siglo\" target=\"_blank\" rel=\"noreferrer noopener\">La obra del siglo<\/a><\/strong>&nbsp;by Carlos M. Quintela<br><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/videophilia-and-other-viral-syndromes\">Videophilia (and Other Viral Syndromes)<\/a><\/strong>&nbsp;by Juan Daniel F. Molero<br><strong><a href=\"https:\/\/iffr.com\/en\/2015\/films\/vanishing-point\">Vanishing Point<\/a><\/strong>&nbsp;by Jakrawal Nilthamrong<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2014<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/anatomy-of-a-paper-clip\" target=\"_blank\" rel=\"noreferrer noopener\">Anatomy of a Paper Clip<\/a><\/strong>&nbsp;by Ikeda Akira<br><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/han-gong-ju\">Han Gong-Ju<\/a><\/strong>&nbsp;by Lee Su-Jin<br><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/something-must-break\">Something Must Break<\/a><\/strong>&nbsp;by Ester Martin Bergsmark<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2013<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/fat-shaker\">Fat Shaker<\/a><\/strong>&nbsp;by Mohammad Shirvani<br><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/my-dog-killer\">My Dog Killer<\/a><\/strong>&nbsp;by Mira Fornay<br><strong><a href=\"https:\/\/iffr.com\/en\/2013\/films\/soldate-jeannette\">Soldate Jeannette<\/a><\/strong>&nbsp;by Daniel Hoesl<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2012<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/clip\">Clip<\/a>&nbsp;<\/strong>by Maja Milo\u0161<br><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/de-jueves-a-domingo\">De jueves a domingo<\/a><\/strong>&nbsp;by Dominga Sotomayor<br><strong><a href=\"https:\/\/iffr.com\/en\/2012\/films\/egg-and-stone\">Egg and Stone<\/a><\/strong>&nbsp;by Huang Ji<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2011<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/eternity\">Tee-rak \/ Eternity<\/a><\/strong>&nbsp;by Sivaroj Kongsakul<br><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/the-journals-of-musan\">Musan il-gy \/ The Journals of Musan<\/a>&nbsp;<\/strong>by Park Jung-Bum<br><strong><a href=\"https:\/\/iffr.com\/en\/2011\/films\/finisterrae\">Finisterrae<\/a><\/strong>&nbsp;by Sergio Caballero<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2010<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/mundane-history\">Mundane History<\/a><\/strong>&nbsp;by Anocha Suwichakornpong<br><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/alamar\" target=\"_blank\" rel=\"noreferrer noopener\">Alamar<\/a>&nbsp;<\/strong>by Pedro Gonz\u00e1lez-Rubio<br><strong><a href=\"https:\/\/iffr.com\/en\/2010\/films\/agua-fr%C3%ADa-de-mar\" target=\"_blank\" rel=\"noreferrer noopener\">Agua fr\u00eda de mar<\/a><\/strong>&nbsp;by Paz F\u00e1brega<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2009<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/be-calm-and-count-to-seven\">Be Calm and Count to Seven<\/a><\/strong>&nbsp;by Ramtin Ravafipour<br><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/breathless\">Breathless<\/a>&nbsp;<\/strong>by Yang Ik-June<br><strong><a href=\"https:\/\/iffr.com\/en\/2009\/films\/wrong-rosary\">Wrong Rosary<\/a>&nbsp;<\/strong>by Mahmut Fazil Coskun<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2008<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/flower-in-the-pocket\">Flower in the Pocket<\/a>&nbsp;<\/strong>by Liew Seng Tat<br><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/go-with-peace-jamil\">Go with Peace Jamil<\/a><\/strong>&nbsp;by Omar Shargawi<br><strong><a href=\"https:\/\/iffr.com\/en\/2008\/films\/wonderful-town\">Wonderful Town<\/a>&nbsp;<\/strong>by Aditya Assarat<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2007<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/love-conquers-all\">Love Conquers All<\/a><\/strong>&nbsp;by Tan Chui Mui<br><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/die-unerzogenen\">Die Unerzogenen<\/a><\/strong>&nbsp;by Pia Marais<\/p>\n\n\n\n<p>Ex aequo:<br><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/afr\">AFR<\/a>&nbsp;<\/strong>by&nbsp;Morten Hartz Kaplers<br><strong><a href=\"https:\/\/iffr.com\/en\/2007\/films\/bog-of-beasts\">Bog Of Beasts<\/a>&nbsp;<\/strong>by Claudio Assis<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2006<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/old-joy\">Old Joy<\/a>&nbsp;<\/strong>by Kelly Reichardt<br><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/la-perrera\">La Perrera<\/a><\/strong>&nbsp;by Manuel Nieto Zas<br><strong><a href=\"https:\/\/iffr.com\/en\/2006\/films\/walking-on-the-wild-side\">Walking On the Wild Side<\/a>&nbsp;<\/strong>by Han Jie<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2005<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2014\/films\/4\">4<\/a><\/strong>&nbsp;by Ilya Khrzhanovsky<br><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/el-cielo-gira\">El cielo gira<\/a><\/strong>&nbsp;by Mercedes Alvarez<br><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/nemmeno-il-destino\">Nemmeno il destino<\/a>&nbsp;<\/strong>by Daniele Gaglianone<\/p>\n\n\n\n<p>Special mentions:<br><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/bride-of-silence\">Bride of Silence<\/a><\/strong>&nbsp;by Doan Minh Phuong &amp; Doan Thanh Nhgia<br><strong><a href=\"https:\/\/iffr.com\/en\/2005\/films\/sanctuary\">Sanctuary<\/a>&nbsp;<\/strong>by Ho Yuhang<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2004<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/the-missing\">The Missing<\/a><\/strong>&nbsp;by Lee Kang-sheng<br><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/summer-in-the-golden-valley\">Summer in the Golden Valley<\/a><\/strong>&nbsp;by Srdjan Vuletic<br><strong><a href=\"https:\/\/iffr.com\/en\/2004\/films\/unterwegs\">Unterwegs<\/a>&nbsp;<\/strong>by Jan Krueger<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2003<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2003\/films\/extra%C3%B1o\">Extra\u00f1o<\/a>&nbsp;<\/strong>by Santiago Loza<br><strong><a href=\"https:\/\/iffr.com\/en\/2003\/films\/jealousy-is-my-middle-name\">Jealousy Is My Middle Name<\/a>&nbsp;<\/strong>by Park Chan-Ok<br><strong><a href=\"https:\/\/iffr.com\/en\/2003\/films\/with-love-lilya\">With Love. Lilya<\/a><\/strong>&nbsp;by Larisa Sadilova<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2002<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2002\/films\/everyday-god-kisses-us-on-the-mouth\">Everyday God Kisses Us On The Mouth<\/a><\/strong>&nbsp;by Sinisa Dragin<br><strong><a href=\"https:\/\/iffr.com\/en\/2002\/films\/tussenland\">Tussenland<\/a>&nbsp;<\/strong>by Eugenie Jansen<br><strong><a href=\"https:\/\/iffr.com\/en\/2002\/films\/wild-bees\">Wild Bees<\/a>&nbsp;<\/strong>by Bohhdan Slama<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2001<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2001\/films\/25-watts\" target=\"_blank\" rel=\"noreferrer noopener\">25 Watts<\/a><\/strong>&nbsp;by Juan Pablo Rebella and Pablo Stoll<br><a href=\"https:\/\/iffr.com\/en\/2001\/films\/bad-company\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Bad Company<\/strong><\/a>&nbsp;by Furumaya Tomoyuki<br><a href=\"https:\/\/iffr.com\/en\/2001\/films\/in-den-tag-hinein\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>In den Tag hinein<\/strong><\/a>&nbsp;by Maria Speth<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2000<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/2000\/films\/bye-bye-blue-bird\" target=\"_blank\" rel=\"noreferrer noopener\">Bye Bye Blue Bird<\/a><\/strong>&nbsp;by Katrin Ottarsdott\u00edr<br><a href=\"https:\/\/iffr.com\/en\/2000\/films\/mundo-gr%C3%BAa\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Mundo gr\u00faa<\/strong><\/a>&nbsp;by Pablo Trapero<br><a href=\"https:\/\/iffr.com\/en\/2000\/films\/suzhou-river\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Suzhou River<\/strong><\/a>&nbsp;by Lou Ye<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1999<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/1999\/films\/following\" target=\"_blank\" rel=\"noreferrer noopener\">Following<\/a><\/strong>&nbsp;by Christopher Nolan<br><a href=\"https:\/\/iffr.com\/en\/1999\/films\/the-iron-heel-of-oligarchy\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The Iron Heel of Oligarchy<\/strong><\/a>&nbsp;by Alexander Bashirov&nbsp;<br><a href=\"https:\/\/iffr.com\/en\/1999\/films\/plus-quhier-moins-que-demain\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Plus qu&#8217;hier, moins que demain<\/strong><\/a>&nbsp;by Laurent Achard<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1998<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/iffr.com\/en\/1998\/films\/die-siebtelbauern\" target=\"_blank\" rel=\"noreferrer noopener\">Die Siebtelbauern<\/a><\/strong>&nbsp;by Stefan Ruzowitzky<br><a href=\"https:\/\/iffr.com\/en\/1998\/films\/giro-di-lune-tra-terra-e-mare\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Giro di Lune tra terra e mare<\/strong><\/a>&nbsp;by Giuseppe Gaudino<br><a href=\"https:\/\/iffr.com\/en\/1998\/films\/knofl%C3%ADkari\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Knofl\u00edkari<\/strong><\/a>&nbsp;by Petr Zelenka<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1997<\/h3>\n\n\n\n<p><strong>The Day a Pig Fell into the Well<\/strong>&nbsp;by Hung Sang-Soo<br><strong>Last Holiday<\/strong>&nbsp;by Amir Karakulov<br><strong>Robinson in Space<\/strong>&nbsp;by Patrick Keiller<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1996<\/h3>\n\n\n\n<p><strong>Erzi<\/strong>&nbsp;by Zhang Yuan&nbsp;<br><strong>Like Grains of Sand<\/strong>&nbsp;by Hasiguchi Ryosuke<br><strong>Small Faces<\/strong>&nbsp;by Gillies MacKinnon<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1995<\/h3>\n\n\n\n<p><strong>Fuyu no kappa<\/strong>&nbsp;by Kazama Shiori<br><strong>Postman<\/strong>&nbsp;by He Jianjun<br><strong>Thalassa, Thalassa, R\u00fcckkehr zum Meer<\/strong>&nbsp;by Bogdan Dumitrescu<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IFFR\u2019s trade mark competition celebrates the innovative and adventurous spirit of up-and-coming filmmakers from all over the world. The competition was founded in 1995 with the aim of discovering, raising the profile of and rewarding up-and-coming international film talent. The Tiger Award is accompanied by a \u20ac40,000 cash prize, to be shared between the director [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":79318,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"class_list":["post-79319","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tiger Competition - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/awards-competitions\/tiger-competition\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tiger Competition - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"IFFR\u2019s trade mark competition celebrates the innovative and adventurous spirit of up-and-coming filmmakers from all over the world. The competition was founded in 1995 with the aim of discovering, raising the profile of and rewarding up-and-coming international film talent. 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