{"id":221448,"date":"2026-01-16T15:30:52","date_gmt":"2026-01-16T14:30:52","guid":{"rendered":"https:\/\/iffr.com\/en\/?page_id=221448"},"modified":"2026-01-27T11:33:18","modified_gmt":"2026-01-27T10:33:18","slug":"rotterdam-lab-participants-2026","status":"publish","type":"page","link":"https:\/\/iffr.com\/en\/iffr-pro\/talent-development\/rotterdam-lab\/rotterdam-lab-participants-2026","title":{"rendered":"Rotterdam Lab 2026                      producers and creators"},"content":{"rendered":"<figure style=\"aspect-ratio:16\/9;\" class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1684\" height=\"950\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Captura-de-pantalla-2026-01-20-a-las-14.04.57.png?image-crop-positioner-ts=1768914322\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Captura-de-pantalla-2026-01-20-a-las-14.04.57.png?image-crop-positioner-ts=1768914322 1684w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Captura-de-pantalla-2026-01-20-a-las-14.04.57-288x162.png?image-crop-positioner-ts=1768914322 288w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Captura-de-pantalla-2026-01-20-a-las-14.04.57-432x243.png?image-crop-positioner-ts=1768914322 432w, https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Captura-de-pantalla-2026-01-20-a-las-14.04.57-832x468.png?image-crop-positioner-ts=1768914322 832w\" sizes=\"auto, (max-width: 1684px) 100vw, 1684px\" \/><\/figure>\n\n\n<p>We&#8217;re proud to introduce to you the 83 emerging producers and creators from over 45 countries coming to IFFR for this edition&#8217;s Rotterdam Lab.<\/p>\n\n\n\n<p>Across five inspiring days of panels, roundtables, and networking events, participants have the chance to sharpen their producing skills and knowledge, exchange ideas, and build lasting international connections in a vibrant, supportive environment.<\/p>\n\n\n\n<p>For the first time, Rotterdam Lab welcomes 20 creators for a new and parallel strand tailored for writers and directors to deepen their understanding of production and the business of film and TV.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">New Rotterdam Lab partners<\/h2>\n\n\n\n<p>In its 26th edition, the Rotterdam Lab hosts 83 producers and creators nominated by partner organisations from around the world. IFFR is also welcoming three new Lab partners for 2026: Baghdad Film Institute&nbsp;(Iraq), Full Spectrum Features (USA), Indigenous Screen Office \u2013 ISO (Canada) and we\u2019re delighted to see the return of the New Zealand Film Commission \u2013 NZFC (New Zealand) Film i V\u00e4st (Sweden) and CINECITT\u00c0 (Italy) to the family of Rotterdam Lab partners.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Creators Lab<\/h2>\n\n\n\n<p>This new track will be tailored for writers and directors to deepen their understanding of production and the business of film and TV. This initiative builds on the success of the Rotterdam Producers\u2019 Lab and follows its 25th anniversary with an expanded reach.<\/p>\n\n\n\n<p>For the writers and directors in the&nbsp;Creators Lab, dedicated plenary sessions and masterclasses establishing the fundamentals of the film and TV business will run in parallel to the sessions of the traditional Rotterdam Lab. The two groups \u2013 creators and producers \u2013 will then reconverge for roundtables, workshops and group sessions with high level industry guests and veterans which form the backbone of the Rotterdam Lab. Participants are nominated through IFFR Pro\u2019s partner organisations.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rotterdam Lab 2026 participants<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Aflamuna<\/strong><\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKarim Kassem (Lebanon) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p data-start=\"32\" data-end=\"326\"><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Karim-Kassem.jpg\" alt=\"karim\" \/><\/p>\n<p data-start=\"32\" data-end=\"326\">Karim KASSEM (Lebanon) is an award-winning Lebanese director and cinematographer. Over a five-year period he has made <strong data-start=\"154\" data-end=\"172\">Only the Winds<\/strong> (2020), <strong data-start=\"181\" data-end=\"192\">Octopus<\/strong> (2021), <strong data-start=\"201\" data-end=\"212\">Thiiird<\/strong> (2023), <strong data-start=\"221\" data-end=\"233\" data-is-only-node=\"\">Moondove<\/strong> (2024) and <strong data-start=\"245\" data-end=\"254\">Pipes<\/strong> (2025). His sixth film, <strong data-start=\"279\" data-end=\"296\">Sunset Yellow<\/strong>, is currently in development.<\/p>\n<p data-start=\"328\" data-end=\"482\"><strong data-start=\"328\" data-end=\"360\">Screen Productions \u2013 Lebanon<\/strong><br data-start=\"360\" data-end=\"363\" \/>Screen Productions is an independent production company founded in 2020, which has produced five feature films to date.<\/p>\n<p><span style=\"text-decoration: underline\">Projects in development<\/span><b><br \/>\n<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Sunset Yellow<\/b><span style=\"font-weight: 400\">, directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>This One\u2019s Different<\/b><span style=\"font-weight: 400\">, directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\">Released films<\/span><b><br \/>\n<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Only the Winds<\/b><span style=\"font-weight: 400\"> (2020), directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Octopus<\/b><span style=\"font-weight: 400\"> (2021), directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Thiiird<\/b><span style=\"font-weight: 400\"> (2023), directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Moondove<\/b><span style=\"font-weight: 400\"> (2024), directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Pipes<\/b><span style=\"font-weight: 400\"> (2025), directed by Karim Kassem (hybrid feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/aflamuna.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Aflamuna\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Arab Cinema Center<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tFahad Samman (Saudi Arabia)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Fahad-Samman.jpeg\" alt=\"Fahad Samman\" \/><\/p>\n<p><b>Fahad SAMMAN (Saudi Arabia)<\/b><span style=\"font-weight: 400\"> is a Jeddah-based producer and co-founder of Righters House. With a background in music production and directing, he brings a strong sensitivity to sound, rhythm and mood to his producing work, often using sound design as a narrative tool to heighten tension and emotion. He produces director-led film and series projects, supporting them from development and packaging through to production and post-production. His credits include the short film <\/span><b>Kabreet<\/b><span style=\"font-weight: 400\">, winner of Best Short Film at the 9th Saudi Film Festival. He is currently producing the psychological horror feature <\/span><b>Close Rose Close<\/b><span style=\"font-weight: 400\"> and developing <\/span><b>Dhel<\/b><span style=\"font-weight: 400\">, while building a slate of Saudi stories with international co-production potential.<\/span><\/p>\n<p><b>Righters House \u2013 Saudi Arabia<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400\"> Righters House is a Jeddah-based studio specialising in screenwriting, production and talent development. It develops and produces local and international films and series to high creative and professional standards, with particular expertise in original IP, story development, script doctoring and writers\u2019 rooms. The company supports projects end to end, from pre-production through on-set coordination to post-production, and runs workshops and initiatives to nurture Saudi talent, including women in technical roles. Aligned with Saudi Vision 2030, Righters House is dedicated to strengthening authentic Saudi storytelling and the global presence of Saudi cinema.<\/span><\/p>\n<p data-start=\"34\" data-end=\"171\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"34\" data-end=\"171\"><strong data-start=\"64\" data-end=\"84\">Close Rose Close<\/strong> , directed by Rulan Hasan (fiction feature)<\/li>\n<li data-start=\"34\" data-end=\"171\"><strong data-start=\"123\" data-end=\"131\">Dhel,\u00a0<\/strong> directed by Dania Altayeb (fiction feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tRana Matar (Egypt \/ Algeria \/ Jordan)- CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Rana-Matar.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"47\" data-end=\"668\"><strong data-start=\"47\" data-end=\"69\">Rana MATAR (Egypt)<\/strong> is an Egyptian, Algerian and Jordanian filmmaker with a degree in film. She wrote and directed <strong data-start=\"165\" data-end=\"204\">Does It Hurt Too Bad to Look at Me?<\/strong>, NEOM\u2019s first short film, which premiered at the 45th Cairo International Film Festival and screened at festivals including Red Sea, Amman and the Saudi Film Festival. She also wrote, directed, shot and edited the short documentary <strong data-start=\"437\" data-end=\"456\">Your Voice Only<\/strong>, which won the Netflix Award for Best Documentary at the BFI Film Festival and the NEOM Award for Best Saudi Documentary, and premiered in competition at the Kurzfilm Hamburg International Short Film Festival.<\/p>\n<p data-start=\"670\" data-end=\"916\">Matar was selected for the Royal Film Commission of Jordan\u2019s Series Lab to develop her series <strong data-start=\"764\" data-end=\"778\">Why, Soad?<\/strong>, and for the UNESCO\u2013Tamayouz Cinema Residency for 10 Young African Women Filmmakers to write and direct a short film supported by UNESCO.<\/p>\n<p><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li><b>Gezira, on the Line<\/b><span style=\"font-weight: 400\">, directed by Rana Matar (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li><b>Your Voice Only<\/b><span style=\"font-weight: 400\">, directed by Rana Matar (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Does It Hurt Too Bad to Look at Me?<\/b><span style=\"font-weight: 400\">, directed by Rana Matar (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/acc.film\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Arab Cinema Center\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Baghdad Film Institute<\/strong><\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSaman Mustefa (Iraq) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Saman-Mustefa--scaled.jpg\" alt=\"SAMAN MUSTEFA\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Saman MUSTEFA has written, produced, and directed six short films. His most recent work, <strong>Ido<\/strong>, received nominations at various international film festivals in 2021, and won &#8220;Best Short Film&#8221; at the Australia International Short Film Festival, as well as the &#8220;Best Short Film Award&#8221; at the Kurdish Film Festival in Berlin.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Mustefa is a key figure in the Kurdish film industry, serving as the representative of Mitosfilm in the Kurdistan Region. He has worked as both first and second assistant director on numerous international productions filmed in the KRG, including <strong>Baghdad Messi<\/strong> by Sahim Omar Kalifa, <strong>Hurrya<\/strong> by Paxton Winters, <strong>A Noiva<\/strong> by S\u00e9rgio Tr\u00e9faut, and <strong>Winners<\/strong> by Soleen Yusef, among others.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Storyline &#8211; Iraq<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Storyline is an independent film production and distribution company founded in 2020 in Erbil, the Capital of Kurdistan Regional Government-Iraq. Storyline produces its own content with local Kurdish filmmakers, aiming to support authentic storytelling and producing thought-provoking feature and documentary films. Storyline also focuses on production services for international projects in the region and the rest of the Middle East. The company has a multi-language, highly experienced film crew and works closely with local governmental institutions, security companies, rental houses, and extensive storage of props, costume and equipment. It offers German Film Insurance for international projects through its sister company, M\u00eetosfilm in Berlin.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The day after wedding<\/b><span style=\"font-weight: 400\">, directed by Saman Mustefa (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Ido, <\/b><span style=\"font-weight: 400\">directed by Saman Mustefa (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Illegal, <\/b><span style=\"font-weight: 400\">directed by Saman Mustefa (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/bfiiq.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Baghdad Film Institute\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">British Council<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tCarley Armstrong (United Kingdom) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Carley-Armstrong--scaled.jpg\" alt=\"CARLEY ARMSTRONG\" \/><\/p>\n<p><span style=\"font-weight: 400\">Carley ARMSTRONG is an emerging producer, writer, and experienced script supervisor with experience across film, television, and theatre. Based in the North East of England, she has worked on acclaimed productions including <\/span><b>Mission: Impossible<\/b><span style=\"font-weight: 400\">, <\/span><b>Adolescence<\/b><span style=\"font-weight: 400\">, <\/span><b>Boiling Point<\/b><span style=\"font-weight: 400\"> and <\/span><b>28 Years Later<\/b><span style=\"font-weight: 400\">. As the founder of True Moon Pictures, Armstrong is steadily emerging as one of the North East&#8217;s most dynamic independent film producers, building a distinctive slate of bold, socially charged stories that amplify underrepresented voices. Her upcoming film, <\/span><b>A Woman of Good Abilities<\/b><span style=\"font-weight: 400\"> starring Vinette Robinson and James Nelson Joyce, directed by Mark Chapman continues her commitment to emotionally resonant, character-led storytelling.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Combining creative instinct with on-set precision, Armstrong brings both artistic vision and production expertise to every project. She is currently developing a slate of film and television work whilst collaborating with established and emerging talent across the UK.<\/span><\/p>\n<p><b>True Moon Pictures \u2013 United Kingdom<\/b><\/p>\n<p><span style=\"font-weight: 400\">True Moon Pictures is a North East\u2013based film production company dedicated to bold, emotionally intelligent storytelling from underrepresented voices. Founded by producer and filmmaker Carley Armstrong, the company focuses on genre-driven stories that explore identity and transformation, combining cinematic ambition with social relevance.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Little Bird<\/b><span style=\"font-weight: 400\">, directed by Faye Jackson (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>They<\/b><span style=\"font-weight: 400\">, directed by Faye Jackson (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Held<\/b><span style=\"font-weight: 400\">, directed by Mark Chapman (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>A Woman Of Good Abilities<\/b><span style=\"font-weight: 400\">, directed by Mark Chapman (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>A Woman Of Good Abilities<\/b><span style=\"font-weight: 400\">, directed by Mark Chapman (proof of concept);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Amazing Grace<\/b><span style=\"font-weight: 400\">, directed by Ruth Carney (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Red Riding<\/b><span style=\"font-weight: 400\">, directed by Craig Conway (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Hide<\/b><span style=\"font-weight: 400\">, directed by Ian Curtis (fiction short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>I Fought The Law<\/b><span style=\"font-weight: 400\">, directed by Erik Richter Strand (TV series);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Stripped Down<\/b><span style=\"font-weight: 400\">, directed by Joshua Olive (fiction short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Non Compos Mentis<\/b>, directed by Alana Mae Flynn (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tCatherine Joy White (United Kingdom) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Catherine-White-headshot-scaled.jpg\" alt=\"CATHERINE JOY WHITE\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Catherine Joy WHITE is an award-winning actor, author, filmmaker, gender equality ambassador and CEO of Kusini Productions, a company championing the voices of Black women and girls worldwide. Named to Forbes 30 Under 30, she is acclaimed for her debut book <em>This Thread of Gold<\/em> which won the prestigious Zora award for non-fiction and her multi-award-winning breakout short film <strong>Fifty-Four Days<\/strong>. Her award-winning portfolio includes films for the BFI and BBC, and her upcoming acting credits include <strong>The Librarians: The Next Chapter<\/strong> (TNT), <strong>The Capture<\/strong> (BBC) and a major Netflix series. Her latest film is award-winning documentary <strong>Swim Sistas<\/strong>, executive produced by Afua Hirsch and Amandla Crichlow and narrated by Academy Award nominee Naomie Harris. She is in late development on her debut feature, <strong>Black Samphire<\/strong>, a female-led folk horror and is currently writing her debut novel.<\/p>\n<p data-start=\"0\" data-end=\"400\"><strong data-start=\"0\" data-end=\"39\">Kusini Productions \u2013 United Kingdom<\/strong><br data-start=\"39\" data-end=\"42\" \/>Kusini Productions is a multi-award-winning company founded by Forbes 30 Under 30 filmmaker Catherine Joy White to champion bold, socially impactful storytelling centred on Black women and girls. Its acclaimed slate includes <strong data-start=\"267\" data-end=\"286\">Fifty-Four Days<\/strong>, winner of the 2024 Cannes Diversity Showcase, <strong data-start=\"334\" data-end=\"343\">Ceres<\/strong>, <strong data-start=\"345\" data-end=\"355\">Bridge<\/strong> (BBC-backed) and <strong data-start=\"373\" data-end=\"384\">Measure<\/strong> (BFI-backed).<\/p>\n<p data-start=\"402\" data-end=\"874\" data-is-last-node=\"\" data-is-only-node=\"\">Kusini\u2019s work has screened at BAFTA-, Oscar- and BIFA-qualifying festivals and on platforms such as Director\u2019s Notes, Minute Shorts, Girls in Film and Short of the Week. Upcoming projects include the feature films <strong data-start=\"616\" data-end=\"631\">GRO(ceries)<\/strong> and <strong data-start=\"636\" data-end=\"655\">The Consequence<\/strong>, as well as the documentary series <strong data-start=\"691\" data-end=\"706\">Swim Sistas<\/strong>. The company continues to push boundaries and shift narratives with globally resonant, cinematic stories created with BAFTA-, Emmy-, Oscar- and Olivier-winning talent.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Black Samphire<\/strong>, directed by Catherine Joy White (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Swim Sistas<\/strong>, directed by Catherine Joy White (documentary TV mini series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Primes<\/strong>, directed by Catherine Joy White (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Kusini<\/strong>, directed by Catherine Joy White (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Gro(CERIES)<\/strong>, directed by Sophie King (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Consequence<\/strong>, directed by Kammy Darweish (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Practicals<\/strong>, directed by Catherine Joy White (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Like Braille<\/strong>, directed by Catherine Joy White and Sukki Menon (fiction short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Villa Amore<\/strong>, directed by Catherine Joy White and Giorgia Cecconi (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>To My Daughter<\/strong>, directed by Catherine Joy White (animated short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Farewell She Goes<\/strong>, directed by Sophie King (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ceres<\/strong>, directed by Amelia Sears (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fifty-Four Days<\/strong>, directed by Catherine Joy White (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Rambler Man<\/strong>, directed by Angus Imrie (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Track<\/strong>, directed by Louisa Connolly Burnham (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Ceiling<\/strong>, directed by Louisa Connolly Burnham (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bridge<\/strong>, directed by Tara Agdashloo (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Does Your Condom Make You Fat?<\/strong>, directed by Sophie King (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Measure<\/strong>, directed by Helen Simmons and Julia Cranney (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ladies Coffee<\/strong>, directed by Amal Al Agroobi (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Look Up<\/strong>, directed by Catherine Joy White (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>It&#8217;s A Family Thing<\/strong>, directed by Lea Anderson (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Swim Sistas<\/strong>, directed by Catherine Joy White (documentary short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tTobi Kyeremateng (United Kingdom)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Tobi-Kyeremateng_untitled-0174SOT-2025_Credit-Peter-Searle-Screen-International.jpg\" alt=\"TOBI KYEREMATENG\" \/><\/p>\n<p data-start=\"43\" data-end=\"585\">Tobi KYEREMATENG (United Kingdom) is a BAFTA-winning producer based in London. She most recently served as associate producer on Harry Lighton\u2019s Cannes Un Certain Regard debut <strong data-start=\"223\" data-end=\"234\">Pillion<\/strong> and on Philippa Lowthorpe\u2019s adaptation <strong data-start=\"274\" data-end=\"291\">H Is for Hawk<\/strong>. Her latest Film4\/ BFI-backed short <strong data-start=\"328\" data-end=\"355\">Leaving Ikorodu in 1999<\/strong> was long-listed for Best British Short at the British Independent Film Awards and won the City of Melbourne Grand Prix for Best Short Film at the Melbourne International Film Festival, qualifying it for the 98th Academy Awards.<\/p>\n<p data-start=\"587\" data-end=\"1055\">For television, KYEREMATENG has produced for broadcasters and platforms including Channel 4, Comedy Central, NOWNESS and Sky Arts, notably the comedy-drama series <strong data-start=\"750\" data-end=\"772\">How to Be a Person<\/strong>, which won Best Short Form Programme at the 2023 BAFTA Television Awards. In the same year, she received the Netflix New Talent Award at the Women in Film &amp; TV Awards. She is a 2025 Screen Star of Tomorrow and was listed in <em data-start=\"997\" data-end=\"1005\">Forbes<\/em> 30 Under 30 Europe in Arts and Culture in 2022.<\/p>\n<p data-start=\"1057\" data-end=\"1272\">Through her creative studio Them Ones, a recipient of the 2025 BBC Small Indie Fund, she is developing several feature films with BBC Film, alongside projects for television, artists\u2019 moving image and live curation.<\/p>\n<p data-start=\"1274\" data-end=\"1852\"><strong data-start=\"1274\" data-end=\"1304\">Them Ones \u2013 United Kingdom<\/strong><br data-start=\"1304\" data-end=\"1307\" \/>Founded by BAFTA-winning producer Tobi KYEREMATENG, Them Ones is a creative studio and cultural home for audacious artists. Working across film, television, artists\u2019 moving image, knowledge production and live curated experiences, the studio champions fearless cultural production with an international reach. Current projects in development with BBC Film include a thriller written by Vivian Oparah and a Somali folklore horror written by Kosar Ali. In 2025, Them Ones received the BBC Small Indie Fund to support the development of the studio.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><b><\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Get Home Safe<\/b><span style=\"font-weight: 400\">, written by Vivian Oparah (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Dhegdheer<\/b><span style=\"font-weight: 400\">, written by Kosar Ali (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Milked<\/b><span style=\"font-weight: 400\">, directed by Joelle Mae David (series)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Evaporated<\/b><span style=\"font-weight: 400\">, directed by Joelle Mae David (series)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><b><\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Anything I\u2019ve Seen?<\/b><span style=\"font-weight: 400\">, directed by Karimah Zakia Issa (fiction short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><b><\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Leaving Ikorodu in 1999<\/b><span style=\"font-weight: 400\">, directed by Rashida Seriki (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Dating Horror Stories<\/b><span style=\"font-weight: 400\"> (TV series)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>1 Up<\/b><span style=\"font-weight: 400\">, directed by Greg Francis (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Dropped<\/b><span style=\"font-weight: 400\"> (TV series)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>How to Be a Person<\/b><span style=\"font-weight: 400\"> (TV series)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Finding 15<\/b><span style=\"font-weight: 400\">, directed by Julianknxx (experimental short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Lahai: Time Travels Memories<\/b><span style=\"font-weight: 400\">, directed by Sampha &amp; Caleb Femi (experimental short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Oya, Dance!<\/b><span style=\"font-weight: 400\">, directed by Naomi Soneye-Thomas (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Black Corporeal: Breathing by Numbers<\/b><span style=\"font-weight: 400\">, directed by Julianknxx (documentary short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/film.britishcouncil.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to British Council\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Catalan Films<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAlba Lombard\u00eda Gonzalez (Spain) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Alba-Lombardia-Gonzalez.jpg\" alt=\"ALBA LOMBARDIA GONZALEZ\" \/><\/p>\n<p>Alba LOMBARD\u00cdA GONZ\u00c1LEZ (Spain) is a producer and filmmaker. She works between France and Spain, where she has founded ESCARLATA. She keeps a keen interest in archives and field work.<\/p>\n<p>She produces for her company as well as others. Her released projects include <strong>The Drunkmen&#8217;s Marseillaise<\/strong> (directed by Pablo Gil Rituerto, coproduced by Boogaloo, <strong>Les Films de l&#8217;\u0153il sauvage<\/strong>, Graffiti Doc and Escarlata) and <strong>Good Valley Stories<\/strong> (directed by Jos\u00e9 Luis Guerin, coproduced by Los Ilusos, Orfeo and Perspective Films).<\/p>\n<p>She has extensive experience in non-fiction scriptwriting: <strong>Amilcar<\/strong>, <strong>The Drunkmen&#8217;s Marseillaise<\/strong> and a handful of documentaries on geography and history issues, mainly for ARTE, which she has sometimes directed. She has also contributed as script consultant on films such as <strong>Soy Ni\u00f1o<\/strong> and <strong>Knit&#8217;s Island<\/strong>.<\/p>\n<p><strong>ESCARLATA \u2013 Spain<\/strong><\/p>\n<p>ESCARLATA is a Barcelona-based production company dedicated to film projects across all genres, formats and lengths. While its main focus to date has been on non-fiction and visual arts, the company is committed to meaningful storytelling with a strong point of view. ESCARLATA aims to create films that resonate with diverse audiences, principles that will continue to guide its editorial direction in the years ahead.<\/p>\n<p><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li><strong>The Shortest Border in the World<\/strong>, directed by Rom\u00e1n Cadafalch (documentary feature);<\/li>\n<li><strong>Garagonoche<\/strong>, directed by Alexander Cabeza-Trigg (experimental feature);<\/li>\n<li><strong>Pool Bums<\/strong>, directed by Pablo Gil Rituerto (fiction feature);<\/li>\n<li><strong>I Am Not a Filmmaker<\/strong>, directed by Izabela Silva (documentary feature)<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li><strong>The Drunkmen&#8217;s Marseillaise<\/strong>, directed by Pablo Gil Rituerto (documentary feature);<\/li>\n<li><strong>Good Valley Stories<\/strong>, directed by Jos\u00e9 Luis Guerin (documentary feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJaime Puertas Castillo (Spain) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Jaime-Puertas-Castillo.jpg\" alt=\"JAIME PUERTAS CASTILLO\" \/><\/p>\n<p><span style=\"font-weight: 400\">Jaime PUERTAS CASTILLO (1996, Spain) grew up between Andalusia and Catalonia. He studied filmmaking at ESCAC and at the El\u00edas Querejeta Zine Eskola. He has written and directed <strong>Los P\u00e1ramos<\/strong> (2019) and<strong> Historia de pastores<\/strong> (2024), both of which have screened at international venues and festivals including the International Film Festival Rotterdam, Jeonju IFF, Cineteca Nacional de M\u00e9xico, the Jeu de Paume, Thessaloniki Film Festival and Tabakalera. Alongside his filmmaking practice, Puertas castillo is also involved in the film-education programme Cinema en curs.<\/span><\/p>\n<p><strong>Pel\u00edculas Maria \u2013 Spain<\/strong><\/p>\n<p><span style=\"font-weight: 400\">Pel\u00edculas Maria is a Barcelona-based film production and distribution company committed to developing projects that bring new sensibilities, perspectives and formal approaches to cinema, offering fresh ways of seeing and engaging with the medium.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Retorno al valle<\/strong> (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Historia de pastores<\/strong> (2024, fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Los P\u00e1ramos<\/strong> (2019, fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tMaria Riera Peris (Spain) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/MARIA-Riera-Peris.png\" alt=\"MARIA RIERA PERIS\" \/><\/p>\n<p data-start=\"35\" data-end=\"614\"><span style=\"font-weight: 400\">Maria RIERA PERIS (Spain), founder of Pel\u00edculas Maria (PM), a newly established Barcelona-based production company with a strong commitment to projects that offer fresh ways of seeing &#8211; where desire and risk come together in creative conjunction. She produced <\/span><b>Los P\u00e1ramos<\/b><span style=\"font-weight: 400\"> (2019) and <\/span><b>Historia de pastores<\/b><span style=\"font-weight: 400\"> (2024), and co-produced <\/span><b>La Durmiente <\/b><span style=\"font-weight: 400\">(2025), which premiered at the International Film Festival Rotterdam and was an EFA candidate. She also works as a freelance producer, script supervisor and workshop facilitator, and through her company is developing the feature project Retorno al valle, selected for Ikusmira Berriak 2025.<\/span><\/p>\n<p data-start=\"35\" data-end=\"614\"><strong data-start=\"0\" data-end=\"27\" data-is-only-node=\"\">Pel\u00edculas Maria \u2013 Spain<\/strong><br data-start=\"27\" data-end=\"30\" \/>Pel\u00edculas Maria is a newly established film production and distribution company committed to developing international projects that introduce new sensibilities, perspectives and formal approaches to cinema, offering fresh ways of seeing.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Retorno al valle<\/b><span style=\"font-weight: 400\">, directed by Jaime Puertas Castillo (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released film<\/span><\/span><b><br \/>\n<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>La Durmiente<\/b><span style=\"font-weight: 400\"> (2025), directed by Maria In\u00eas Gon\u00e7alves (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Historia de pastores<\/b> (2024), directed by Jaime Puertas Castillo (fiction feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/catalanfilms.cat\/en\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Catalan Films\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Cinecitt\u00e0<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tBenedetta Scagnelli (Italy)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Benedetta-Scagnelli-scaled.jpg\" alt=\"BENEDETTA SCAGNELLI\" \/><\/p>\n<p><span style=\"font-weight: 400\">Benedetta SCAGNELLI (Italy) holds a degree in Philosophy and previously served as Regional Councillor for Emilia-Romagna during the 11th Legislature. She has over ten years of experience working with various production companies as a communications manager and production delegate. She is currently focused on developing her expertise in international co-productions. Among her current projects is the debut feature <\/span><b>Fide Orba<\/b><span style=\"font-weight: 400\">, which has already secured an international sales agent and is in the process of financing. In 2024, for Yagi Media and with the support of the Calabria Film Commission, she produced the short film <\/span><b>Red Ropes<\/b><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><b>Yagi Media \u2013 Italy<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400\">Yagi Media is an independent production company founded in Rome by Benedetta SCAGNELLI and Alessio Pasqua, dedicated to producing high-quality audiovisual works for the Italian market with international reach. Established in 2023 as a creative film laboratory, the company produced <\/span><b>Red Ropes<\/b><span style=\"font-weight: 400\"> in 2024, a short film on end-of-life care, which screened at numerous genre festivals in Italy and internationally and was distributed with the support of Lazio Terra di Cinema.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In the same year, Yagi Media produced <\/span><b>Gioia Mia<\/b><span style=\"font-weight: 400\">, the debut feature by Margherita Spampinato, starring Marco Fiore and Aurora Quattrocchi, which competed in the Cineasti del Presente section at the 78th Locarno Film Festival, where Aurora Quattrocchi won the Pardo d\u2019Oro for Best Performance and the film received the CINE+ Special Jury Prize. The film also screened in competition at the 30th Busan International Film Festival and is currently showing at Alice nella Citt\u00e0 \u2013 Panorama Italia. The documentary <\/span><b>Terrific Sergio<\/b><span style=\"font-weight: 400\"> is in production for 2025 with the support of the Italian Ministry of Culture, alongside the feature <\/span><b>Fide Orba<\/b><span style=\"font-weight: 400\"> and the documentary <\/span><b>Un miglio in pi\u00f9 (One More Mile)<\/b><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Fide Orba<\/b><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Terrific Sergio<\/b><span style=\"font-weight: 400\"> (documentary)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Gioia Mia<\/b><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/cinecittatilburg.nl\/en\/films-meer-english\/#\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Cincecitt\u00e0\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Croatian Audiovisual Centre<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tMarta Eva Me\u0107ava (Croatia) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Marta-Eva-Mecava.jpg\" alt=\"MARTA EVA MECAVA\" \/><\/p>\n<p data-start=\"36\" data-end=\"653\">Marta Eva ME\u0106AVA (1998, Croatia) was born in Zagreb and holds a BA in Film and Theatre Production from the Academy of Dramatic Arts in Zagreb. She has produced several short films and music videos, most notably <strong data-start=\"251\" data-end=\"264\">Peninsula<\/strong>, which premiered at the 78th Locarno Film Festival. She has worked in a range of production roles and is currently a junior producer at Eclectica. Alongside film, she also has experience in music festival and event production. She is a member of the Film Artists\u2019 Association of Croatia and has taken part in the Cannes SFC New Producers\u2019 Room in 2023 and MIDPOINT Feature Launch in 2025.<\/p>\n<p data-start=\"655\" data-end=\"1264\"><strong data-start=\"655\" data-end=\"678\">Eclectica \u2013 Croatia<\/strong><br data-start=\"678\" data-end=\"681\" \/>Eclectica is a Zagreb-based film and television production and post-production company. It has produced more than a dozen short films that have screened at festivals including Toronto International Film Festival, Tampere Film Festival and International Film Festival Rotterdam. The company\u2019s first feature <strong data-start=\"987\" data-end=\"1000\">The Uncle<\/strong> (2022), directed by Andrija Marde\u0161i\u0107 and David Kapac, premiered in the Proxima Competition at Karlovy Vary, followed by <strong data-start=\"1121\" data-end=\"1136\" data-is-only-node=\"\">Celebration<\/strong> (2024) by Bruno Ankovi\u0107 in the Crystal Globe Competition. <strong data-start=\"1195\" data-end=\"1210\">Honey Bunny<\/strong> by Ivan Jelinovi\u0107 is set to premiere at IFFR in 2026.<\/p>\n<p data-start=\"1266\" data-end=\"1353\" data-is-last-node=\"\" data-is-only-node=\"\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"1266\" data-end=\"1353\"><strong data-start=\"1296\" data-end=\"1318\">History of Illness, <\/strong>directed by David Ga\u0161o \u00a0(fiction feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/havc.hr\/eng\/about-us\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Croatian Audiovisual Centre\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Danish Film Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tLaura B\u00f8cher Urs\u00f8 (Denmark) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Laura-Bocher-Urso-scaled.jpg\" alt=\"LAURA BOCHER\" \/><\/p>\n<p data-start=\"37\" data-end=\"772\">Laura B\u00d8CHER URS\u00d8 (Denmark) is a Copenhagen-based producer. She holds a Master\u2019s degree in Film and Media Studies from the University of Copenhagen and is currently completing her training at the alternative Danish film school Super16. Alongside Super16, B\u00f8cher Urs\u00f8 has worked since 2021 as a full-time producer and junior producer at Frau Film. She has produced several fiction short films and recently premiered the short documentary <strong data-start=\"478\" data-end=\"500\">My Dance With Rosa<\/strong> (2025) at Raindance. She currently has a feature-length documentary in post-production and is developing both a short film and a feature documentary. She has previously taken part in programmes including INTRO:DOX at CPH:DOX and the Young Nordic Producers Club in Cannes.<\/p>\n<p data-start=\"0\" data-end=\"522\"><strong data-start=\"0\" data-end=\"23\">Frau Film \u2013 Denmark<\/strong><br data-start=\"23\" data-end=\"26\" \/>Frau Film is an independent production company based in Copenhagen, committed to producing relevant, bold and entertaining fiction and non-fiction by established international filmmakers and the next generation of Danish talent. While its films often carry a touch of humour or irony, the company\u2019s focus remains on meaningful, thought-provoking cinema that pushes the boundaries of narrative and visual storytelling, frequently engaging with themes of human connection and political relevance.<\/p>\n<p data-start=\"524\" data-end=\"858\" data-is-last-node=\"\" data-is-only-node=\"\">Recent titles include <strong data-start=\"546\" data-end=\"579\">The Happiest Man in the World<\/strong> and <strong data-start=\"584\" data-end=\"594\">Mother<\/strong> by Teona Mitevska, <strong data-start=\"614\" data-end=\"626\">The Wall<\/strong> by Philippe van Leeuw, <strong data-start=\"650\" data-end=\"669\">Kandis for Life<\/strong> by Jesper Dalgaard, <strong data-start=\"690\" data-end=\"714\">Silent Sun of Russia<\/strong> by Sybilla Tuxen and the hybrid cross-media series <strong data-start=\"766\" data-end=\"783\">Another World<\/strong>. Frau Film is currently in post-production on a new climate-drama feature.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><b><br \/>\n<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Conceptions of You<\/b><span style=\"font-weight: 400\">, directed by Amalie Maria Nielsen (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Syria Kids<\/b><span style=\"font-weight: 400\">, directed by K\u00e5re Kiib (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Brothers<\/b><span style=\"font-weight: 400\">, directed by Simone Schiellerup (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released film<\/span><\/span><b><br \/>\n<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Roots<\/b><span style=\"font-weight: 400\">, directed by Sabrina Ferguen (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>My Dance With Rosa<\/b><span style=\"font-weight: 400\"> (2025), directed by Esben Thode Schultz (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Mother\/Daughter<\/b><span style=\"font-weight: 400\">, directed by Kathrine Skibsted (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Opgang 45<\/b><span style=\"font-weight: 400\">, directed by Jevgeni Jevsikov (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tNivetha Balasubramaniam (Denmark) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Nivetha-Balasubramaniam-scaled.jpg\" alt=\"NIVETHA BALASUBRAMANIAM\" \/><\/p>\n<p data-start=\"43\" data-end=\"466\"><strong data-start=\"43\" data-end=\"86\">Nivetha BALASUBRAMANIAM (1994, Denmark)<\/strong> is a Danish Tamil film director based in Copenhagen. She holds a Master\u2019s degree from the Royal Danish Academy of Fine Arts and graduated in film directing from Super16. Drawing on the colour, light and energy of Kollywood cinema alongside the humanist restraint of Danish drama, her work moves between larger-than-life storytelling and the intimate realities of a Danish suburb.<\/p>\n<p data-start=\"43\" data-end=\"466\"><strong data-start=\"0\" data-end=\"21\" data-is-only-node=\"\">Super16 \u2013 Denmark <\/strong><\/p>\n<p data-start=\"43\" data-end=\"466\">Super16 is a community of filmmakers based at Nordisk Film Studios in Valby. It operates as an association of emerging filmmakers whose skills are developed through a three-year programme. Every two years, the current members select a new class of students to continue and renew the organisation.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Neela<\/b><span style=\"font-weight: 400\">, directed by Nivetha Balasubramaniam (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Warehouse Ghost<\/b><span style=\"font-weight: 400\">, directed by Nivetha Balasubramaniam (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Amala<\/b><span style=\"font-weight: 400\">, directed by Nivetha Balasubramaniam (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Companion<\/b><span style=\"font-weight: 400\">, directed by Nivetha Balasubramaniam (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Translator<\/b><span style=\"font-weight: 400\">, directed by Nivetha Balasubramaniam (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSophie Elina Hahn (Denmark) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Sophie-Elina-Hahn-scaled.png\" alt=\"SOPHIE ELINA HAHN\" \/><\/p>\n<p>Sophie Elina HAHN (Denmark) is a producer at Adomeit Film in Copenhagen. She has been part of the company since December 2022 and is currently working closely with director Agnes Trier on the development of her first and second feature films. Sophie produced Trier\u2019s first live-action short Hex, which premiered at Odense International Film Festival in 2024 and was shortlisted for a Danish Film Award (Robert). The film has since screened at several international festivals, including Nordisk Panorama, Flensburg Short Film Festival and the Centre Film Festival in Pennsylvania. In 2023, she worked as junior producer on My Eternal Summer by Sylvia Le Fanu and The Last Paradise on Earth by Sakaris St\u00f3r\u00e1. She also took part in the Young Nordic Producers Club in Cannes in 2024.<\/p>\n<p><strong>Adomeit Film ApS \u2013 Denmark<\/strong><br \/>\nAdomeit Film is a Copenhagen-based production company founded in 2011 by Katja Adomeit. Since 2013 it has produced and co-produced 23 titles and is today run by Katja Adomeit alongside producers J\u00f3n Hammer and Sophie Hahn. The company develops, produces and co-produces original, visionary and entertaining international films and television series, aiming to combine a strong artistic vision with the potential to reach wide audiences.<\/p>\n<p><span style=\"text-decoration: underline;\">Projects in development<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><b>Gejst<\/b><span style=\"font-weight: 400;\">, directed by Agnes Trier (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>Anna 3.C<\/b><span style=\"font-weight: 400;\">, directed by Agnes Trier (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>Tristan\u2019s Mum<\/b><span style=\"font-weight: 400;\">, directed by Agnes Trier (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>0<\/b><span style=\"font-weight: 400;\">, directed by Selma Sunniva (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>The Last Woman in Afghanistan<\/b><span style=\"font-weight: 400;\">, directed by Shahrbanoo Sadat (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>The Miserables<\/b><span style=\"font-weight: 400;\">, directed by Daniel Borgman (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>2044<\/b><span style=\"font-weight: 400;\">, directed by Anna Sofie Hartmann (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\">Released films<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><b>The Initiation<\/b><span style=\"font-weight: 400;\">, directed by Thomas Steen Rasmussen (fiction short)<\/span><\/li>\n<li><b>Hex, <\/b><span style=\"font-weight: 400;\">directed by Agnes Trier, (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.dfi.dk\/en\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Danish Film Institute \n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Documentary Association of Pakistan (DAP)<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tQasim ABBAS (Pakistan) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Qasim-Abbas--scaled.jpg\" alt=\"QASIM ABBAS\" \/><\/p>\n<p data-start=\"32\" data-end=\"622\">Qasim ABBAS (Pakistan) is a Pakistani film producer working across fiction, documentary and commercial storytelling. His produced short <strong data-start=\"172\" data-end=\"191\">Permanent Guest<\/strong> (2025) premiered at the Toronto International Film Festival. Other credits include <strong data-start=\"275\" data-end=\"294\">Time After Time<\/strong>, which won Best Film at the Gandhara Independent Film Festival, as well as the internationally screened shorts <strong data-start=\"406\" data-end=\"430\">May I Have This Seat<\/strong> and <strong data-start=\"435\" data-end=\"453\" data-is-only-node=\"\">Happy Marriage<\/strong>. He also served as assistant director on <strong data-start=\"495\" data-end=\"506\">Joyland<\/strong>, the first Pakistani feature to premiere at Cannes, where it won the Jury Prize in the Un Certain Regard section.<\/p>\n<p data-start=\"624\" data-end=\"1097\">Abbas co-founded Nuqta Films with his longtime collaborator Sana Jafri, creating a Lahore- and Toronto-based hub for independent and socially engaged cinema. In addition to narrative film, he has produced large-scale sports and commercial content for leading teams in the Pakistan Super League, as well as fashion and documentary projects. He continues to develop independent film projects and multidisciplinary collaborations rooted in contemporary Pakistani storytelling.<\/p>\n<p data-start=\"0\" data-end=\"388\"><strong data-start=\"0\" data-end=\"35\">Nuqta Films \u2013 Pakistan \/ Canada<\/strong><br data-start=\"35\" data-end=\"38\" \/>Nuqta Films is a production company founded in 2022 in Lahore, dedicated to telling compelling stories through a distinct and authentic lens. While its core focus is on feature and short films, the company also works across music videos, documentaries and fashion films, reflecting a commitment to creativity, innovation and strong cinematic craft.<\/p>\n<p data-start=\"390\" data-end=\"899\" data-is-last-node=\"\" data-is-only-node=\"\">Nuqta Films places a strong emphasis on community-building, organising workshops, screenings and collaborative events that foster meaningful, long-term engagement among filmmakers and creatives. With a team of award-winning directors, producers, cinematographers, photographers and art directors, the company seeks to challenge rigid socio-political and cultural norms through film. Following its recent expansion to Toronto, Nuqta Films continues to grow its international presence and collaborative network.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Scattered Rain<\/b><span style=\"font-weight: 400\">, directed by Sana Zahra Jafri (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Would I Lie to You<\/b><span style=\"font-weight: 400\">, directed by Ali Junejo (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Permanent Guest<\/b><span style=\"font-weight: 400\"> (2025), directed by Sana Zahra Jafri (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Time After Time<\/b><span style=\"font-weight: 400\">, directed by Tabish Habib (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>May I Have This Seat<\/b><span style=\"font-weight: 400\">, directed by Tabish Habib (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Happy Marriage<\/b><span style=\"font-weight: 400\">, directed by Sana Zahra Jafri (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.documentaryassociationpakistan.com\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to DAP\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">EAVE (European Audiovisual Entrepreneurs)<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKaouthar Hadidi (France \/ Tunisia) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Kaouthar-HADIDI.jpg\" alt=\"KAOUTHAR HADID\" \/><\/p>\n<p data-start=\"44\" data-end=\"604\">Kaouthar HADIDI (France) is a Tunisian\u2013French producer and the founder of 3\u00e8me Genre Production. After fifteen years working in marketing and digital strategy, she moved into film production, bringing a strong focus on audience engagement, impact and positioning. Her work centres on artistically ambitious films that engage with contemporary social issues, with a particular interest in stories connected to Africa and the SWANA region. She is committed to fair production practices and to building creative and sustainable international collaborations.<\/p>\n<p data-start=\"606\" data-end=\"1019\">HADIDI has taken part in several international training and networking programmes, including the Doha Film Institute Producers Lab 2024, Atlas Workshop 2024 and the EAVE Producers Workshop 2025, where she developed the creative documentary <strong data-start=\"846\" data-end=\"862\">Pure Madness<\/strong> by In\u00e8s Arsi. She joins the Rotterdam Lab 2026 to further strengthen her expertise in European co-production, international financing and impact strategies.<\/p>\n<p data-start=\"1021\" data-end=\"1534\"><strong data-start=\"1021\" data-end=\"1055\">3\u00e8me Genre Production \u2013 France<\/strong><br data-start=\"1055\" data-end=\"1058\" \/>3\u00e8me Genre Production is a French production company founded in 2020, producing films at the intersection of artistic creation and contemporary social issues, with a strong focus on impact-driven narratives and the exploration of complex identities. The company advocates for fair, inclusive and responsible production practices between France and the Global South, particularly across Africa and the SWANA region, and is strongly oriented towards international collaboration.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Pure Madness<\/b><span style=\"font-weight: 400\">, directed by In\u00e8s Arsi (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Let Your Hand Touch Mine<\/b><span style=\"font-weight: 400\">, directed by Tarek Sardi (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The 4th Patient<\/b><span style=\"font-weight: 400\">, directed by Tarek Sardi (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Topology of Absence<\/b><span style=\"font-weight: 400\">, directed by In\u00e8s Arsi (animation short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Plastic Tree<\/b><span style=\"font-weight: 400\">, directed by In\u00e8s Arsi (documentary short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Featherweight<\/b><span style=\"font-weight: 400\">, directed by Ghazi Zaghbani (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Thick Skin<\/b><span style=\"font-weight: 400\">, directed by In\u00e8s Arsi (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>A Man Named After Death<\/b><span style=\"font-weight: 400\">, directed by Tarek Sardi (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Swamp<\/b><span style=\"font-weight: 400\">, directed by Helmi Dridi (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tMilad Khosravi (Iran) &#8211;  PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Milad-Khosravi--scaled.jpg\" alt=\"MILAD KHOSRAVI\" \/><\/p>\n<p data-start=\"31\" data-end=\"839\">Milad KHOSRAVI (Iran) is an Iranian producer focused on socially engaged cinema addressing children\u2019s rights, family and contemporary issues. He founded Seven Springs Pictures in 2020 and has produced acclaimed works including <strong data-start=\"262\" data-end=\"285\">Mrs. Iran\u2019s Husband<\/strong>, <strong data-start=\"287\" data-end=\"311\">The Dream of a Horse<\/strong> and <strong data-start=\"316\" data-end=\"326\">Autumn<\/strong>. He later produced a series of award-winning feature films such as <strong data-start=\"394\" data-end=\"416\">Terrestrial Verses<\/strong> (2023), which screened in Un Certain Regard at Cannes, <strong data-start=\"472\" data-end=\"495\">Requiem for a Tribe<\/strong> (2024), <strong data-start=\"504\" data-end=\"533\" data-is-only-node=\"\">Higher Than Acidic Clouds<\/strong> (2024), <strong data-start=\"542\" data-end=\"560\">Cinema Jazireh<\/strong> (2025) and <strong data-start=\"572\" data-end=\"589\">Divine Comedy<\/strong> (2025). An EAVE Producers Workshop graduate, he has also taken part in IDFA Forum, Visions du R\u00e9el, the Doha Film Institute Producers Lab and Berlinale Talents, and works to strengthen Iranian independent cinema through international co-productions.<\/p>\n<p data-start=\"841\" data-end=\"1777\"><strong data-start=\"841\" data-end=\"882\">Seven Springs Pictures \u2013 Iran \/ Qatar<\/strong><br data-start=\"882\" data-end=\"885\" \/>Seven Springs Pictures is a film production and international sales company founded in 2020 by Milad KHOSRAVI and based in Tehran and Doha. Specialising in arthouse and documentary cinema, the company has produced feature and short films including <strong data-start=\"1133\" data-end=\"1150\">Divine Comedy<\/strong>, selected for the Orizzonti Competition in Venice, <strong data-start=\"1202\" data-end=\"1220\">Cinema Jazireh<\/strong>, selected for competition at Karlovy Vary 2025, <strong data-start=\"1269\" data-end=\"1298\">Higher Than Acidic Clouds<\/strong>, which screened at IDFA, Hot Docs and Visions du R\u00e9el, <strong data-start=\"1354\" data-end=\"1376\">Terrestrial Verses<\/strong>, selected at the 2023 Cannes Film Festival, <strong data-start=\"1421\" data-end=\"1444\" data-is-only-node=\"\">Requiem for a Tribe<\/strong>, which screened at Shanghai, True\/False and Ji.hlava, <strong data-start=\"1499\" data-end=\"1522\">Mrs. Iran\u2019s Husband<\/strong>, winner of Best International Short at Hot Docs, and <strong data-start=\"1576\" data-end=\"1594\">The Snow Calls<\/strong>. Seven Springs Pictures focuses on distinctive and thought-provoking films, bringing fresh perspectives and diverse voices from Iran and the Middle East to international audiences.<\/p>\n<p data-start=\"1779\" data-end=\"2012\">The company works in long-term partnerships with filmmakers and is currently producing films by established directors such as Ali Asgari alongside emerging talents including Marjan Khosravi, Parsa Ansari, G\u00f6zde Kural and Sajad Imani.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Mellow Pink<\/b><span style=\"font-weight: 400\">, directed by Baran Sarmad (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Bride of Summer House<\/b><span style=\"font-weight: 400\">, directed by Marjan Khosravi (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Anchor<\/b><span style=\"font-weight: 400\">, directed by Azin Feizabadi (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Dreams of the Wild Oaks<\/b><span style=\"font-weight: 400\">, directed by Marjan Khosravi (hybrid feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>It\u2019s Winter<\/b><span style=\"font-weight: 400\">, directed by Sajad Imani (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Divine Comedy<\/b><span style=\"font-weight: 400\">, directed by Ali Asgari (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Higher Than Acidic Clouds<\/b><span style=\"font-weight: 400\">, directed by Ali Asgari (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Requiem for a Tribe<\/b><span style=\"font-weight: 400\">, directed by Marjan Khosravi (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Terrestrial Verses<\/b><span style=\"font-weight: 400\">, directed by Ali Asgari &amp; Alireza Khatami (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Mrs. Iran\u2019s Husband<\/b><span style=\"font-weight: 400\">, directed by Marjan Khosravi (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Dream of a Horse<\/b><span style=\"font-weight: 400\">, directed by Marjan Khosravi (documentary short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/ecam-industria.es\/la-incubadora\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to EAVE\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">ECAM &#8211; La Incubadora<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tCristina Hergueta (Spain) &#8211;  PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Cristina-Hergueta-.png\" alt=\"CRISTINA HERGUETA\" \/><\/p>\n<p><span style=\"font-weight: 400\">Cristina HERGUETA started working as a producer in 2012. Her productions include <\/span><b>The Blameless<\/b><span style=\"font-weight: 400\"> by Guillermo Benet, <\/span><b>Of Horses and Guitars<\/b><span style=\"font-weight: 400\"> by Pedro G. Romero, and <\/span><b>Karen<\/b><span style=\"font-weight: 400\"> by Rai Mar\u00eda. Her films have been selected by prestigious international festivals such as the Directors&#8217; Fortnight at Cannes, the San Sebasti\u00e1n Film Festival, CPH:DOX, and Visions du R\u00e9el.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Currently, she works between Madrid, C\u00e1ceres, and Seville through the companies Garde, Esto no es una Poes\u00eda, and BNV, collaborating with professionals from diverse backgrounds.<\/span><\/p>\n<p><strong data-start=\"0\" data-end=\"33\" data-is-only-node=\"\">Garde \u2013 Spain<\/strong><br data-start=\"33\" data-end=\"36\" \/>Garde is a production company specialising in author-driven works that move beyond conventional boundaries of genre, theme and artistic discipline. The company believes in handcrafted cinema, approaching the creative process with time, care and collective collaboration, making the journey as meaningful as the final film<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Big Rip<\/b><span style=\"font-weight: 400\">, (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Estraperla<\/b><span style=\"font-weight: 400\">,\u00a0 (series of shorts);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Cinco Cadi<\/b><span style=\"font-weight: 400\">,\u00a0 (documentary feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Vinti Quintais<\/b><span style=\"font-weight: 400\">, (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Caracafe in Kazakhstan<\/b><span style=\"font-weight: 400\">, (documentary feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>What We Did In The Shadows<\/b><span style=\"font-weight: 400\">,\u00a0 (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>De Caballos y Guitarras<\/b><span style=\"font-weight: 400\">, (documentary feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Paisajes\/Esto no es una Poes\u00eda<\/b><span style=\"font-weight: 400\">,\u00a0 (series of shorts);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Presentes\/Esto no es una Poes\u00eda<\/b><span style=\"font-weight: 400\">,\u00a0 (series of shorts);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Gorria<\/b><span style=\"font-weight: 400\">,\u00a0 (documentary short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Est\u00e1 Amaneciendo<\/b><span style=\"font-weight: 400\">, (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Blameless<\/b><span style=\"font-weight: 400\">, (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Nosotros<\/b><span style=\"font-weight: 400\">, (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Project Motherhood<\/b><span style=\"font-weight: 400\">,\u00a0 (documentary short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>In Rumore dell&#8217;Universo<\/b><span style=\"font-weight: 400\">, (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Tomorrow, the Bullet<\/b>, (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/ecam-industria.es\/la-incubadora\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to ECAM\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Film Development Council Of The Philippines<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tZig Dulay (Philippines)- CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Zig-Dulay.jpg\" alt=\"ZIG DULAY\" \/><\/p>\n<p><span style=\"font-weight: 400\">Zig DULAY (Philippines) is a Filipino filmmaker and a 2024 TOYM honouree for Film and Television, recognised for regional works that explore socio-political and cultural narratives. His recent films <strong>Firefly<\/strong> (2023) and <strong>Green Bones<\/strong> (2024) won Best Picture at the Metro Manila Film Festival in consecutive years, with Firefly also receiving Best Film at the Manila International Film Festival. He first gained recognition as a screenwriter before going on to direct acclaimed films including Missing, M., Bambanti, Paglipay, Bagahe and Black Rainbow, as well as the hit television series Maria Clara at Ibarra. Active internationally, Dulay has served on juries in France, Turkey and New York, and in 2024 he was named one of Tatler Asia\u2019s Gen.T Leaders of Tomorrow.<\/span><\/p>\n<p><strong>ZMD Productions \u2013 Philippines<\/strong><\/p>\n<p><span style=\"font-weight: 400\">ZMD Productions is a Philippine-based production company dedicated to creating films and screen content that engage with regional stories, cultural identity and socio-political realities. Under the direction of Zig DULAY, the company produces award-winning and socially resonant works across cinema and television, from acclaimed films such as Black Rainbow, Paglipay and Bambanti to culturally significant series. Committed to authentic storytelling, ZMD Productions champions Philippine regional cinema while reaching audiences both locally and internationally.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Other Side of Reality<\/b><span style=\"font-weight: 400\">, directed by Zig Dulay (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Monsters of the Sea<\/b><span style=\"font-weight: 400\">, directed by Zig Dulay (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Green Bones<\/b><span style=\"font-weight: 400\"> (2024), directed by Zig Dulay (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Firefly<\/b><span style=\"font-weight: 400\"> (2023), directed by Zig Dulay (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Black Rainbow<\/b><span style=\"font-weight: 400\">, directed by Zig Dulay (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Maria Clara at Ibarra<\/b><span style=\"font-weight: 400\">, directed by Zig Dulay (TV series)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Bagahe<\/b><span style=\"font-weight: 400\">, directed by Zig Dulay (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tChristelle Lou Dychangco (Philippines) &#8211;  PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Christelle-Lou-Dychangco.jpg\" alt=\"CHIRSTELLE LOU DYCHANGCO\" \/><\/p>\n<p><span style=\"font-weight: 400\">Christelle Lou DYCHANGCO (Philippines) is a Filipino producer focused on international co-productions that elevate Filipino stories, talent and landscapes on the global stage. As CEO of Clou Media Productions, she positions the Philippines as a production-ready filming destination while fostering collaborations built on co-creation and cultural exchange.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Her debut feature <\/span><b>First Light<\/b><span style=\"font-weight: 400\"> (2025), a Filipino\u2013Australian co-production starring Ruby Ruiz and Maricel Soriano, won Best Director at the Melbourne International Film Festival, premiered internationally at the Marrakech International Film Festival and has been selected for its European premiere at the International Film Festival Rotterdam. With a background spanning foreign film service work, commercial directing and branded content, DYCHANGCO combines creative instinct with strong production expertise, developing a slate of projects designed to travel, challenge and connect audiences.<\/span><\/p>\n<p><b>Clou Media Productions \u2013 Philippines<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400\">Clou Media Productions is a Philippine-based studio and production company built for the social age, reshaping how Filipino stories are created and experienced. Working across film and digital media, the company operates at the intersection of cinematic craft and platform-native innovation. Ambitious and globally oriented, Clou produces films, commercials, branded content and high-concept social formats, offering services from development and line production to creative direction and social-first strategy. The company views cinema as a form of cultural diplomacy and actively champions the Philippines as an international filming destination while building co-productions around the world.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li><b>First Light,\u00a0<\/b><span style=\"font-weight: 400\"> directed by James J. Robinson (2025, fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/fdcp.ph\/\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Film Development Council Of The Philippines\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Film Fund Luxembourg<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tStefan Milovic (Luxembourg) &#8211;  PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Stefan-Milovic.jpg\" alt=\"STEFAN MILOVIC\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Stefan MILOVIC is a film producer and line producer with over 13 years of international experience. Based in Luxembourg, he has served as executive, associate, and line producer on several award-winning feature films, including <strong>Child (Le Refuge)<\/strong> directed by Academy Award nominee Cyrus Neshvad, <strong>Kanaval<\/strong>, <strong>Beanie<\/strong>, and <strong>The Kiss of the Grasshopper<\/strong> directed by Academy Award winner Elmar Imanov. He began his career at the National Radio Television of Montenegro, where he produced thousands of hours of programming across a wide range of television formats, developing a strong foundation in large-scale production, broadcast workflows, and international co-productions.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Marosima Films &#8211; Luxembourg<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Marosima Films is a Luxembourg-based production company founded by Stefan Milovic, Sirvan Marogy and Christian Schuster. Recently established, the company builds on the founders&#8217; strong experience and proven track record in the European audiovisual industry. Having collaborated with a wide range of production companies, institutions, and creative partners, the founders have contributed to numerous projects across different formats and genres. Known for the quality of their work and their strong professional relationships, Sirvan Marogy and Stefan Milovic have played an active role in Luxembourg&#8217;s and Europe&#8217;s audiovisual landscape. Marosima Films is dedicated to developing ambitious, internationally oriented projects while supporting both established and emerging creative voices.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>1867<\/strong>, directed by Gil Pinheiro (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Libres \u00c0 L&#8217;Int\u00e9rieur<\/strong>, directed by Fabio Bottani (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Who Will Separate Us<\/strong>, directed by Gil Pinheiro (animation fiction short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Out of Reach<\/strong>, directed by Davor Klisic (TV series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Hozentarus<\/strong>, directed by Dragutin Djurovic (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Momisici Holy Martyrs<\/strong>, directed by Davor Klisic (hybrid short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/filmfund.lu\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Film Fund Luxembourg\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Film-und Medienstiftung NRW<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSemih Korhan G\u00fcner (Germany) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Semih-Korhan-Guner.jpg\" alt=\"SEMIH KORHAN GUNER\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Semih Korhan G\u00dcNER is a Cologne-based film director and producer who grew up in Istanbul. His work focuses on intimate character studies, atmospheric realism and genre-influenced narratives shaped by the subtle tensions of everyday life. He completed his postgraduate studies at the Academy of Media Arts Cologne (KHM) in 2020 with distinction. His graduation film <strong>Facing the Screen<\/strong> was nominated for the FIRST STEPS Award in 2021. In 2024, he received the German Cinema New Talent Award as a producer at Filmfest M\u00fcnchen for the feature film <strong>Smell of Burnt Milk<\/strong>. He is currently developing his first feature film <strong>My Piece of Land<\/strong>, supported by the Film- und Medienstiftung NRW, and is in post-production on the short film <strong>My Sister&#8217;s Sandal<\/strong>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>My Piece of Land<\/strong>, directed by Semih Korhan G\u00fcner (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>White Nights<\/strong>, directed by Semih Korhan G\u00fcner (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>My Sister&#8217;s Sandal<\/strong>, directed by Semih Korhan G\u00fcner (fiction short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Smell of Burnt Milk<\/strong> (2024), directed by Justine Bauer (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Facing the Screen<\/strong> (2021), directed by Semih Korhan G\u00fcner (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Boy<\/strong>, directed by Semih Korhan G\u00fcner (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Behind the Walls<\/strong>, directed by Semih Korhan G\u00fcner (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Eclipse<\/strong>, directed by Semih Korhan G\u00fcner (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tVera Paulmann (Germany) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Vera-Paulmann-scaled.jpg\" alt=\"VERA PAULMANN\" \/><\/p>\n<p data-start=\"33\" data-end=\"658\">Vera PAULMANN (Germany) studied Media Studies and Political Science in T\u00fcbingen and fiction directing at the self-organised film school Filmarche e.V. in Berlin. She is an alumna of Atelier Ludwigsburg\u2013Paris, the Cutting Edge Talent Camp at IFFMH and the East West Talent Lab at goEast \u2013 Festival of Central and Eastern European Film. She works as a freelance producer in Berlin and is part of the Cologne-based production company DEKORFILM. She is a recent graduate of the MGZsheroes programme for founders in the media industry and was selected by Film- und Medienstiftung NRW to take part in the Rotterdam Lab at IFFR.<\/p>\n<p data-start=\"660\" data-end=\"1128\"><strong data-start=\"660\" data-end=\"683\">DEKORFILM \u2013 Germany<\/strong><br data-start=\"683\" data-end=\"686\" \/>DEKORFILM is an independent production company based in Cologne, founded by filmmakers Till Gombert, Florian Schmitz and Vera PAULMANN. The company focuses on films made for the cinema, particularly feature films and documentaries with an observational and realistic approach. In its productions, DEKORFILM prioritises social and ecological sustainability, aiming to create a supportive and creative working environment for everyone involved.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Burning Land<\/b><span style=\"font-weight: 400\">, directed by Almira Ismailova (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Unbekanntes Russland<\/b><span style=\"font-weight: 400\">, directed by Nataliia Stogu (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Cold&amp;Sweet<\/b><span style=\"font-weight: 400\">, directed by Aida Alimadadi (fiction short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Wie die Nelken<\/b><span style=\"font-weight: 400\">, directed by Emine Demir (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.filmstiftung.de\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Film-und Medienstiftung NRW\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Film i V\u00e4st<\/strong><\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tRebecka Hagman (Sweden) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Rebecka-Hagman-scaled.jpg\" alt=\"REBECKA HAGMAN\" \/><\/p>\n<p data-start=\"33\" data-end=\"605\">Rebecka HAGMAN (Sweden) is an assistant producer at Kjellson &amp; Wik, a Swedish independent arthouse production company. After completing a producing programme in 2023, she returned to work with senior producer Marie Kjellson, with whom she had previously collaborated during her studies. She contributed to Fanny Ovesen\u2019s feature <strong data-start=\"366\" data-end=\"383\">Live a Little<\/strong>, a major European co-production shot across five countries. In 2025 she rejoined Kjellson &amp; Wik, supporting the company\u2019s slate and the development of new projects while working on a range of international co-productions.<\/p>\n<p data-start=\"607\" data-end=\"1071\" data-is-last-node=\"\" data-is-only-node=\"\"><strong data-start=\"607\" data-end=\"634\">Kjellson &amp; Wik \u2013 Sweden<\/strong><br data-start=\"634\" data-end=\"637\" \/>Kjellson &amp; Wik is an independent arthouse production company founded in 2013 by producer Marie Kjellson and director Katja Wik. The company produces bold, contemporary films with a strong artistic vision, both independently and through international co-productions, focusing on meaningful stories for a global audience. Kjellson &amp; Wik believes in the cultural value of cinema and places equality and diversity at the core of its work.<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/filmivast.com\/\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Film i V\u00e4st\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Flanders Audiovisual Fund (VAF)<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSven Spur (Belgium) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Sven-Spur-scaled.jpg\" alt=\"SVEN SPUR\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Sven SPUR is a Ghent-based producer, director and writer. After graduating from KASK &amp; Conservatory (School of Arts Ghent) in 2021, he began his career working in the production departments of several acclaimed Belgian filmmakers. He joined Animal Tank in 2022 and has since produced multiple short films that have screened at international festivals, including <strong>The Great Escape<\/strong>, which premiered at the Venice Film Festival in 2025. He is currently developing new projects, among them his first feature film <strong>Something in the Wind<\/strong>. Spur is driven by a passion for bold, auteur-driven cinema from both established filmmakers and emerging voices. He is an alumnus of LIM, European Short Pitch and European Creators&#8217; Lab.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Animal Tank &#8211; Belgium<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Animal Tank is a Ghent-based audiovisual production company and animation studio founded in 2014 by Brecht Van Elslande and Bert Lesaffer. It focuses on live-action, animation and immersive projects with an edge, works that find a balance between originality and accessibility, experiment and narration, seriousness and playfulness. Over the years, Animal Tank has gained international recognition, earning nominations for the Academy Awards and the European Film Awards, as well as prizes at Berlinale, Annecy, and Fantoche. Its films have premiered at international festivals such as Venice, IFFR and SXSW, and have been acquired by leading platforms and broadcasters including ARTE France, France TV, Canal+, MUBI and HBO.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Something in the Wind<\/strong>, directed by Nelson Polfliet (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Becoming Fahad Seriki<\/strong>, directed by Micha Dols (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Er is Eens<\/strong>, directed by Nicolas Keppens &amp; Simon De Cock (TV series)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Femmes d&#8217;Agadez<\/strong>, directed by Eva van Tongeren (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Pithead<\/strong>, directed by Wannes Vanspauwen &amp; Pol De Plecker (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Push<\/strong>, directed by Sven Spur (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>A Distant Sky<\/strong>, directed by Yentl De Baets (fiction short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Great Escape<\/strong> (2025), directed by Joren Vandenbroucke (immersive short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Les Mains qui Travaillent<\/strong>, directed by Eva van Tongeren (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Rachid<\/strong>, directed by Rachida El Garani (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Eden<\/strong>, directed by Sven Spur (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Follow Me<\/strong>, directed by Anthony Schatteman (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.vaf.be\/en\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to VAF\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Full Spectrum Features<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tCamille G. Bacon (United States) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Camille-G.-Bacon-1.jpg\" alt=\"CAMILLE BACON\" \/><\/p>\n<p data-start=\"42\" data-end=\"690\">\n<p data-start=\"42\" data-end=\"690\">Camille G. BACON (United States) is a Chicago-based writer, filmmaker and producer, and the co-founder of Jupiter. Most recently, she produced the short film <strong data-start=\"204\" data-end=\"235\">It\u2019s Just a Fucking Opening<\/strong> (2025), which had its North American premiere at the Chicago International Film Festival. Her work is informed by the exchange between literary and cinematic traditions, drawing inspiration from artists such as Euzhan Palcy, Kathleen Collins and Toni Cade Bambara. In all of her creative roles, including producing, BACON is committed to projects that foreground the poetic potential of cinema and expand the contexts in which independent film can exist.<\/p>\n<p data-start=\"692\" data-end=\"1628\"><strong data-start=\"692\" data-end=\"719\">Jupiter \u2013 United States<\/strong><br data-start=\"719\" data-end=\"722\" \/>Jupiter is an arts and culture publication, programming platform and production company founded in 2024 by Chicago natives Camille G. BACON and Daria Harper. The organisation seeks to build a creative economy centred on the holistic needs of artists across disciplines, particularly cultural critics and filmmakers. By shifting industry standards of compensation, prioritising long lead times and embracing experimentation, Jupiter aims to transform the relationship between artists and institutions so that social, emotional and spiritual working conditions are no longer sidelined in favour of extractive processes. The company has published writers including Hanif Abdurraquib, Akwaeke Emezi, Jenna \u201cJ\u201d Wortham and Doreen St. Felix, hosted programmes at the Brooklyn Academy of Music and the Museum of Contemporary Art Chicago, and served as executive producer on <strong data-start=\"1589\" data-end=\"1620\">It\u2019s Just a Fucking Opening<\/strong> (2025).<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Prodigal Sun<\/b><span style=\"font-weight: 400\">, directed by Josh Brainin &amp; Youssef Boucetta (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li data-start=\"1630\" data-end=\"1732\"><b>It\u2019s Just a Fucking Opening<\/b><span style=\"font-weight: 400\"> (2025), directed by Josh Brainin, Camille G. Bacon &amp; Youssef Boucetta (experimental short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.fullspectrumfeatures.com\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Full Spectrum Features\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">German Films<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAntonia Kilian (Germany) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Antonia-Kilian--scaled.jpg\" alt=\"ANTONIA KILIAN\" \/><\/p>\n<p data-start=\"34\" data-end=\"864\">\n<p data-start=\"34\" data-end=\"864\">Antonia KILIAN (Germany) is a director, cinematographer and producer based in Kassel and Berlin. She studied Visual Communication, Art and Media at the Berlin University of the Arts, and cinematography at the Film University Babelsberg and ISA Havana. Her debut feature <strong data-start=\"308\" data-end=\"339\">The Other Side of the River<\/strong> premiered at CPH:DOX, the Chicago International Film Festival and Coisa de Cinema in Brazil, winning 18 international awards including the German Film Award (Lola), the Grimme Award and a nomination for the European Film Academy Award. She also shot and produced <strong data-start=\"603\" data-end=\"623\">Exile Never Ends<\/strong>, directed by Bahar Bektas, which received multiple honours including the Hessian Film Award, five Grimme Awards and the FFF Talent Award. She later produced the hybrid short <strong data-start=\"798\" data-end=\"829\">In the Most Foreign Country<\/strong> (2026), directed by Arash Asadi.<\/p>\n<p data-start=\"866\" data-end=\"1145\">Through her company Pink Shadow Films, KILIAN develops projects including <strong data-start=\"940\" data-end=\"966\">Listening to the World<\/strong>, <strong data-start=\"968\" data-end=\"988\">The Rain of Eyes<\/strong>, <strong data-start=\"990\" data-end=\"1011\">Lend Me Your Eyes<\/strong>, <strong data-start=\"1013\" data-end=\"1024\">Freedom<\/strong> and her new film <strong data-start=\"1042\" data-end=\"1064\">That Other Sunrise<\/strong>. She also serves on international juries and teaches filmmaking at universities.<\/p>\n<p data-start=\"1147\" data-end=\"1610\"><strong data-start=\"1147\" data-end=\"1178\">Pink Shadow Films \u2013 Germany<\/strong><\/p>\n<p data-start=\"1147\" data-end=\"1610\">Pink Shadow Films is an independent production company based in Kassel, founded and run by Antonia KILIAN. The company produces creative documentaries and fiction films with strong authorial voices, with a thematic focus on diversity and equality. Its work has been recognised with numerous awards, including the German Film Academy Award (Lola) and the Grimme Award, and has been shortlisted for the European Film Academy Award.<\/p>\n<p data-start=\"0\" data-end=\"25\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"27\" data-end=\"358\"><strong data-start=\"27\" data-end=\"47\">The Rain of Eyes<\/strong>, directed by Arash Asadi (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"358\"><strong data-start=\"93\" data-end=\"114\">Lend Me Your Eyes<\/strong>, directed by Natalia Grande (documentary feature)<\/li>\n<li data-start=\"27\" data-end=\"358\"><strong data-start=\"167\" data-end=\"178\">Freedom<\/strong>, directed by Bahar Bektas (documentary feature)<\/li>\n<li data-start=\"27\" data-end=\"358\"><strong data-start=\"229\" data-end=\"251\">That Other Sunrise<\/strong>, directed by Antonia Kilian (documentary feature)<\/li>\n<li data-start=\"27\" data-end=\"358\"><strong data-start=\"304\" data-end=\"316\">In Vacuo<\/strong>, directed by Liza Smith (fiction feature)<\/li>\n<\/ul>\n<p data-start=\"360\" data-end=\"384\"><span style=\"text-decoration: underline\">Projects in production<\/span><\/p>\n<ul>\n<li data-start=\"386\" data-end=\"532\"><strong data-start=\"386\" data-end=\"412\">Listening to the World<\/strong>, directed by Liza Smith (documentary feature)<\/li>\n<li data-start=\"386\" data-end=\"532\"><strong data-start=\"461\" data-end=\"492\">In the Most Foreign Country<\/strong>, directed by Arash Asadi (hybrid short)<\/li>\n<\/ul>\n<p data-start=\"534\" data-end=\"550\"><span style=\"text-decoration: underline\">Released films<\/span><\/p>\n<ul>\n<li data-start=\"552\" data-end=\"704\"><strong data-start=\"552\" data-end=\"583\">The Other Side of the River<\/strong>, directed by Antonia Kilian (documentary feature)<\/li>\n<li data-start=\"552\" data-end=\"704\"><strong data-start=\"636\" data-end=\"656\">Exile Never Ends<\/strong>, directed by Bahar Bektas (documentary feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tDerya Durmaz (Germany) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Derya-Durmaz-scaled.jpg\" alt=\"DERYA DURMAZ\" \/><\/p>\n<p data-pm-slice=\"1 1 []\">\n<p data-pm-slice=\"1 1 []\">Derya DURMAZ (Germany) was born in Germany to Turkish guest-worker grandparents and raised in Turkey. She studied economics, human rights law and acting. Her award-winning short films have screened at numerous international film festivals, experimental film events and exhibitions.<strong> Ziazan<\/strong> won 12 awards, including the Armenia\u2013Turkey Cinema Platform Best Project Award, and was featured in The Washington Post and Monocle. <strong>Mother Virgin No More<\/strong> premiered in the Berlinale Generation section, while<strong> Will You Come with Me?<\/strong> won seven awards including Best Documentary at Kaboom Animation Festival 2025 and was presented as part of the European Green Party Congress exhibition \u201cMy Body My Choice\u201d.<\/p>\n<p>DURMAZ is an alumna of TIFF Filmmaker Lab, Berlinale Talents, FIRST FILMS FIRST \u2013 Goethe-Institut Young Directors Academy and Film Independent\u2019s Global Media Makers programme.<\/p>\n<p><strong>CUBU Film \u2013 Germany<\/strong><\/p>\n<p>CUBU Film is an independent production company working across genres and formats to tell stories that deserve to be heard. With an award-winning slate of short films and several feature projects in development, the company supports distinctive voices and innovative storytelling.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>In Transkei<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Bus to Amerika<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (animated fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Igloo<\/b><span style=\"font-weight: 400\">, directed by Andreas Flack (animated experimental short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Ladies and Gentlemen!<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (experimental short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Will You Come with Me?<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (animated experimental short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Circumcision<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (experimental short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Confined<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (experimental short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Mother Virgin No More<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ziazan<\/b><span style=\"font-weight: 400\">, directed by Derya Durmaz (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.german-films.de\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to German Films\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">The Gotham Film &amp; Media Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAdam Kopp (USA) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Adam-Kopp-scaled.jpg\" alt=\".\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Adam KOPP (USA) is a 2025 Film Independent Producing Fellow and 2026 Gotham\/Rotterdam Lab Fellow. Kopp recently wrapped production in Chengdu on Ben Mullinkosson &amp; Michael Barth&#8217;s feature <strong>Fuckboy<\/strong>, following Mullinkosson&#8217;s acclaimed documentary <strong>The Last Year of Darkness<\/strong> (MUBI). He premiered Evan Twohy&#8217;s debut feature <strong>Bubble &amp; Squeak<\/strong> (2025) at the 2025 Sundance Film Festival in the U.S. Dramatic Competition. He previously served as head of Universal Remote, the production company founded by actor Steven Yeun. There, he worked on the Emmy-winning series <strong>Beef<\/strong> (2023), oversaw television deals with Amazon and A24, and set up projects including Nathan Min&#8217;s <strong>Mason<\/strong> at Showtime with The Daniels attached to direct. As an independent producer, he has a robust slate of features ranging from U.S. productions to international co-productions. His previous credits include Kelly Oxford&#8217;s directorial debut <strong>Pink Skies Ahead<\/strong> (2020) (MTV Films). In addition to being an independent producer, Kopp also currently serves as a Scripted Producer for the award-winning creative studio Object &amp; Animal. He is a graduate of NYU&#8217;s Gallatin School and originally from St. Louis, Missouri.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Drown<\/strong>, directed by Nina Ljeti (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Challenger: An American Dream<\/strong>, directed by Daniel &amp; Patrick Lazour (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ripe<\/strong>, directed by Tusk (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fuckboy<\/strong>, directed by Ben Mullinkosson &amp; Michael Barth (fiction feature)<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Released films<\/strong>:<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bubble &amp; Squeak<\/strong> (2025), directed by Evan Twohy (fiction feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tRebecca Choi (United States) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Rebecca-Choi-.jpg\" alt=\"REBECCA CHOI\" \/><\/p>\n<p data-start=\"38\" data-end=\"671\">\n<p data-start=\"38\" data-end=\"671\">Rebecca CHOI (United States) is a New York\u2013based producer and Head of Production &amp; Development at Archer Gray, where she has worked for over a decade. A committed cinephile with a strong interest in championing distinctive voices, she prioritises close collaboration with filmmakers from development through to distribution. She is an active member of the independent film community and regularly mentors filmmakers through labs, workshops, festivals and markets. Before joining Archer Gray, Choi worked at Sony Pictures Television, where she first discovered her passion for development. She holds a BA from Wesleyan University.<\/p>\n<p data-start=\"38\" data-end=\"671\"><strong data-start=\"0\" data-end=\"31\" data-is-only-node=\"\">Archer Gray \u2013 United States<\/strong><br data-start=\"31\" data-end=\"34\" \/>Archer Gray is an independent production company based in New York, founded by Amy Nauiokas. The company collaborates with leading talent to produce high-quality, critically acclaimed and innovative films and television series. With a focus on stories that explore complex human experiences, Archer Gray places a strong emphasis on diverse voices and perspectives, creating work that is both commercially engaging and thought-provoking across a range of genres.<\/p>\n<p data-start=\"673\" data-end=\"1203\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"703\" data-end=\"721\">American Madam<\/strong> (fiction TV series)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"744\" data-end=\"768\">The Dictator Hunters<\/strong> (fiction feature, dir. Ekwa Msangi)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"807\" data-end=\"832\">Exactly What It Seems<\/strong> (fiction feature, dir. Darya Zhuk)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"870\" data-end=\"889\">House of Hollow<\/strong> (fiction feature)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"910\" data-end=\"929\">Louise and Dean<\/strong> (fiction feature)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"950\" data-end=\"977\">Marvelous Marvin Hagler<\/strong> (fiction feature)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"998\" data-end=\"1019\">Queen of Newburgh<\/strong> (fiction feature, dir. Maya Cozier)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"1058\" data-end=\"1069\">Queen K<\/strong> (fiction TV series)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"1092\" data-end=\"1112\">Seductive Poison<\/strong> (fiction TV series, dir. Anne Sewitsky)<\/li>\n<li data-start=\"673\" data-end=\"1203\"><strong data-start=\"1155\" data-end=\"1165\">Tunnel<\/strong> (fiction feature, dir. Liza Mandelup)<\/li>\n<\/ul>\n<p data-start=\"1205\" data-end=\"1344\" data-is-last-node=\"\" data-is-only-node=\"\"><span style=\"text-decoration: underline\">Released films<\/span><\/p>\n<ul>\n<li data-start=\"1205\" data-end=\"1344\"><strong data-start=\"1226\" data-end=\"1241\">Three Hares<\/strong> (fiction animated short, dir. Paloma Baeza)<\/li>\n<li data-start=\"1205\" data-end=\"1344\"><strong data-start=\"1288\" data-end=\"1306\">The Young Wife<\/strong> (fiction feature, dir. Tayarisha Poe)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tBrigita Beniusyte (Lithuania) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Brigita-Beniusyte.jpg\" alt=\"brigita beniusyte\" \/><\/p>\n<p data-start=\"39\" data-end=\"521\">Brigita BENIU\u0160YT\u0116 (Lithuania) has worked in the film industry for over a decade. After starting out in independent cinema, she joined the Lithuanian production company M-Films in 2017. Together with Marija Razgut\u0117, she produced <strong data-start=\"271\" data-end=\"291\">Happy Next Year!<\/strong> (2024), directed by Lukas Kacinauskas and selected for Uppsala ISFF, and <strong data-start=\"365\" data-end=\"380\">The Visitor<\/strong> (2025), directed by Vytautas Katkus, which won Best Director in the Crystal Globe Competition at Karlovy Vary International Film Festival.<\/p>\n<p data-start=\"523\" data-end=\"1105\">As an associate producer, BENIU\u0160YT\u0116\u2019s credits include <strong data-start=\"577\" data-end=\"604\">Hunger Strike Breakfast<\/strong> (2025), directed by Karolis Kaupinis, <strong data-start=\"643\" data-end=\"662\">To the Victory!<\/strong>, directed by Valentyn Vasyanovych and winner of Best Film at the Toronto International Film Festival, <strong data-start=\"765\" data-end=\"777\">Becoming<\/strong> (2025), directed by Zhannat Alshanova and selected for Locarno and Busan, and <strong data-start=\"856\" data-end=\"864\">Slow<\/strong> (2023), directed by Marija Kavtaradze and winner of Best Director at Sundance. She is currently producing the minority co-production <strong data-start=\"998\" data-end=\"1012\">March 14th<\/strong> by Alberto Gross Molo and developing Marius Pocevi\u010dius\u2019 absurd comedy <strong data-start=\"1083\" data-end=\"1104\">I\u2019m Not Like That<\/strong>.<\/p>\n<p data-start=\"1107\" data-end=\"1823\"><strong data-start=\"1107\" data-end=\"1130\">M-Films \u2013 Lithuania<\/strong><\/p>\n<p data-start=\"1107\" data-end=\"1823\">M-Films is a Lithuanian film production company founded in 2008 by producer Marija Razgut\u0117 and today one of the most active companies in the country, specialising in international co-productions for cinema and television. The award-winning company works with bold, character-driven stories by both emerging and established filmmakers. Recent titles include <strong data-start=\"1490\" data-end=\"1505\">The Visitor<\/strong> (2025) by Vytautas Katkus, <strong data-start=\"1533\" data-end=\"1560\">Hunger Strike Breakfast<\/strong> (2025) by Karolis Kaupinis, <strong data-start=\"1589\" data-end=\"1608\">To the Victory!<\/strong> (2025) by Valentyn Vasyanovych, <strong data-start=\"1641\" data-end=\"1653\" data-is-only-node=\"\">Becoming<\/strong> (2025) by Zhannat Alshanova and <strong data-start=\"1686\" data-end=\"1694\">Slow<\/strong> (2023) by Marija Kavtaradze. The short <strong data-start=\"1734\" data-end=\"1746\">Cherries<\/strong> (2022) by Katkus premiered in the Official Short Film Competition at Cannes.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Thuja Trees<\/b><span style=\"font-weight: 400\">, directed by Marius Pocevi\u010dius (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>I\u2019m Not Like That<\/b><span style=\"font-weight: 400\">, directed by Marius Pocevi\u010dius (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Visitor<\/b><span style=\"font-weight: 400\"> (2025), directed by Vytautas Katkus (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Happy Next Year!<\/b><span style=\"font-weight: 400\"> (2024), directed by Lukas Kacinauskas (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/thegotham.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to The Gotham \n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Great Lakes Creative Producers Lab <\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tNatasha Craveiro (Cabo Verde) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Natasha-Craveiro.jpg\" alt=\"NATASHA CRAVEIRO\" \/><\/p>\n<p data-start=\"39\" data-end=\"437\">Natasha CRAVEIRO (Cabo Verde) is a Cabo Verdean filmmaker, sociologist and co-founder of Korikaxoru Films. Producer of <strong data-start=\"162\" data-end=\"174\">Omi Nobu<\/strong> and director of <strong data-start=\"191\" data-end=\"202\">Pirinha<\/strong>, she is one of the leading voices in contemporary Cape Verdean cinema. Her work is driven by a strong commitment to social impact and to building a sustainable local film ecosystem that supports new talent and meaningful storytelling.<\/p>\n<p data-start=\"439\" data-end=\"871\"><strong data-start=\"439\" data-end=\"472\">Korikaxoru Films \u2013 Cabo Verde<\/strong><br data-start=\"472\" data-end=\"475\" \/>Korikaxoru Films was founded in 2017 as the first independent film production company in Cabo Verde. The company is dedicated to revealing the country\u2019s natural and cultural richness on both national and international stages. Beyond production, Korikaxoru Films is committed to strengthening the development and global recognition of Cape Verdean cinema through bold, locally rooted storytelling.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Dja Branku Dja<\/b><span style=\"font-weight: 400\">, directed by Natasha Craveiro ()<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Mama<\/b><span style=\"font-weight: 400\">, directed by Natasha Craveiro (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Pirinha<\/b><span style=\"font-weight: 400\">, directed by Natasha Craveiro (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Dona Monica<\/b><span style=\"font-weight: 400\"> ???(documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Omi Nobu<\/b><span style=\"font-weight: 400\"> (documentary feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.greatlakesproducerslab.com\/\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Great Lakes Creative Producers Lab\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Guanajuato International Film Festival<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tHumberto Busto (Mexico) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/HUMBERTO-BUSTO.jpeg\" alt=\"HUMBERTO \" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Humberto BUSTO (Mexico) graduated from the dramatic arts degree programme at UNAM and Talent Campus alum in 2004. He has combined his work as an actor in films and series such as <strong>Amores Perros<\/strong>, along with studies in cinema in Mexico, Colombia, Argentina and Germany. He began his career as producer and director with the short films: <strong>Even a Prune Ripens<\/strong>, <strong>Bolero&#8217;s Tit<\/strong> and <strong>Julkita<\/strong> (Clermont-Ferrand 2018). He has produced interdisciplinary and theatre projects such as <strong>Costo de Vida<\/strong>, a Pulitzer Award winning play that included two actors with disabilities. Since then, he has specialised in studies on disabilities and sex and gender diversity. In 2024 he founded FOSFO, a company exclusively dedicated to develop and promote films about diversity.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong data-start=\"0\" data-end=\"18\" data-is-only-node=\"\">FOSFO \u2013 Mexico <\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">FOSFO is a Mexican production company dedicated to developing and producing audiovisual projects focused on disability and gender diversity. Its mission is to ensure that creators from these communities can take ownership of their own narratives. The company is drawn to stories that challenge and transform imposed stereotypes, seeking to broaden audiences\u2019 perspectives through sensitive, personal and complex storytelling. Rather than appealing to pity, FOSFO aims to create connection through a deeper understanding of lived experience.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fosfo<\/strong>, directed by Humberto Busto and Guz Guevara (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bisonte<\/strong>, directed by Humberto Busto (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Tijuana, Todav\u00eda<\/strong>, directed by Gabriel Gutierrez (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Julkita<\/strong> (2018), directed by Humberto Busto (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Botero&#8217;s Tit<\/strong>, directed by Humberto Busto (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Even a Prune Ripens<\/strong>, directed by Humberto Busto (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/giff.mx\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Guanajuato International Film Festival\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Hellenic Film and Audiovisual Centre<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAris Kotronis (Greece) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/ARIS-KOTRONIS-VETTAS-scaled.jpg\" alt=\"ARIS KOTRONIS\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Aris KOTRONIS is a producer at FOSS Productions, Greece&#8217;s leading film and TV company. Over the years, Kotronis has developed and produced more than twenty short films from emerging regional voices that have screened widely in festival circuit, earning distinctions such as a Silver M\u00e9li\u00e8s nomination (2018), the South East European Award (2017) and the Greek Film Critics Association Award (2023). An alumnus of Berlinale Talents Sarajevo and recipient of the CineLink Pack &amp; Pitch Award (2021), his work has been showcased at major industry platforms and pitching forums such as Clermont-Ferrand&#8217;s EuroConnection, ESP, Thessaloniki Agora, Marseille&#8217;s 3rd Character Market, Ghent IFF&#8217;s Film Music Days (WSA). In 2022, Kotronis joined FOSS Productions, initially as a Production Manager in the drama series <strong>The Beach<\/strong> (ERT), a period saga of 300 episodes in 2 seasons, and since the summer of 2025, he has been part of FOSS Productions&#8217; Cinema &amp; Series Department, working as a producer in the development of a diverse slate of films and drama series, while overseeing the dark comedy series <strong>The Child<\/strong> (ERT). Among them, Kostas Gerampinis first feature film <strong>Five Murders Without a Cause<\/strong> is set to enter production in November 2026.<\/p>\n<p data-start=\"0\" data-end=\"393\"><strong data-start=\"0\" data-end=\"29\">FOSS Productions \u2013 Greece<\/strong><\/p>\n<p data-start=\"0\" data-end=\"393\">FOSS Productions, founded in 1992, is one of Greece\u2019s leading production companies, working across film, television, advertising and audiovisual content. With full 360-degree capabilities spanning development, production, post-production and in-house VFX, the company delivers bold, high-quality storytelling with both local resonance and international reach.<\/p>\n<p data-start=\"395\" data-end=\"833\">FOSS Productions has received international recognition with selections at Cannes, Berlinale, Locarno, Sundance and Telluride. Its award-winning titles include <strong data-start=\"555\" data-end=\"583\">I\u2019m Glad You\u2019re Dead Now<\/strong> (2025), winner of the Short Palme d\u2019Or at Cannes, <strong data-start=\"634\" data-end=\"645\">Arcadia<\/strong>, selected for the Berlinale and chosen to represent Greece at the Academy Awards, <strong data-start=\"728\" data-end=\"742\">Third Kind<\/strong>, which screened at Telluride, and <strong data-start=\"777\" data-end=\"802\">What Mary Didn\u2019t Know<\/strong>, which premiered in Locarno.<\/p>\n<p data-start=\"835\" data-end=\"1231\" data-is-last-node=\"\" data-is-only-node=\"\">Since 2019, the company has expanded into high-end television, producing cinematic series such as <strong data-start=\"933\" data-end=\"952\">Maestro in Blue<\/strong>, the first Greek Netflix original, and the epic period drama <strong data-start=\"1014\" data-end=\"1035\">The Great Chimera<\/strong>, adapted from the novel by M. Karagatsis and the largest scripted production in Greek television to date, both reaching global audiences and reflecting the company\u2019s distinctive cinematic vision.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Holy Kid<\/strong>, directed by Iordanis Theodosiadis (short film)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Still Life<\/strong>, directed by Iordanis Theodosiadis (short film)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.ekkomed.gr\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Hellenic Film Audiovisual Centre\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">IDM Sudtirol<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tDebora Nischler (Italy) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Debora-Nischler.jpg\" alt=\"DEBORA NISCHLER\" \/><\/p>\n<p data-start=\"33\" data-end=\"759\">\n<p data-start=\"33\" data-end=\"759\">Debora NISCHLER (Italy) studied specialised translation in Forl\u00ec, Arkhangelsk and Bratislava. Since 2019 she has worked as a creative producer at Albolina Film, alongside specialising in screenplay analysis through a range of workshops and writers\u2019 rooms. At Albolina Film she co-produced <strong data-start=\"326\" data-end=\"337\">Sisters<\/strong> (2022), the company\u2019s first feature, in co-production with Fenixfilm in Latvia, and <strong data-start=\"422\" data-end=\"436\">Vista Mare<\/strong> (2023), a documentary co-produced with Austria and selected for the Semaine de la Critique at the Locarno Film Festival. She is a member of EWA and the European Film Academy and an alumna of programmes including IDM MAIA Workshop 2020, EAVE Puentes Italia 2021, ProPro Workshop 2023 and MIDPOINT Cold Open Series Lab 2025.<\/p>\n<p data-start=\"761\" data-end=\"1469\"><strong data-start=\"761\" data-end=\"786\">Albolina Film \u2013 Italy<\/strong><br data-start=\"786\" data-end=\"789\" \/>Albolina Film is a production company based in South Tyrol, founded in 2012, focusing on socially engaged arthouse cinema, the support of emerging talent and mountain films. The company has completed around 50 service productions and released its first in-house documentary in 2018. Its first feature co-production, <strong data-start=\"1105\" data-end=\"1116\">Sisters<\/strong> (2022), was awarded Best Debut and Best Eastern European Debut by FIPRESCI at the Warsaw Film Festival. In 2023, the documentary <strong data-start=\"1246\" data-end=\"1260\">Vista Mare<\/strong> (2023) premiered at Locarno\u2019s Semaine de la Critique and went on to screen and receive awards at DokLeipzig, Festival dei Popoli and Viennale. The feature <strong data-start=\"1416\" data-end=\"1440\">18 Holes to Paradise<\/strong> (2025) premiered in Tallinn.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Ultima Irratio<\/b><span style=\"font-weight: 400\">, directed by Martine De Biasi &amp; Katharina Burger (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Moonless Child<\/b><span style=\"font-weight: 400\">, directed by Federica Martino (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Confusia<\/b><span style=\"font-weight: 400\">, directed by Cecilia Bozza Wolf (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>New Life<\/b><span style=\"font-weight: 400\">, directed by Bernadette Weber (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Eclipse<\/b><span style=\"font-weight: 400\">, directed by Manuel Wetscher (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>18 Holes to Paradise<\/b><span style=\"font-weight: 400\"> (2025), directed by Jo\u00e3o Nuno Pinto (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Vista Mare<\/b><span style=\"font-weight: 400\"> (2023), directed by Julia Gutweniger &amp; Florian Kofler (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Sisters<\/b><span style=\"font-weight: 400\"> (2022), directed by Linda Olte (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.idm-suedtirol.com\/en\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to IDM Sudtirol\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">The Indigenous Screen Office (ISO)<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tEric Janvier (Canada) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Eric-Janvier.jpg\" alt=\"ERIC JANVIER\" \/><\/p>\n<div class=\"standard-markdown grid-cols-1 grid gap-4 [&amp;_&gt;_*]:min-w-0 standard-markdown\">\n<p><span style=\"font-weight: 400\">Eric JANVIER is a multi-hyphenate filmmaker who has found space in both the narrative and documentary fields. He trained at the New York Film Academy in Los Angeles, California. He&#8217;s produced, written, and directed several projects from his short films <\/span><b>Reserved<\/b><span style=\"font-weight: 400\"> and <\/span><b>Heartbeat of a Nation<\/b><span style=\"font-weight: 400\"> to his feature film debut. As a producer his work includes <\/span><b>Gods Acre<\/b><span style=\"font-weight: 400\"> and <\/span><b>Hey Viktor!<\/b><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><b>Last Stop Videos \u2013 Canada<\/b><\/p>\n<p><span style=\"font-weight: 400\">Last Stop Videos is an Indigenous Canadian\u2013owned film company founded by cousins Eric Janvier and Megan Shott, taking its name from their first feature Last Stop Video Rentals, written and directed by Eric Janvier. The company aims to support more Indigenous filmmakers while developing its own slate of feature films and television series, with a particular focus on comedy, drama and Indigenous-led storytelling.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Crystal Waters Outdoor Pool<\/b><span style=\"font-weight: 400\">, produced and directed by Eric Janvier (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Once Upon A Time In Native America<\/b><span style=\"font-weight: 400\">, produced and directed by Eric Janvier (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films:<\/span><\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><b>Last Stop Video Rentals<\/b><span style=\"font-weight: 400\">, directed by Eric Janvier (fiction feature)<\/span><\/li>\n<\/ul>\n<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/iso-bea.ca\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to ISO\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">IFFR Pro Rotterdam Lab Open Call <\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAudrey Tanya (Kenya) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Audrey-Tanya-scaled.jpg\" alt=\"AUDREY TANYA\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Audrey Restetuta TANYA is a Kenyan Creative Producer and Co-Founder of Jenga Visuals Ltd, based in Nairobi. She is committed to telling authentic African stories that explore identity, resilience, and human transformation, with a focus on women&#8217;s voices and underrepresented perspectives.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Her producing credits include <strong>Visasi<\/strong> (Showmax), winner of Best Lead Actor at the Mombasa International Film Festival; <strong>My Little Warrior<\/strong>, a multi-award-nominated short documentary; <strong>Stinger<\/strong>, East Africa&#8217;s first female-led boxing film; and <strong>PAA Season 4<\/strong>, an eight-episode TV series that premiered on one of Kenya&#8217;s major broadcasters.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Tanya is currently developing <strong>Nkanai<\/strong>, a feature exploring courage, identity, resilience, and the unbreakable spirit of a woman warrior. Her vision is to create globally resonant stories that strengthen Africa&#8217;s cinematic legacy.<\/p>\n<p><strong data-start=\"0\" data-end=\"29\" data-is-only-node=\"\">Jenga Visuals Ltd \u2013 Kenya<\/strong><\/p>\n<p>Jenga Visuals Ltd is a Nairobi-based production company dedicated to creating bold, emotionally resonant African stories for both local and international audiences. Co-founded by award-winning producer Audrey Restetuta Tanya, the company combines strong artistic vision with grounded production expertise. Jenga Visuals has delivered acclaimed work including <strong data-start=\"391\" data-end=\"401\">Visasi<\/strong> and <strong data-start=\"406\" data-end=\"417\">Stinger<\/strong> for Maisha Magic Movies and Showmax, alongside impactful short documentaries and character-driven projects. With a growing slate of fiction and documentary productions, including series such as <strong data-start=\"612\" data-end=\"619\">PAA<\/strong> (Season 4), the company champions authenticity, collaboration and cinematic excellence, aiming to elevate East African narratives and build meaningful international partnerships that expand the reach of African cinema worldwide.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Nkanai<\/strong>, directed by Bruno Tanya (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Caravan<\/strong>, (TV series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Running Shosh<\/strong>, (documentary feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Nala<\/strong>, directed by Bruno Tanya (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fisher Woman<\/strong>, directed by Josh Artkins (documentary short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Stinger<\/strong>, directed by Bruno Tanya (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Visasi<\/strong>, directed by Bruno Tanya (fiction feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tHiba Louis (Lebanon) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Hiba-Louis-scaled.jpg\" alt=\"HIBA LOUIS\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Hiba LOUIS is a Lebanese producer, co-founder of Cyprus-based Quo Films (2022), currently co-producing her first TV thriller, <strong>Status Quo<\/strong>, supported by Doha Film Institute, winner of VIS Paramount Storytellers Award and Red Sea Production Fund. She participated in DFI&#8217;s Series Lab, Qumra, and in 2023 was selected for MEMI x USC programme in Saudi Arabia.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Her second series, <strong>Saria Othman Needs No Man<\/strong>, was selected for Film Independent x Red Sea Labs, developed in Los Angeles, and won the Best Series Award at Red Sea Souk 2024. Louis is also producing <strong>Sama Yasmine<\/strong>, a short film, selected as Cyprus&#8217; official nomination for Clermont-Ferrand&#8217;s Euro Connection 2026, and took part in TGF&#8217;s What&#8217;s the Story? ISFFC. She is finalising another short film and developing two feature documentaries, one in early development and one in post-production. She&#8217;s also busy raising her two best productions yet: Maria and Yasmine.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong data-start=\"0\" data-end=\"22\">Quo Films \u2013 Cyprus <\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Quo Films is a Cyprus-based production company founded in 2023 to support bold, independent voices and emotionally resonant storytelling. Named after its debut television project <strong data-start=\"204\" data-end=\"218\">Status Quo<\/strong>, a multi-award-winning thriller backed by the Doha Film Institute and the Red Sea Film Festival, the company has quickly established an international profile.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Its current slate includes narrative projects such as <strong data-start=\"435\" data-end=\"464\">Saria Othman Needs No Man<\/strong> and <strong data-start=\"469\" data-end=\"485\">Sama Yasmine<\/strong>, both selected by leading international labs. Through authentic and distinctive storytelling, Quo Films seeks to reflect, reimagine and inspire.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Sama Yasmine<\/strong>, directed by Gilbert Karam (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>A Dinner Like No Other<\/strong>, directed by Gilbert Karam (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Saria Othman Needs No Man<\/strong>, created by Estephan Khattar (TV series)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Status Quo<\/strong>, directed by Gilbert Karam (TV series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Welcome to Paris<\/strong>, directed by Eli Salameh (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Confessions in Arabic<\/strong>, directed by Maria Ghafary (documentary feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Alnajma<\/strong>, directed by Gilbert Karam (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ana Beirut<\/strong>, directed by Gilbert Karam (experimental short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tIv\u00e1n Moscovich (Argentina) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Ivan-Moscovich.jpg\" alt=\"IVAN MOSCOVICH\" \/><\/p>\n<p><span style=\"font-weight: 400\">Iv\u00e1n MOSCOVICH (1992, Argentina) is a film producer, director, and educator based between Buenos Aires and Mexico City. He co-founded the production company 36 Caballos, dedicated to developing and producing auteur-driven films across diverse genres. His work as a producer has premiered at major international festivals including Cannes (Directors&#8217; Fortnight), Berlinale (Golden Bear for Best Short Film), Rotterdam, Jeonju, M\u00e1laga, FICUNAM, and Mar del Plata. As a director, his short films have screened at BAFICI and international festivals. He is also active as an educator, coordinating the Film Area at Circa24 and teaching production and independent cinema.<\/span><\/p>\n<p><b>36 Caballos \u2013 Argentina\/Mexico<\/b><\/p>\n<p><span style=\"font-weight: 400\">36 Caballos is an arthouse production company dedicated to developing and producing independent films across a wide range of genres, with a strong focus on distinctive authorial voices. Its projects have premiered at major international festivals including Cannes, Berlinale, New York Film Festival, Rotterdam, Jeonju, Visions du R\u00e9el and Mar del Plata.In recent years, the company\u2019s films have received significant international recognition: <\/span><b>The Major Tones<\/b><span style=\"font-weight: 400\"> by Ingrid Pokropek won Best Ibero-American Film at the M\u00e1laga Film Festival and the Grand Prize at Jeonju; <\/span><b>An Odd Turn<\/b><span style=\"font-weight: 400\"> by Francisco Lezama won the Golden Bear for Best Short Film at Berlinale Shorts 2024; and <\/span><b>Something Old, Something New, Something Borrowed<\/b><span style=\"font-weight: 400\"> by Hern\u00e1n Rosselli premiered in the Directors\u2019 Fortnight at Cannes and went on to win Best Film awards at FICUNAM, M\u00e1rgenes and Gij\u00f3n.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Illusions<\/b><span style=\"font-weight: 400\">, directed by Ingrid Pokropek (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>La Trama Fantasma<\/b><span style=\"font-weight: 400\">, directed by Nicol\u00e1s Schujman (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Three Enigmas for Luis Morla<\/b><span style=\"font-weight: 400\">, directed by Nicol\u00e1s Turjanski (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Something Old, Something New, Something Borrowed<\/b><span style=\"font-weight: 400\">, directed by Hern\u00e1n Rosselli (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>An Odd Turn<\/b><span style=\"font-weight: 400\">, directed by Francisco Lezama (fiction short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Introduction<\/b><span style=\"font-weight: 400\">, directed by Nicol\u00e1s Schujman (fiction short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Major Tones<\/b><span style=\"font-weight: 400\">, directed by Ingrid Pokropek (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>April, Green, Yellow<\/b><span style=\"font-weight: 400\">, directed by Santiago Aulicino (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Stained Night<\/b><span style=\"font-weight: 400\">, directed by Andr\u00e9s Medina (experimental short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Money Exchange!<\/b><span style=\"font-weight: 400\">, directed by Lautaro Garc\u00eda Candela (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Electric Boy<\/b><span style=\"font-weight: 400\">, directed by Ingrid Pokropek (fiction short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Pause<\/b><span style=\"font-weight: 400\">, directed by Iv\u00e1n Moscovich (fiction short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse<\/b><span style=\"font-weight: 400\">, directed by Nicol\u00e1s Zukerfeld (experimental feature);<\/span><\/li>\n<li><b>Address: San Mart\u00edn 683<\/b><span style=\"font-weight: 400\">, directed by Rafael Gandhi Maga\u00f1a (experimental documentary feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tMay Jabareen (Palestine) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/May-Jabareen.jpg\" alt=\"MAY JABAREEN\" \/><\/p>\n<p data-start=\"34\" data-end=\"762\">May JABAREEN (Palestine) is a Palestinian cultural activist, arts manager and producer at Philistine Films. Active in the film industry since 2011, she has worked on a wide range of Palestinian and international productions including <strong data-start=\"272\" data-end=\"280\">Omar<\/strong> (2013), <strong data-start=\"289\" data-end=\"305\">Huda\u2019s Salon<\/strong> (2021), <strong data-start=\"314\" data-end=\"332\">A Gaza Weekend<\/strong> (2018), <strong data-start=\"341\" data-end=\"356\">The Teacher<\/strong> (2023), <strong data-start=\"365\" data-end=\"385\" data-is-only-node=\"\">Bye Bye Tiberias<\/strong> (2023) and <strong data-start=\"397\" data-end=\"413\">Cotton Queen<\/strong> (2024). Her experience spans development, production and management, and she most recently served as associate producer on <strong data-start=\"537\" data-end=\"553\">Palestine 36<\/strong> (2025) by Annemarie Jacir, and as co-producer on <strong data-start=\"603\" data-end=\"621\">Qui Vit Encore<\/strong> by Nicolas Wadimoff and <strong data-start=\"646\" data-end=\"663\">House of Hope<\/strong> by Marjolein Busstra. She is currently developing original Palestinian series and feature films.<\/p>\n<p data-start=\"764\" data-end=\"966\">A graduate in Cultural Work and Arts Management, JABAREEN has worked across independent, experimental and mainstream art projects, and is committed to strengthening the Palestinian film and arts sector.<\/p>\n<p data-start=\"968\" data-end=\"1786\"><strong data-start=\"968\" data-end=\"1000\">Philistine Films \u2013 Palestine<\/strong><br data-start=\"1000\" data-end=\"1003\" \/>Philistine Films is an independent Palestinian production company dedicated to supporting new voices and the emerging Arabic film scene. Focusing on the development and co-production of independent fiction and documentary features, the company seeks unconventional stories and fresh narratives while challenging the structural obstacles faced by filmmakers working outside the mainstream. Philistine Films has produced films selected for major international festivals including Cannes, Venice, Berlin, Toronto and Tribeca, and its work has received numerous awards, including Academy Award nominations. The company also provides production services across a range of budgets and formats and invests in education and training to help build a self-sufficient Palestinian film industry.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Ping-Pong<\/b><span style=\"font-weight: 400\">, directed by Saleh Saadi (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Dyouf (Guests)<\/b><span style=\"font-weight: 400\">, directed by Saleh Saadi (series)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Story of Palestine 36<\/b><span style=\"font-weight: 400\">, directed by Sama Haddad (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>My Beautiful Archive<\/b><span style=\"font-weight: 400\">, directed by Mo\u2019min Swaitat (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Palestine 36<\/b><span style=\"font-weight: 400\">, directed by Annemarie Jacir (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>House of Hope<\/b><span style=\"font-weight: 400\">, directed by Marjolein Busstra (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Qui Vit Encore (Who Is Still Alive)<\/b><span style=\"font-weight: 400\">, directed by Nicolas Wadimoff (documentary feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tNat\u00e1lia Pavlove (Czech Republic) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Natalia-Pavlove.jpg\" alt=\"NATALIA PAVLOVE\" \/><\/p>\n<p data-start=\"42\" data-end=\"884\">Nat\u00e1lia PAVLOVE (Czech Republic) is a Prague-based producer and the founder of Other Stories. She holds an MA in Producing from FAMU and an MA in International Relations and Management. Her short <strong data-start=\"242\" data-end=\"258\">Dog and Wolf<\/strong> (2025) premiered at the Karlovy Vary International Film Festival and has continued to screen internationally. The Czech\u2013Lebanese co-production <strong data-start=\"402\" data-end=\"414\">Sea Salt<\/strong> (2023) premiered at the Venice Biennale and went on to screen at more than 60 international festivals. She also produced the award-winning short <strong data-start=\"560\" data-end=\"571\">Vinland<\/strong>, for which she received a nomination for the Czech National Film Awards. An alumna of IDFAcademy, EAVE Puentes and EURODOC, PAVLOVE develops long-term creative collaborations with an inclusive, global outlook, working with emerging directors and partners across Europe, Africa, the Middle East and Latin America.<\/p>\n<p data-start=\"886\" data-end=\"1572\"><strong data-start=\"886\" data-end=\"920\">Other Stories \u2013 Czech Republic<\/strong><br data-start=\"920\" data-end=\"923\" \/>Other Stories is a Prague-based production company founded in 2022 by Nat\u00e1lia PAVLOVE, dedicated to socially driven, internationally oriented auteur films, with a strong focus on debut and female directors. The company\u2019s films have premiered at major international festivals including Venice and Karlovy Vary, and it has been selected for leading industry platforms such as EAVE, EURODOC, WEMW, Crossroads Co-production Forum and Atlas Workshops. Other Stories focuses on long-term creative collaborations across Europe, the Middle East, Africa and Latin America, developing a slate of international projects guided by an inclusive cinematic vision.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Hour Between Dog and Wolf<\/b><span style=\"font-weight: 400\">, directed by Ter\u00e9zia Halamov\u00e1 (XX feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Running With Beasts<\/b><span style=\"font-weight: 400\">, directed by Leila Basma (X feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Dance with Me,<\/b><span style=\"font-weight: 400\"> directed by Leila Basma (X feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Hold Time for Me,<\/b><span style=\"font-weight: 400\"> directed by Fradique (X feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Casting created, <\/b><span style=\"font-weight: 400\">directed<\/span> <span style=\"font-weight: 400\">by Jan \u010cern\u00fd &amp; Gy\u00f6rgy Bar\u00e1thy (series)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Sisters<\/b><span style=\"font-weight: 400\">, directed by Ter\u00e9zia Halamov\u00e1 (X feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Dog and Wolf, <\/b><span style=\"font-weight: 400\">directed by Ter\u00e9zia Halamov\u00e1 (X short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Sea Salt<\/b><span style=\"font-weight: 400\">, directed by Leila Basma (X short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Vinland<\/b><span style=\"font-weight: 400\">, directed by Martin Kuba,\u00a0 (X midlength)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">JAFTA \/ JAMPRO<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJahvar McLean (Jamaica) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Jahvar-McLean.png\" alt=\"JAHVAR MCCLEAN\" \/><\/p>\n<p><span style=\"font-weight: 400\">Jahvar MCLEAN is a multidisciplinary Creative Consultant, Strategist, Producer, and Screenwriter whose work bridges storytelling, branding, and human connection. Known for his ability to transform emotion into visual and written language, McLean helps brands and creatives craft stories that resonate from conceptual ad campaigns to film and fashion narratives. As the founder and lead strategist of Additionally Jahv, a creative consulting hub, McLean partners with individuals, small businesses, and brands to develop impactful campaigns, copy, and creative direction that connect with today&#8217;s culture. His work blends conceptual storytelling with brand insight, merging heart, style, and strategy. His writing and directing work includes the short film <\/span><b>While We Wait<\/b><span style=\"font-weight: 400\"> and the upcoming <\/span><b>Between Sky and Green<\/b><span style=\"font-weight: 400\"> series, exploring identity, intimacy, and belonging in modern Caribbean life.\u00a0<\/span><\/p>\n<p><b>Additionally Jahv\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400\">Additionally Jahv is a creative consultancy and production venture that brings together storytelling, strategy and cultural insight to create impactful work. Operating at the intersection of film, branding and audience engagement, the company supports projects from concept to execution with a strong narrative foundation. Additionally Jahv develops original IP, produces films and series, and consults on marketing, consumer behaviour and brand identity, crafting work that is intentional, human and emotionally resonant. The company is guided by the belief that stories, whether for the screen or for brands, should be culturally specific yet universally felt.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Flo &amp; The Noble-Ties<\/b><span style=\"font-weight: 400\">, directed by XXXXX (fiction feature);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Between Sky and Green<\/b><span style=\"font-weight: 400\">, directed by Jahvar McLean (series);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Otaheite&#8217;s Conundrum<\/b><span style=\"font-weight: 400\">, directed by Jahvar McLean (series)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>While We Wait<\/b><span style=\"font-weight: 400\">, directed by Ace Maquette, Tajha Winkle &amp; Jahvar McLean (fiction short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films:<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Parish Capital<\/b><span style=\"font-weight: 400\">, directed by Jahvar McLean (documentary short);<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Covid<\/b>, directed by Jahvar McLean (micro documentary)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.jaftaonline.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to JAFTA\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Korean Film Council (KOFIC)<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJeremy Yehwan Joey (South Korea) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Jeremy-Yehwan-Joey.jpg\" alt=\"JEREMY YEHWAN JOEY\" \/><\/p>\n<p data-start=\"28\" data-end=\"830\">\n<p data-start=\"28\" data-end=\"830\">Jeremy YEHWAN JOEY (South Korea) began working in documentary in 2011 with <strong data-start=\"107\" data-end=\"136\">They Say, Human Is Future<\/strong> (2011), which he directed and produced. In 2017 he completed his first feature-length documentary, <strong data-start=\"236\" data-end=\"279\">Life Is a Dream, We\u2019ll Wake Up &amp; Scream<\/strong> (2019), released theatrically in South Korea two years later. Since 2015, YEHWAN JOEY has been actively involved in building networks among Korean documentary filmmakers, developing community cinema initiatives that support small-scale and independent works. He was a founding member of Shindamo (New Documentarists Network) in 2015 and took part in its programming, moderation and panel activities, and between 2015 and 2017 he was also active in Docu-Urang (Nomad Docs). These activities led to the publication of a book documenting the movement.<\/p>\n<p data-start=\"832\" data-end=\"1194\">Since 2016, he has worked as an independent film screening manager at the Seoul Film Commission. He is also a member of the executive committee of the Twinkle Documentary Festival, held annually in Seoul since 2023. In 2024 he was officially selected for EURODOC, International Lab for Creative Documentary Production, participating in the programme for a year.<\/p>\n<p><b>Studio Teacup Company \u2013 South Korea<\/b><\/p>\n<p><span style=\"font-weight: 400\">Studio Teacup Company is an independent production company founded in 2021, based in Seoul with a branch in Jeju. The company primarily works in documentary filmmaking and focuses on expanding the boundaries between animation and documentary.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Shape of Us<\/b><span style=\"font-weight: 400\">, directed by Soyon Ahn (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Pellong Pellong \u2013 the Untold Glitter of That Day<\/b><span style=\"font-weight: 400\">, directed by Hwirin Jude Kang (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>They Say, Human Is Future<\/b><span style=\"font-weight: 400\"> (2011) (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Life Is a Dream, We\u2019ll Wake Up &amp; Scream<\/b><span style=\"font-weight: 400\"> (2019) (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>May\u00b7JEJU\u00b7Day<\/b><span style=\"font-weight: 400\">, directed by Hwirin Jude Kang (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>This Is How the Drinking Boys and Girls Choir Loves<\/b><span style=\"font-weight: 400\"> (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>A Red Colour Pencil<\/b><span style=\"font-weight: 400\">, directed by Hwirin Jude Kang (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>The Blue Roof from the Window<\/b><span style=\"font-weight: 400\">, directed by Soyon Ahn (documentary feature)<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKim Sung Hwan (South Korea) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/KIM-Sung-Hwan.png\" alt=\"KIM SUNG HWAN\" \/><\/p>\n<p data-start=\"37\" data-end=\"535\">\n<p data-start=\"37\" data-end=\"535\">Kim SUNG HWAN (South Korea) graduated from the University of Illinois at Urbana\u2013Champaign with a Bachelor of Science in Electrical Engineering. During his junior year he began making experimental videos and short films. He later earned an MFA in Film Directing from Dongguk University Graduate School of Digital Image and Contents and subsequently completed a directing programme at the Korean Academy of Film Arts (KAFA). His first feature film as writer and director was <strong data-start=\"514\" data-end=\"527\">Iron Mask<\/strong> (2023).<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Freeshooter<\/b><span style=\"font-weight: 400\">, directed by Kim Sung Hwan (feature film)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Detective of Memories<\/b><span style=\"font-weight: 400\">, directed by Kim Sung Hwan (feature film)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<p data-start=\"37\" data-end=\"535\"><b>Manbun-ui Ilcho<\/b><span style=\"font-weight: 400\">, directed by Kim Sung Hwan (feature film)<\/span><\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.koreanfilm.or.kr\/eng\/main\/main.jsp\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Korean Film Council (KOFIC)\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Lithuanian Film Centre<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tBrigita Beniusyte (Lithuania) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Brigita-Beniusyte.jpg\" alt=\"brigita beniusyte\" \/><\/p>\n<p data-start=\"39\" data-end=\"521\">Brigita BENIU\u0160YT\u0116 (Lithuania) has worked in the film industry for over a decade. After starting out in independent cinema, she joined the Lithuanian production company M-Films in 2017. Together with Marija Razgut\u0117, she produced <strong data-start=\"271\" data-end=\"291\">Happy Next Year!<\/strong> (2024), directed by Lukas Kacinauskas and selected for Uppsala ISFF, and <strong data-start=\"365\" data-end=\"380\">The Visitor<\/strong> (2025), directed by Vytautas Katkus, which won Best Director in the Crystal Globe Competition at Karlovy Vary International Film Festival.<\/p>\n<p data-start=\"523\" data-end=\"1105\">As an associate producer, BENIU\u0160YT\u0116\u2019s credits include <strong data-start=\"577\" data-end=\"604\">Hunger Strike Breakfast<\/strong> (2025), directed by Karolis Kaupinis, <strong data-start=\"643\" data-end=\"662\">To the Victory!<\/strong>, directed by Valentyn Vasyanovych and winner of Best Film at the Toronto International Film Festival, <strong data-start=\"765\" data-end=\"777\">Becoming<\/strong> (2025), directed by Zhannat Alshanova and selected for Locarno and Busan, and <strong data-start=\"856\" data-end=\"864\">Slow<\/strong> (2023), directed by Marija Kavtaradze and winner of Best Director at Sundance. She is currently producing the minority co-production <strong data-start=\"998\" data-end=\"1012\">March 14th<\/strong> by Alberto Gross Molo and developing Marius Pocevi\u010dius\u2019 absurd comedy <strong data-start=\"1083\" data-end=\"1104\">I\u2019m Not Like That<\/strong>.<\/p>\n<p data-start=\"1107\" data-end=\"1823\"><strong data-start=\"1107\" data-end=\"1130\">M-Films \u2013 Lithuania<\/strong><\/p>\n<p data-start=\"1107\" data-end=\"1823\">M-Films is a Lithuanian film production company founded in 2008 by producer Marija Razgut\u0117 and today one of the most active companies in the country, specialising in international co-productions for cinema and television. The award-winning company works with bold, character-driven stories by both emerging and established filmmakers. Recent titles include <strong data-start=\"1490\" data-end=\"1505\">The Visitor<\/strong> (2025) by Vytautas Katkus, <strong data-start=\"1533\" data-end=\"1560\">Hunger Strike Breakfast<\/strong> (2025) by Karolis Kaupinis, <strong data-start=\"1589\" data-end=\"1608\">To the Victory!<\/strong> (2025) by Valentyn Vasyanovych, <strong data-start=\"1641\" data-end=\"1653\" data-is-only-node=\"\">Becoming<\/strong> (2025) by Zhannat Alshanova and <strong data-start=\"1686\" data-end=\"1694\">Slow<\/strong> (2023) by Marija Kavtaradze. The short <strong data-start=\"1734\" data-end=\"1746\">Cherries<\/strong> (2022) by Katkus premiered in the Official Short Film Competition at Cannes.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Thuja Trees<\/b><span style=\"font-weight: 400\">, directed by Marius Pocevi\u010dius (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>I\u2019m Not Like That<\/b><span style=\"font-weight: 400\">, directed by Marius Pocevi\u010dius (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Visitor<\/b><span style=\"font-weight: 400\"> (2025), directed by Vytautas Katkus (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Happy Next Year!<\/b><span style=\"font-weight: 400\"> (2024), directed by Lukas Kacinauskas (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Locarno Film Festival \u2013 Open Doors<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKamy Lara (Angola) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Kamy-Lara.png\" alt=\"KAMY LARA\" \/><\/p>\n<p data-start=\"28\" data-end=\"781\">Kamy LARA (Angola) is an Angolan filmmaker and producer with more than 15 years of experience in the audiovisual sector. She has worked across cinematography, first assistant directing, editing and production, contributing to key films of her generation in Angola. Her documentary <strong data-start=\"313\" data-end=\"332\">Beyond My Steps<\/strong> (2019) screened at more than 20 international festivals and won Best Documentary at both the San Francisco Dance Film Festival and Doc Luanda. Her work engages directly with social and political realities, privileging critical inquiry over entertainment. In 2023 she founded Uika Filmes, an independent production company based in Luanda, dedicated to artistically ambitious projects, international co-productions and the development of new voices.<\/p>\n<p data-start=\"783\" data-end=\"1412\"><strong data-start=\"783\" data-end=\"807\">Uika Filmes \u2013 Angola<\/strong><br data-start=\"807\" data-end=\"810\" \/>Uika Filmes is an independent production company founded in 2023 and based in Luanda. The company develops and produces auteur-driven films with strong social and political relevance, combining aesthetic experimentation with a deep connection to place. Focusing on bold documentary and fiction projects, Uika Filmes collaborates with emerging filmmakers and a new generation of artists in Angola and internationally. The company sees cinema as a tool for critical thinking, dialogue and transformation, and works through international co-productions to connect local contexts with global film circuits.<\/p>\n<p data-start=\"0\" data-end=\"25\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"27\" data-end=\"193\"><strong data-start=\"27\" data-end=\"47\">Hold Time for Me<\/strong>, directed by Fradique (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"193\"><strong data-start=\"90\" data-end=\"99\">Vanda<\/strong>, directed by Kamy Lara (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"193\"><strong data-start=\"143\" data-end=\"150\">RGB<\/strong>, directed by Resen Verkron (fiction short)<\/li>\n<\/ul>\n<p data-start=\"195\" data-end=\"219\"><span style=\"text-decoration: underline\">Projects in production<\/span><\/p>\n<ul>\n<li data-start=\"221\" data-end=\"383\"><strong data-start=\"221\" data-end=\"242\">Karl Marx, Luanda<\/strong>, directed by Kilunaji Kia Henda (experimental feature)<\/li>\n<li data-start=\"221\" data-end=\"383\"><strong data-start=\"300\" data-end=\"339\">Kiffen \u2013 At the Centre of the World<\/strong>, directed by Jo\u00e3o Ana (documentary feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.locarnofestival.ch\/pro\/projects\/open-doors.html\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Locarno Film Festival\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">MIDPOINT Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tOnd\u0159ej Luke\u0161 (Czech Republic) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Ondrej-Lukes.jpg\" alt=\"ONDREJ LUKES\" \/><\/p>\n<p data-start=\"39\" data-end=\"940\">\n<p data-start=\"39\" data-end=\"940\">Ond\u0159ej LUKE\u0160 (1991, Czech Republic) worked as a stagehand and construction worker before studying production at FAMU, where he began building experience across short and feature films. His producing debut <strong data-start=\"248\" data-end=\"263\">Brutal Heat<\/strong> (2023), directed by Albert Hospod\u00e1\u0159sk\u00fd, premiered at the Karlovy Vary International Film Festival, where it received a Special Jury Mention in the Proxima section, and later won Best Czech Feature Film at Fin\u00e1le Plze\u0148. He has also worked as a production manager and line producer on a range of acclaimed projects. In 2022 he founded the Prague-based company Beginner\u2019s Mind. He has pitched projects at international platforms including Connecting Cottbus, Sofia Meetings and Karlovy Vary\u2019s industry programme, and has taken part in MIDPOINT Feature Launch, WEMW and First Cut Lab. LUKE\u0160 is an advocate for sustainability and fair working conditions in the Czech film industry.<\/p>\n<p data-start=\"942\" data-end=\"1555\"><strong data-start=\"942\" data-end=\"978\">Beginner\u2019s Mind \u2013 Czech Republic<\/strong><br data-start=\"978\" data-end=\"981\" \/>Beginner\u2019s Mind is a Prague-based production company founded in 2022 by Ond\u0159ej LUKE\u0160 and later joined by Jan \u010cadek. The company produces fiction and documentary films with strong authorial voices and international potential, building close, long-term relationships with filmmakers. It is also developing episodic projects, including a television series and a documentary series. Beginner\u2019s Mind prioritises respectful and supportive working conditions and is strongly committed to environmental sustainability, as a founding member of the first Czech green filming platform.<\/p>\n<p data-start=\"0\" data-end=\"25\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"27\" data-end=\"253\"><strong data-start=\"27\" data-end=\"39\">Restless<\/strong>, directed by Albert Hospod\u00e1\u0159sk\u00fd (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"253\"><strong data-start=\"92\" data-end=\"115\">No Salvation Coming<\/strong>, directed by Vojt\u011bch Strakat\u00fd (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"253\"><strong data-start=\"166\" data-end=\"201\">Between a Rock and a Hard Place<\/strong>, directed by Greta Stocklassa (documentary feature)<\/li>\n<\/ul>\n<p data-start=\"255\" data-end=\"279\"><span style=\"text-decoration: underline\">Projects in production<\/span><\/p>\n<ul>\n<li data-start=\"281\" data-end=\"343\"><strong data-start=\"281\" data-end=\"297\">The Champion<\/strong>, directed by Bohdan Kar\u00e1sek (fiction feature)<\/li>\n<\/ul>\n<p data-start=\"345\" data-end=\"361\"><span style=\"text-decoration: underline\">Released films<\/span><\/p>\n<ul>\n<li data-start=\"363\" data-end=\"523\"><strong data-start=\"363\" data-end=\"393\">Urban Disobedience Toolkit<\/strong>, directed by Vladim\u00edr Turner (documentary feature)<\/li>\n<li data-start=\"363\" data-end=\"523\"><strong data-start=\"447\" data-end=\"475\">The Other Side of Summer<\/strong>, directed by Vojt\u011bch Strakat\u00fd (fiction feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.midpoint-institute.eu\/en\/home\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to MIDPOINT Institute\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Netherlands Film Fund<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tGerman Gruber (Cura\u00e7ao)- CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/German-Gruber.jpg\" alt=\"GERMAN GRUBER\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">German GRUBER Jr. (1980) is a film director, writer, and producer based in Willemstad, Cura\u00e7ao. Driven by a strong ambition to share fresh, Caribbean-rooted stories with an international audience, his work reflects a vibrant fusion of Latino, Caribbean, and European influences that define his unique creative style.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Gruber made his feature film debut with <strong>Sensei Redenshon<\/strong> (2013), which became an instant sensation in Cura\u00e7ao. He created, wrote, and directed the television series <strong>Djis Un Tiki Love<\/strong> and the documentary TV series <strong>Huma<\/strong> (2021). He is currently developing his next two feature films, both set on Cura\u00e7ao.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Together with his longtime cinematographer Ewoud Bon NSC, he founded Provider Films, a production company dedicated to bringing Caribbean stories to the world. Their recent work includes the short film <strong>Sunny<\/strong>, which premiered internationally at the Tribeca International Festival 2025.<\/p>\n<p data-start=\"0\" data-end=\"405\"><strong data-start=\"0\" data-end=\"42\">Provider Films \u2013 Cura\u00e7ao \/ Netherlands<\/strong><br data-start=\"42\" data-end=\"45\" \/>Provider Films is an independent film production company based in Cura\u00e7ao and Amsterdam, founded by filmmakers and producers German Gruber and Ewoud Bon. Working without the support of a formal film industry infrastructure, the company takes a hands-on approach, with its founders often writing, directing, producing, shooting and editing their own projects.<\/p>\n<p data-start=\"407\" data-end=\"891\" data-is-last-node=\"\" data-is-only-node=\"\">Their first micro-budget feature <strong data-start=\"440\" data-end=\"460\">Sensei Redenshon<\/strong> premiered in Dutch cinemas and received recognition at international film festivals. Embracing limitations as a creative strength, Provider Films focuses on making bold, high-value films that bring authentic Caribbean stories to global audiences. With two new feature projects in development, the company is committed to strengthening Cura\u00e7ao\u2019s film industry while continuing to produce distinctive, internationally resonant work.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bon Bida<\/strong>, directed by German Gruber (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>De Engelenbron<\/strong>, directed by German Gruber (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Legend of Buchi Fil<\/strong>, directed by German Gruber (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Sensei Redemption<\/strong> (2013), directed by German Gruber (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Sunny<\/strong> (2025), directed by German Gruber (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tGuido Coppis (Netherlands) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Guido-Coppis.jpg\" alt=\"GUIDO COPPIS\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Guido COPPIS (1998) is a self-taught filmmaker who was born in the small town of Venray, the Netherlands.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">After finding out that attending the Netherlands Film Academy was not an option, he effectively created his own film school by making no less than fourteen short films in recent years, many of which have won awards and were selected at festivals worldwide. At age 19, he was selected by the Dutch Film Fund for their screenwriting talent development programme, which resulted in his first feature.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">At the tender age of 25, he made his feature film debut with <strong>Bijt<\/strong> (2024), which premiered at IFFR 2024 in the prestigious Bright Future programme. The film was nominated for 2 Golden Calves (Dutch Oscars) and was released in cinemas in June 2024.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Herringbone<\/strong>, directed by Guido Coppis (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bels<\/strong>, directed by Guido Coppis (fiction midlength)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bite<\/strong> (2024), directed by Guido Coppis (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Before Bedtime<\/strong>, directed by Guido Coppis (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Promise<\/strong>, directed by Guido Coppis (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Silent Storm<\/strong>, directed by Guido Coppis (fiction midlength);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fester<\/strong>, directed by Guido Coppis (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Iron Flows Through My Veins<\/strong>, directed by Guido Coppis (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tDwight Groot (Netherlands) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Dwight-Groot-.png\" alt=\"DWIGHT GROOT\" \/><\/p>\n<p><span style=\"font-weight: 400\">Dwight GROOT (Netherlands) is an Amsterdam-based creative producer with more than fifteen years of experience, originally built through his advertising company Vigics. In recent years he founded the narrative production company Narang, where he develops and produces a diverse slate of films and series, several of which have already been broadcast. Closely involved in both artistic and strategic development, he focuses on new perspectives and authentic storytelling, while building Narang into a sustainable company that embraces creative risk and connects with international audiences.<\/span><\/p>\n<p><strong>Narang \u2013 Netherlands<\/strong><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">Narang is a Dutch film production company with an international outlook. The name means \u201corange\u201d, reflecting the company\u2019s connection to the Netherlands while telling stories rooted in different cultures and backgrounds. Narang produces local content with international reach and ambition.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Pikaflor<\/strong> (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Kleinkinderen uit Nederland<\/strong> (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Switch<\/strong> (series)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Iskander<\/strong> (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>R.I.O.T.<\/strong> (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Cats &amp; Dogs<\/strong> (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><strong>Porcelain<\/strong> (fiction short)<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tRosalien Hollestelle (Netherlands) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Rosalien-Hollestelle-scaled.jpg\" alt=\"ROSALIEN HOLLESTELLE\" \/><\/p>\n<p data-start=\"44\" data-end=\"732\">\n<p data-start=\"44\" data-end=\"732\">Rosalien HOLLESTELLE (Netherlands) is a producer at the Amsterdam-based production company BIND and a graduate of the Netherlands Film Academy. She works across international fiction and documentary projects, with a particular interest in films that combine emotional depth with humour to reflect the complexity of everyday life. She places strong value on the filmmaking process itself, striving to create safe, collaborative environments where teams can thrive under healthy creative pressure. She has taken part in ACE Training Days, IDFAcademy, INTRO:DOX at CPH:DOX and APostLab, and was nominated for the Graduate Producer Award by the Netherlands Audiovisual Producers Alliance.<\/p>\n<p data-start=\"734\" data-end=\"1131\"><strong data-start=\"734\" data-end=\"756\">BIND \u2013 Netherlands<\/strong><br data-start=\"756\" data-end=\"759\" \/>BIND is dedicated to telling striking and distinctive stories that move and inspire audiences, exploring contemporary themes in engaging and surprising ways. Its films have screened at festivals worldwide and received numerous honours, including an Emmy Award, two Golden Calf Awards for Best Film, a Berlinale Special Mention, the Prix Europa and multiple awards at TIFF.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Listen<\/b><span style=\"font-weight: 400\">, directed by Zara Dwinger (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Real Santa<\/b><span style=\"font-weight: 400\">, directed by Marlies Smeenge (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Baggage<\/b><span style=\"font-weight: 400\">, directed by \u00d6zlem Bulgan (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Walk a Way<\/b><span style=\"font-weight: 400\">, directed by Froukje Tan (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ishtar<\/b><span style=\"font-weight: 400\">, directed by Hetty de Kruijf (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Stardust<\/b><span style=\"font-weight: 400\">, directed by Margien Rogaar (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Boy Who Loves the World<\/b><span style=\"font-weight: 400\">, directed by Steven Wouterlood (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Winning Generation<\/b><span style=\"font-weight: 400\">, directed by Marco De Stefanis (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Manager<\/b><span style=\"font-weight: 400\">, directed by Maartje Bakers (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Momentum<\/b><span style=\"font-weight: 400\">, directed by Alex Pitstra (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Bad Guys<\/b><span style=\"font-weight: 400\">, directed by Eva van Pelt (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Outliving Shakespeare<\/b><span style=\"font-weight: 400\">, directed by Inna Sahakyan &amp; Ruben Ghazaryan (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Nora Playing Nora<\/b><span style=\"font-weight: 400\">, directed by Lieza R\u00f6ben (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>I Accidentally Wrote a Book<\/b><span style=\"font-weight: 400\">, directed by N\u00f3ra Lakos (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Generation Pa<\/b><span style=\"font-weight: 400\">, directed by Bibi Fadlalla (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Butlers<\/b><span style=\"font-weight: 400\">, directed by Marlies Smeenge (documentary TV series)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ma M\u00e8re et Moi<\/b><span style=\"font-weight: 400\">, directed by Emma Branderhorst (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>The Debit Card<\/b><span style=\"font-weight: 400\">, directed by Thijs Bouman (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Yalda: The Longest Night<\/b><span style=\"font-weight: 400\">, directed by Faydim Ramshe (documentary short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Double D<\/b>, directed by Fey Lehiane (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.filmfonds.nl\/en\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to NFF\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">New Producers Academy<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKarim Mrabti (Netherlands\/Morocco) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Karim-Mrabti-.jpeg\" alt=\"KARIM MRABTI\" \/><\/p>\n<p data-start=\"32\" data-end=\"484\">Karim MRABTI (Morocco) is a producer and writer and the founder of Mohsin Films. He began his career producing large-scale cultural projects and international festivals in Morocco before moving into the film industry. His first feature credit was as creative producer on <strong data-start=\"307\" data-end=\"323\">Porte Bagage<\/strong> , after which he went on to work on numerous fiction productions as a line producer, while continuing to develop his voice as a writer and producer.<\/p>\n<p data-start=\"486\" data-end=\"945\">Mrabti was selected for the New Producers Academy, where he wrote and produced the short film <strong data-start=\"580\" data-end=\"593\">Last Shot<\/strong> (2026), set to premiere at the International Film Festival Rotterdam in the Tiger Short Competition. His writing has also been recognised through his participation in the Doha Film Institute Script Lab and Torino Film Lab. He is currently developing a slate of projects under Mohsin Films, including <strong data-start=\"894\" data-end=\"911\">Cairo Circles<\/strong>\u00a0 by Sharif Abdel Mawla.<\/p>\n<p data-start=\"0\" data-end=\"400\"><strong data-start=\"0\" data-end=\"40\">Mohsin Films\u00a0<\/strong><br data-start=\"40\" data-end=\"43\" \/>Mohsin Films is an independent production company founded by producer and filmmaker Karim Mrabti. The company focuses on stories that engage with the social, cultural and political realities of the Global South, particularly Africa and South-West Asia, and collaborates with both emerging and established filmmakers from these regions and their diasporas.<\/p>\n<p data-start=\"402\" data-end=\"843\" data-is-last-node=\"\" data-is-only-node=\"\">Its latest production <strong data-start=\"424\" data-end=\"437\">Last Shot<\/strong> will have its world premiere at IFFR 2026 in the Tiger Short Competition. Mohsin Films is currently developing projects with directors and writers from Egypt, Palestine, Morocco, Mauritania and Cabo Verde, and continues to expand its slate with films driven by strong authorial voices, international potential and universal emotional resonance, guided by urgency and inevitability rather than opportunity.<\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"font-weight: 400;\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><b>Cairo Circles<\/b><span style=\"font-weight: 400;\">, directed by Sharif Abdel Mawla (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u00a0<\/span><b>Krzysztof<\/b><span style=\"font-weight: 400;\">, directed by Kuba Szutkowski (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u00a0<\/span><b>Vatan<\/b><span style=\"font-weight: 400;\">, directed by Parham Rahimzadeh (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u00a0<\/span><b>Tra boka d&#8217;mort<\/b><span style=\"font-weight: 400;\">, directed by Nuno Boaventura Miranda (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u00a0<\/span><b>Societies<\/b><span style=\"font-weight: 400;\">, directed by Stacii Samidin (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><span style=\"font-weight: 400;\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><b>Last Shot<\/b><span style=\"font-weight: 400;\"> (2026), directed by Parham Rahimzadeh (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u00a0<\/span><b>Porte Bagage<\/b><span style=\"font-weight: 400;\">, directed by Abdelkarim El-Fassi (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u00a0<\/span><b>Dear Summer<\/b><span style=\"font-weight: 400;\">, directed by Ahmed Hammadi (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/newproducersacademy.com\/\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to New Producers Academy\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">The New Zealand Film Commission (NZFC)<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAsuka Sylvie (New Zealand) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Asuka-Sylvie-scaled.jpg\" alt=\"ASUKA SYLVIE\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Asuka SYLVIE is a writer\/director from New Zealand of Japanese and Scottish heritage. She studied at the Victorian College of the Arts in Melbourne, graduating with a Bachelor of Arts in Film and Television. Her short films <strong>Lost at Sea<\/strong> (2024), <strong>Last Summer<\/strong> (2017), <strong>Lake<\/strong> (2014) and <strong>Pinion<\/strong> (2010) have screened at numerous international festivals including official selection at Melbourne, Palm Springs, Shanghai and New Zealand. Her latest work includes her segment <strong>Mikasa<\/strong>, part of anthology feature <strong>Kainga<\/strong> which premiered at NZIFF 2022. She is currently in development for her science fiction TV drama series <strong>Thaw<\/strong> and feature film <strong>Ortus<\/strong>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline;\">Projects in development: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ortus<\/strong>, directed by Asuka Sylvie (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Thaw<\/strong>, directed by Asuka Sylvie (TV series)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline;\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Lost at Sea<\/strong> (2024), written and directed by Asuka Sylvie (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Thaw<\/strong>, written and directed by Asuka Sylvie (TV pilot);<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Kainga<\/b><span style=\"font-weight: 400;\">, written and directed by Asuka Sylvie (feature film segment)<\/span><\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Last Summer<\/strong> (2017), written and directed by Asuka Sylvie (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Lake<\/strong> (2014), written and directed by Asuka Sylvie (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Pinion<\/strong> (2010), written and directed by Asuka Sylvie (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAngela Cudd (New Zealand) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Angela-Cudd-scaled.jpg\" alt=\"ANGELA CUDD\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Angela CUDD (New Zealand) is an Indigenous M\u0101ori screen producer and founder of Caravan Carpark Films. She produces films, television and digital-first work across narrative and documentary. Her work centres urgent, human stories &#8211; intimate stakes, big themes &#8211; grounded in community. Her producing credits include the coming-of-age feature <strong>Uproar<\/strong> (TIFF 2023) and the digital-first series <strong>Good Grief<\/strong>, acquired by AMC Networks&#8217; IFC and Sundance Now for North America and the UK. Her co-producing credits include the Indigenous anthology feature <strong>We Are Still Here<\/strong> (TIFF 2022; imagineNATIVE Dramatic Feature winner). She also directed and produced TVNZ+&#8217;s <strong>When Bob Came<\/strong>, winner of Best Factual Series at the 2023 New Zealand Television Awards. In 2024, Cudd was named SPADA Independent Producer of the Year. She partners closely with writers and directors to protect voice, tighten craft and deliver culturally-rich work.<\/p>\n<p><strong>Caravan Carpark Films \u2013 New Zealand <\/strong><\/p>\n<p>Caravan Carpark Films (CCF) is an Indigenous M\u0101ori-led screen production company based in Auckland. Founded in 2019, CCF produces scripted and factual work across feature films, series and digital releases. The company partners with filmmakers who combine genre confidence with cultural specificity. Recent credits include the feature Uproar (2023), produced alongside Firefly Films and Kingston Productions, and TVNZ+\u2019s documentary series When Bob Came, which won Best Factual Series at the 2023 New Zealand Television Awards, produced with Stella Maris Productions. Built for collaboration, CCF is comfortable within multi-producer structures and scales its teams to suit each project. Projects are developed through tikanga-informed collaboration, with short-form work used as a proving ground for tone, talent and team chemistry, and as a pathway towards long-form storytelling. The company is open to international co-productions and strategic partnerships aligned with Indigenous and cross-cultural narratives.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Don Te Haute<\/strong>, directed by Kirk Torrance (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Flagfall<\/strong>, directed by Joe Lonie (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Hide the Dog<\/strong>, director TBC (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Nine Girls<\/strong>, directed by Stan Fong (animated fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Nothing Bad Happens Here<\/strong>, directed by Angela Cudd (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Au\u0113<\/strong>, director TBC (series)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bro<\/strong>, directed by Kirk Torrance (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Keepers<\/strong>, directed by Leigh Minarapa (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Nine Girls<\/strong>, directed by Stan Fong (animated short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Raup\u0101<\/strong>, directed by Moehau Hodges-Tai (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Songs of Protest<\/strong>, directed by Orlando Stewart &amp; Angela Cudd (docuseries)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Uproar<\/strong>, directed by Paul Middleditch &amp; Hamish Bennett (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>We Are Still Here<\/strong>, directed by Tim Worrall, Richard Curtis, Renae Maihi, Miki Magasiva, Maria Gaoa, Chantelle Burgoyne, Beck Cole, Tracey Rigney, Danielle Maclean, Dena Curtis (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>When Bob Came<\/strong>, directed by Orlando Stewart &amp; Angela Cudd (docuseries);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Good Grief<\/strong>, directed by Kiel McNaughton (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Sextortion<\/strong>, directed by Kyan Krumdiek, Kent Briggs (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ahi &amp; the Stars<\/strong>, directed by Angela Cudd (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Flagfall<\/strong>, directed by Joe Lonie (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>P\u012btiti<\/strong>, directed by Tajim Mohammed-Kapa (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Hokia<\/strong>, directed by India Fremaux (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Lemons<\/strong>, directed by India Fremaux (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The World Around Me<\/strong>, directed by Hasan Arslan (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Difference Between Pipi &amp; P\u016bp\u016b<\/strong>, directed by Tajim Mohammed-Kapa (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Disconnected<\/strong>, directed by Maruia Jensen (short film);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>I Am Waru<\/strong>, directed by Angela Cudd (documentary short film)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tEmma Mortimer (New Zealand) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Emma-Mortimer.jpg\" alt=\"EMMA MORTIMER\" \/><\/p>\n<p><span style=\"font-weight: 400\">Emma MORTIMER (New Zealand) is an independent producer based in T\u0101maki Makaurau, Auckland. She has produced a number of ambitious short films including <strong>The Girl Next Door<\/strong> (2025), directed by Mingjian Cui and selected for the Venice Film Festival, <strong>Lost at Sea<\/strong> (2024), directed by Asuka Sylvie and screened at the New Zealand International Film Festival, and <strong>That Workman\u2019s Arm<\/strong> (2022), directed by Simon London and selected for Clermont-Ferrand.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Her development slate includes Martin Sagadin\u2019s comedy-drama <strong>Maria, Take a Bow<\/strong>, co-produced with Alex Reed and developed through Jane Campion\u2019s <\/span><i><span style=\"font-weight: 400\">A Wave in the Ocean<\/span><\/i><span style=\"font-weight: 400\"> intensive, as well as the science-fiction drama series <strong>Thaw<\/strong> and the feature <strong>Ortus<\/strong> with writer-director Asuka Sylvie. She is also developing the elevated horror feature<strong> Taniwha<\/strong> with Lani-rain Feltham and Gregory King, the genre-bending <strong>The Hermit\u2019s Tale<\/strong> by Siobhan Marshall and Millen Baird, and the hybrid animation-gaming documentary <strong>The Knights of Chalacyn<\/strong> with Jack Nicol. Mortimer seeks out collaborators with distinctive voices, whose work combines strong tone and atmosphere with an exploration of the human condition.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Maria, Take a Bow<\/b><span style=\"font-weight: 400\">, directed by Martin Sagadin (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Taniwha<\/b><span style=\"font-weight: 400\">, directed by Gregory King (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ortus<\/b><span style=\"font-weight: 400\">, directed by Asuka Sylvie (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Hermit\u2019s Tale<\/b><span style=\"font-weight: 400\">, written by Siobhan Marshall &amp; Millen Baird (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Thaw<\/b><span style=\"font-weight: 400\">, directed by Asuka Sylvie (fiction series)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Knights of Chalacyn<\/b><span style=\"font-weight: 400\">, directed by Jack Nicol (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Softies<\/b><span style=\"font-weight: 400\">, directed by Tom Augustine (fiction short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Girl Next Door<\/b><span style=\"font-weight: 400\"> (2025), directed by Mingjian Cui (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Lost at Sea<\/b><span style=\"font-weight: 400\"> (2024), directed by Asuka Sylvie (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>That Workman\u2019s Arm<\/b><span style=\"font-weight: 400\"> (2022), directed by Simon London (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Thaw<\/b><span style=\"font-weight: 400\">, directed by Asuka Sylvie (fiction TV pilot)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Terminal Lake<\/b><span style=\"font-weight: 400\">, directed by Andrew Blackman (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Mary Mary<\/b><span style=\"font-weight: 400\">, directed by Ella Gilbert (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Calf<\/b><span style=\"font-weight: 400\">, directed by Simon London &amp; Matthew Sunderland (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Mouse<\/b><span style=\"font-weight: 400\">, directed by Lani-rain Feltham (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJudah Finnigan (New Zealand) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Judah-Finnigan-scaled.jpeg\" alt=\"JUDAH FINNIGAN\" \/><\/p>\n<p data-start=\"38\" data-end=\"784\">Judah FINNIGAN (New Zealand) is an award-winning writer and director from Aotearoa. His short <strong data-start=\"136\" data-end=\"148\">Workshop<\/strong> (2020) premiered at the Venice Film Festival and Clermont-Ferrand, was distributed by Searchlight Pictures, selected as a Vimeo Staff Pick and Short of the Week, and went on to reach a wide online audience. His debut short <strong data-start=\"372\" data-end=\"383\">Charmer<\/strong> (2018) received the Emerging Talent Award at the New Zealand International Film Festival and was selected for festivals including Slamdance, Austin and Maryland. He has taken part in a range of New Zealand development initiatives, including Film Up and Story Camp, and has had two features in development with the New Zealand Film Commission. He is currently represented by WME and Linden Management.<\/p>\n<p data-start=\"786\" data-end=\"1364\"><strong data-start=\"786\" data-end=\"825\">Congratulations Films \u2013 New Zealand<\/strong><br data-start=\"825\" data-end=\"828\" \/>Congratulations Films was founded in 2017 by writer-director Judah FINNIGAN and producer Olivia Shanks. Genre-agnostic and creator-led, the company champions a new generation of New Zealand filmmakers with bold and distinctive work. Its short films have premiered at major international festivals including Venice, Clermont-Ferrand and Slamdance, won multiple awards at NZIFF and been acquired by distributors such as Searchlight Pictures and Rialto. The company currently has several feature films and television series in development.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Painmaker<\/b><span style=\"font-weight: 400\">, directed by Judah Finnigan (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>God People<\/b><span style=\"font-weight: 400\">, directed by Judah Finnigan (fiction feature<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Hello Stranger<\/b><span style=\"font-weight: 400\">, directed by Judah Finnigan (television series)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Workshop<\/b><span style=\"font-weight: 400\"> (2020), directed by Judah Finnigan (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Charmer<\/b><span style=\"font-weight: 400\"> (2018), directed by Judah Finnigan (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.nzfilm.co.nz\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to the New Zealand Film Commission\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Norwegian Film Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tOda Kruse (Norway) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Oda-Kruse.jpeg\" alt=\"ODA KRUSE\" \/><\/p>\n<p data-start=\"28\" data-end=\"461\">Oda KRUSE (Norway) is the founder and lead producer of Kruela Film. She has produced a number of short films that have screened at major international festivals, and previously worked for several years as a junior producer and then producer at the Bergen-based company Mer Film, including on <strong data-start=\"324\" data-end=\"345\">Sentimental Value<\/strong>. In 2023 she established Kruela Film, with the company set to go into production on its first feature film in 2026.<\/p>\n<p data-start=\"463\" data-end=\"672\"><strong data-start=\"463\" data-end=\"487\">Kruela Film \u2013 Norway<\/strong><br data-start=\"487\" data-end=\"490\" \/>Kruela Film is an independent production company based in Oslo, founded in 2023. The company focuses on long-form, director-driven films and fiction with a strong, distinctive voice.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Big Deal <\/b><span style=\"font-weight: 400\">directed by Hedda Mj\u00f8en (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Sitt, Stay!<\/b><span style=\"font-weight: 400\"> directed by Sunniva Eir Tangvik &amp; Kevin (fiction feature)\u00a0<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Mercy<\/b><span style=\"font-weight: 400\">, directed by Hedda Mj\u00f8en (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tHedda Heiberg Mj\u00f8en (Norway) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Hedda-Heiberg-Mjoen.jpg\" alt=\"HEDDA MJOEN\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Hedda Heiberg MJ\u00d8EN is a Norwegian director and screenwriter working across both fiction and documentary, since 2010. Her work frequently engages with ethical dilemmas and challenging subject matter such as racism, religion, radicalisation, mental illness, sexual violence, and pornography, seeking to nuance debates and invite new perspectives.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Her debut short film <strong>Mercy<\/strong>, inspired by true events, received both the Amanda Award and the Golden Chair at the Short Film Festival in Grimstad in 2025, as well as Best European Short in Valladolid International Film Festival in 2025. She is currently in preproduction for her debut feature film <strong>Big Deal<\/strong>, which will go into production in 2026.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Big Deal<\/strong>, directed by Hedda Heiberg Mj\u00f8en (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li><strong>Mercy<\/strong> (2025), directed by Hedda Heiberg Mj\u00f8en (fiction short)<\/li>\n<li><strong>Porno 2022<\/strong>, directed by Hedda Heiberg Mj\u00f8en (documentary series)<\/li>\n<li><strong>Headlock<\/strong>, directed by Kim Peder Rismyr (documentary series)<\/li>\n<li><strong>Sex or Rape<\/strong>, directed by Hedda Heiberg Mj\u00f8en (documentary);<\/li>\n<li><strong>Insane<\/strong>, directed by Hedda Heiberg Mj\u00f8en (documentary series);<\/li>\n<li><strong>Saved<\/strong>, directed by Hedda Heiberg Mj\u00f8en (documentary series)<\/li>\n<li style=\"list-style-type: none\"><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.nfi.no\/en\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Norwegian Film Institute\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Proimagenes Colombia<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSebasti\u00e1n Mart\u00ednez R (Colombia) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Sebastian-Martinez-R-copia-scaled.jpg\" alt=\"SEBASTIAN MARTINEZ\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Sebasti\u00e1n MART\u00cdNEZ R is a producer of the short film <strong>Corteza<\/strong>, winner of The Wolfgang L\u00e4ngsfeld Prize at the FilmSchool Fest Munich, and selected at the FICCI (Colombia), and the P\u00f6ff Shorts (Estonia) in 2017. He has worked as Production Manager on the documentary <strong>Modelo Est\u00e9reo<\/strong>, winner of the 2017 Se\u00f1al Colombia co-production market, premiered at the 2018 Biarritz Festival of Latin American Cinema where it obtained a special mention from the jury. In 2020 he co-founded the production company Haus Kino, with which he is currently producing the feature film <strong>Meteorito<\/strong>, Sebasti\u00e1n M\u00fanera&#8217;s second feature film (<strong>La Torre<\/strong>, 2018) and <strong>Retenci\u00f3n<\/strong>, Gonzalo Escobar Mora&#8217;s debut feature.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Haus Kino &#8211; Colombia<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Haus Kino is an audiovisual production company created as a space for cinematic exploration and production. The company develops projects that seek out aesthetics and narratives that challenge established norms in the consumption of audiovisual works. Productions have been showcased at various festivals around the world, including BAFICI, FilmSchoolFest Munich in Germany, the Black Nights Film Festival in Tallinn, Estonia, and the Cartagena International Film Festival, among others. The company has also exhibited in alternative venues such as the MALBA Museum in Buenos Aires, the Museum of Modern Art of Medell\u00edn, the Bogot\u00e1 Cinematheque, the international ShortsTV channel, Amazon Prime, and the Retina Latina platform.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Retention<\/strong>, directed by Gonzalo Escobar (hybrid feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Verde Adentro<\/strong>, directed by Mauricio Reyes (documentary feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Meteorito<\/strong>, directed by Sebasti\u00e1n M\u00fanera (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fusil Ol\u00edmpico<\/strong>, directed by Manuel Mu\u00f1oz (experimental documentary feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Corteza<\/strong> (2017), directed by Paloma Rinc\u00f3n (experimental fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Las L\u00e1grimas<\/strong>, directed by Andr\u00e9s Su\u00e1rez (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>El Coraz\u00f3n de la Mujer y Otras Desventuras<\/strong>, directed by Mauricio Sarmiento (TV series)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.proimagenescolombia.com\/index.php?lang=en\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Proimagenes Colombia\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Projeto Paradiso<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tLuiza Fran\u00e7a (Brazil) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Luiza-Franca.jpeg\" alt=\"LUIZA FRAN\u00c7A\" \/><\/p>\n<p data-start=\"31\" data-end=\"520\">Luiza FRAN\u00c7A (Brazil) holds a degree in Cinema and Audiovisual from PUC-Rio and works as a creative producer and audiovisual editor. At Febre Filmes she produced and served as assistant director on <strong data-start=\"233\" data-end=\"245\">Tiramis\u00f9<\/strong>, and she is currently producing Le\u00f4nidas Oliveira\u2019s debut feature <strong data-start=\"312\" data-end=\"327\">Festa Santa<\/strong>, which took part in Cena 15 Lab, BrLab and the BAL-LAB co-production market in France, and was selected for the 2025 Paradiso Incubator, through which she joined the Paradiso Talent Network.<\/p>\n<p data-start=\"522\" data-end=\"830\">She also works at Matizar Filmes, following projects from script to distribution and collaborating with directors such as Marcelo Gomes, Armando Pra\u00e7a and Marcelo Grabowsky. Interested in the boundary between fiction and documentary, Fran\u00e7a seeks out projects that are both engaging and formally adventurous.<\/p>\n<p><b>Febre Filmes \u2013 Brazil<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400\">Febre Filmes produces fiction, documentary, and hybrid films that seek to evoke intense emotions in the audience, ranging from discomfort to genuine affection. The production company focuses on projects that stimulate the creation of new imaginaries with rich and unique universes, and that construct a poetic-realistic portrait of Northeast Brazil.\u00a0<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Festa Santa<\/b><span style=\"font-weight: 400\">, directed by Le\u00f4nidas Oliveira (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Porto do C\u00e9u<\/b><span style=\"font-weight: 400\">, directed by Le\u00f4nidas Oliveira (fiction short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>De Assis<\/b><span style=\"font-weight: 400\">, directed by Le\u00f4nidas Oliveira (documentary short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Tiramis\u00f9<\/b><span style=\"font-weight: 400\">, directed by Le\u00f4nidas Oliveira (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>14-Hour Workday<\/b><span style=\"font-weight: 400\">, directed by Luiza Fran\u00e7a &amp; Clara Henriques (hybrid short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Wednesday<\/b><span style=\"font-weight: 400\">, directed by Luiza Fran\u00e7a &amp; Clara Henriques (hybrid short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>While Present<\/b><span style=\"font-weight: 400\">, directed by Lina Nunes (documentary short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tRodrigo S\u00e9llos (Brazil) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Rodrigo-Sellos-scaled.jpg\" alt=\"RODRIGO SELLOS\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Rodrigo S\u00c9LLOS is a Rio de Janeiro\u2013based director, writer, editor and producer with 16 years of experience. A Projeto Paradiso Talent since 2019, he directed and produced the award-winning feature documentary <strong>Searching for Makuna\u00edma<\/strong> (Best Film at Bras\u00edlia and Inffinito Brazilian Film Festival) and the feature doc <strong>Here Wackos Are Not Swept Under the Rug<\/strong> screened at Trieste Festival. His short <strong>You Don&#8217;t Know Me<\/strong> won awards at the Rio Int&#8217;l Film Festival and M\u00e1laga (Spain). As director and co-producer of the fiction short <strong>Remedial Class<\/strong>, he has screened at festivals in Portugal, Croatia and Brazil. He is now preparing his debut fiction feature <strong>Macuxi<\/strong> and developing the features <strong>Claudia Andujar \u2013 Diaries in Photography<\/strong>; <strong>Little Americans<\/strong>; <strong>Ivy&#8217;s Toe<\/strong> and a documentary on Brazilian Popular Music.<\/p>\n<p><strong>Caos e Cinema- Brazil:\u00a0<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Caos e Cinema is a Brazilian independent production company founded in 2010. It combines auteur-driven projects with market-oriented productions, working from development through post-production. The company has produced 12 films, including the feature documentary <strong>Here Wackos Are Not Swept Under the Rug<\/strong> (Rio de Janeiro and Trieste Int&#8217;l Film Festivals) and <strong>Coutinho Reporter<\/strong>, selected for festivals such as It&#8217;s All True and Havana. Its short documentary <strong>You Don&#8217;t Know Me<\/strong> won the Audience Award at Rio Int&#8217;l Film Festival and the Special Jury Prize at M\u00e1laga Film Festival. Caos e Cinema also explores immersive formats with the VR experience <strong>200<\/strong>. The company is currently producing its first fiction feature, <strong>Macuxi<\/strong>, and developing features <strong>Little Americans<\/strong>, <strong>Claudia Andujar \u2013 Diaries in Photography<\/strong> and <strong>Ivy&#8217;s Toe<\/strong>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Little Americans (Antrop\u00f3foga)<\/strong>, directed by Rodrigo S\u00e9llos (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Claudia Andujar \u2013 Diaries in Photography<\/strong>, directed by Rodrigo S\u00e9llos (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ivy&#8217;s Toe<\/strong>, directed by Ren\u00e1 Tardin and Victor Abreu (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Macuxi<\/strong>, directed by Rodrigo S\u00e9llos (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>MPB &#8211; Heartbeat and Music of Brazil<\/strong>, directed by Rodrigo S\u00e9llos (documentary feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Here Wackos Are Not Swept Under the Rug<\/strong>, directed by Rodrigo S\u00e9llos (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>You Don&#8217;t Know Me<\/strong>, directed by Rodrigo S\u00e9llos (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>200 (360VR)<\/strong>, directed by JC Oliveira (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Remedial Class<\/strong>, directed by Rodrigo S\u00e9llos (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Coutinho Reporter<\/strong>, directed by Ren\u00e1 Tardin (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Far from West<\/strong>, directed by Ren\u00e1 Tardin (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>From Afar, No One Sees the President<\/strong>, directed by Ren\u00e1 Tardin (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Smile<\/strong>, directed by JC Oliveira (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Who Are You?<\/strong>, directed by Rodrigo S\u00e9llos (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>REM<\/strong>, directed by JC Oliveira (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Wrong Guy<\/strong>, directed by JC Oliveira (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.projetoparadiso.org.br\/english\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Projeto Paradiso\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Realness Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tYolanda Maria Barroso (Brazil) &#8211; PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Yolanda-Maria-Barroso_portrait-scaled.jpg\" alt=\"YOLANDA MARIA BARROSO\" \/><\/p>\n<p data-start=\"40\" data-end=\"424\">Yolanda Maria BARROSO (Brazil) is a Brazilian producer and anthropologist with 17 years of experience across film and television. She has collaborated with leading companies in the industry and is a graduate of the Creative Producer Indaba and Doc Toolbox programmes, as well as a Projeto Paradiso fellow. She currently works as Business Executive Producer at Maria Farinha Films.<\/p>\n<p data-start=\"426\" data-end=\"785\"><strong data-start=\"426\" data-end=\"458\">Maria Farinha Films \u2013 Brazil<\/strong><br data-start=\"458\" data-end=\"461\" \/>Maria Farinha Films is a leading Latin American impact entertainment company dedicated to creating stories that inspire social change. With over 17 years of activity and more than 50 productions, the company has recently expanded internationally through MFF &amp; CO in Los Angeles and a partnership with Violet Films in London.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Outsider<\/b><span style=\"font-weight: 400\">, directed by Sandra Delgado (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Wintering<\/b><span style=\"font-weight: 400\">, directed by Estela Renner (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Elza<\/b><span style=\"font-weight: 400\">, directed by Eryk Rocha (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>The Girl Who Could Fly<\/b><span style=\"font-weight: 400\">, directed by Yasmin Thayn\u00e1 (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.realness.institute\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Realness Institute\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Screen Ireland<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAisling Malone (Ireland)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Ais-Malone-scaled.jpg\" alt=\"AILSING MALONE\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Aisling MALONE is an Irish creative producer and co-founder of Rye Films, an independent production company focused on bold, character-driven storytelling. With a background spanning screen and social justice, Malone is passionate about supporting distinctive voices and fostering collaborative, inclusive working environments.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Since 2018, Malone has produced a range of award-winning short films and music videos, with recent work funded by Screen Ireland, D\u00fan Laoghaire-Rathdown County Council, and the Kildare Short Grass Film Bursary. In 2025 she was selected for two feature development schemes Screen Ireland&#8217;s Perspectives and X-Pollinator&#8217;s Incubator 2.0, and is currently developing a number of debut feature projects alongside stellar collaborators.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Complementary to her producing, Malone works as Project Manager with Raising Films Ireland, championing carers and parents in the screen industry, and leads on national inclusion initiatives with the National Talent Academies. She is currently undertaking a PhD with TU Dublin, researching best practices for creating a caring, inclusive, and diverse workforce within the Irish screen sector.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Malone is deeply committed to creative storytelling and building a more sustainable and accessible industry \u2014 one that reaches the full breadth of creative potential in society.<\/p>\n<p><strong>Rye Films- Ireland<\/strong><\/p>\n<p>Rye Films is an independent production company passionate about crafting bold, heartfelt stories for screen. Co-founded by writer\/director\/editor Allyn Quigley and creative producer Aisling Malone, we\u2019ve produced a range of short films and music videos, and are now developing an exciting slate of debut feature films. In 2024, producer Lorraine Higgins joined the team, and since then, she and Malone have collaborated on three funded short films through the Kildare Short Grass Film Bursary, Screen Ireland\u2019s Focus Short Scheme, and the DLR First Frames Fund \u2014 2 of which premiered in 2025, winning multiple awards between them and the third to premiere in 2026.<\/p>\n<p>Together, they\u2019ve also been selected for two major feature development programmes: X-Pollinator\u2019s Incubator 2.0 with writer\/director Ayla Amano, and Screen Ireland\u2019s Perspectives Scheme with writer\/actor Clare Monnelly, and they&#8217;ve also been awarded development funding from Screen Ireland for a feature with Allyn Quigley.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Sound of the South<\/strong>, directed by Allyn Quigley (fiction feature)<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Grace<\/strong>, written by Clare Monnelly (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>In Between<\/strong>, directed by Hannah Mamalis (fiction short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li><b>Mouse, <\/b><span style=\"font-weight: 400\">directed by Rosie Barrett (fiction short)<\/span><\/li>\n<li><b>Heartsick, <\/b>directed by MK Quane (fiction short)<\/li>\n<li><b>Yellow Belt, <\/b>directed by Allyn Quigley (fiction short)<\/li>\n<li><b>Findlater, <\/b>directed by Allyn Quigley (fiction short)<\/li>\n<li><b>Penthos, <\/b>directed by Catherine Walker (fiction short)<\/li>\n<li><b>Sucking Diesel, <\/b>directed by Sam McGrath (fiction short)<\/li>\n<li><b>\u00c9ire Idl\u00e1nach \/ Samhl\u00fa, <\/b>directed by Allyn Quigley (series \u2013 short music film)<\/li>\n<li><b>4X4, <\/b>directed by Ayla Amano (fiction short)<\/li>\n<li><b>This is Ireland, <\/b>directed by Aisling Malone (documentary short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tGear\u00f3id Gilmore (Ireland) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Gearoid-Gilmore-1.jpeg\" alt=\"gilmore\" \/><\/p>\n<p>Gear\u00f3id GILMORE is a film producer based in Dublin. After completing a BA in Film Studies and an MSc in Interactive Digital Media at Trinity College Dublin, he gained experience across multiple filmmaking disciplines, including videography, video editing and motion design, before moving into producing.<\/p>\n<p>Driven by a deep passion for cinema, Gear\u00f3id\u2019s inquisitiveness has shaped a creative career that spans successful corporate video campaigns and narrative film projects. He currently runs Gander Films with his brother Donncha. Their first feature film, Girls &amp; Boys, was released theatrically in Ireland in September 2025 to widespread critical acclaim.<\/p>\n<p><strong>Gander Films \u2013 Ireland<\/strong><\/p>\n<p>Founded in 2018 by brothers Gear\u00f3id and Donncha Gilmore, Gander Films began with the independent production of their first short film, The Banshee, which enjoyed an international festival run in 2019. The company initially focused on corporate video and short-form filmmaking before shifting towards feature filmmaking in 2023.<\/p>\n<p>Gander Films independently produced Girls &amp; Boys, which was shot in 2024, received additional support from Screen Ireland, and won Best Independent Irish Film at the Galway Film Fleadh. The film subsequently had a successful theatrical release in Ireland in autumn 2025, receiving highly positive responses from both audiences and critics.<\/p>\n<p><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400\"><strong>Yearning<\/strong>, directed by Donncha Gilmore (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\">Released films\u00a0<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400\"><strong>Girls &amp; Boys<\/strong>, directed by Donncha Gilmore (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.screenireland.ie\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Screen Ireland\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Screen Scotland<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tSophie Chater (United Kingdom)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Sophie-Chater.jpg\" alt=\"sophie chater\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Sophie CHATER is a BAFTA award-winning and Grierson Trust nominated creative producer, recently selected as one of the BFI Network UK&#8217;s &#8220;next generation of filmmakers representing the bold future of UK independent film&#8221;. She produces commercials, shorts, and documentaries, with her first feature in development. She has been supported by Screen Scotland through their Producer Accelerator programme and by the BFI through their BFI Network @ LFF programme.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Borador &#8211; United Kingdom<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Borador is a BAFTA award-winning and Grierson nominated Scottish production company based in Glasgow, providing emotion-first narrative filmmaking. Led by creative producers Sophie Chater and Jack Gemmell, previous works span narrative and documentary, with a focus on underrepresented voices within the Scottish film industry whilst appealing to an international audience. Their short <strong>Blackwool<\/strong> (Dir. Eubha Akilade) was the first Scottish narrative short to ever premiere at the Tribeca Film Festival in 2023. Other festival appearances include Palm Springs Shortsfest, Hot Docs, Edinburgh International Film Festival, and Dinard Festival Du Film Britannique.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Their current development slate contains narrative (short and feature) and documentary projects, with a diverse and innovative cast of creative collaborators attached. They have previously been supported and funded by the BFI, Screen Scotland, and the Scottish Documentary Institute. They are always looking to connect with emerging talent and new voices.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Good Enough<\/strong>, directed by Guy Hodgkinson (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>There You Are<\/strong>, directed by Eubha Akilade (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Trouble Comes Smiling<\/strong>, directed by Paul Sng (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Iona&#8217;s Ashes<\/strong>, directed by Paul Sng (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Enclosure<\/strong>, directed by Eubha Akilade (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Together We Stand, Alone We Fall Apart<\/strong>, directed by Paul Sng (fiction short)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Big Moves<\/strong>, directed by Sarah Grant (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Blackwool<\/strong> (2023), directed by Eubha Akilade (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>One Last Spin<\/strong>, directed by Ross Donald (documentary short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>12th Man<\/strong>, directed by Caitlin Black (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Unders<\/strong>, directed by Bert Djikstra (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Eyes Down<\/strong>, directed by Charlotte Daniel (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.screen.scot\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Screen Scotland\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Singapore Film Commission<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tAlistair Quak (Singapore) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Alistair-Quak-1.png\" alt=\"alistair\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Alistair QUAK (Singapore) is a filmmaker whose work spans an array of genres. With years in the film industry, he strives to push the boundaries of storytelling with every project he is a part of. His short films have travelled to various festivals around the globe, most notably <strong>Tape<\/strong> (2024), his latest short film, which was an official selection for Slamdance Film Festival. He is developing his first feature, <strong>Reflect<\/strong>, which will go into production at the end of 2026.<\/p>\n<p><strong>What Productions \u2013 Singapore <\/strong><\/p>\n<p>What Productions is a collective of directors, producers and writers based in Singapore, working across a wide range of visual styles and specialisms. With award-winning projects spanning multiple genres, the company offers full production services from development through to post-production.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Reflect<\/strong>, directed by Alistair Quak (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Henchmen<\/strong>, directed by Alistair Quak (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Dark<\/strong>, directed by Alistair Quak (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Tape<\/strong> (2024), directed by Alistair Quak (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Seismic Brain Implosion<\/strong>, directed by Alistair Quak (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tYeo Zhi Qi (Singapore)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/ZQ-YEO-scaled.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"32\" data-end=\"697\">Yeo ZHI QI (Singapore), also known as ZQ, is a Singapore-based producer focused on intimate, character-driven storytelling. She produced the short films <strong data-start=\"189\" data-end=\"201\">Fishbowl<\/strong> (2021) and <strong data-start=\"213\" data-end=\"228\">Back to One<\/strong> (2021). In 2021 she co-founded Waking Life Pictures with filmmaker Tang Kang Sheng. Their debut feature <strong data-start=\"333\" data-end=\"360\">The Old Man and His Car<\/strong> premiered at the Tokyo International Film Festival and later screened at Golden Horse, SGIFF and Jogja-NETPAC. An alumna of Rotterdam Lab, Busan Asian Film School and the SGIFF Asian Producers Network, Zhi Qi is now developing new feature projects that continue her commitment to bringing Singaporean stories to international audiences.<\/p>\n<p data-start=\"699\" data-end=\"1013\"><strong data-start=\"699\" data-end=\"735\">Waking Life Pictures \u2013 Singapore<\/strong><br data-start=\"735\" data-end=\"738\" \/>Waking Life Pictures was established in 2021 by Singaporean filmmakers Yeo ZHI QI and Tang Kang Sheng. The company is driven by a philosophy that merges life and cinema, creating work through ongoing collaboration and a shared belief that \u201cto truly be awake, you must dream\u201d.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Do Not Go Gentle into the Good Night, <\/b><span style=\"font-weight: 400\">directed by Tang Kang Sheng<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Kiss the Rain<\/b><span style=\"font-weight: 400\">, directed by Dewi Tan (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Old Man and His Car<\/b><span style=\"font-weight: 400\">, directed by Michael Kam (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.imda.gov.sg\/about-imda\/research-and-statistics\/support-for-industry-sectors\/media\/singapore-film-commission\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Singapore Film Commission\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Sundance Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKaren Madar (France)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Karen-Madar.jpg\" alt=\"karen madar\" \/><\/p>\n<p data-start=\"30\" data-end=\"669\">Karen MADAR (France) is a French filmmaker based between New York and Paris and a dual MBA\/MFA graduate of NYU Stern and Tisch. She is a 2025 Sundance Producing Fellow as the Mark Silverman Honouree, a 2025 finalist for the Lagard\u00e8re Producer Grant, the 2024 recipient of the PGA\u2019s Debra Hill Fellowship and the 2022 Media Services Producing Award winner. She has produced more than 15 short films, including <strong data-start=\"443\" data-end=\"479\">Grandma Nai Who Played Favorites<\/strong>, which won the Sundance Jury Award for International Fiction, <strong data-start=\"542\" data-end=\"557\">Wassupkayle<\/strong> by Pepi Ginsberg, selected for SXSW and streaming on Arte, and <strong data-start=\"621\" data-end=\"628\">Let<\/strong> by Alyssa Loh, also selected for SXSW.<\/p>\n<p data-start=\"671\" data-end=\"1025\">She is currently developing Chheangkea\u2019s debut feature <strong data-start=\"726\" data-end=\"747\">Little Phnom Penh<\/strong>, which has been selected for the Sundance Screenwriters, Directors and Producers Labs and received the Gotham Week Project Market Honor for US Features in Development, as well as Pepi Ginsberg\u2019s first feature <strong data-start=\"957\" data-end=\"970\">The Mirex<\/strong>, developed through the HamptonsFilm Screenwriters Lab.<\/p>\n<p data-start=\"1027\" data-end=\"1603\"><strong data-start=\"1027\" data-end=\"1073\">NoMad Productions \u2013 France \/ United States<\/strong><br data-start=\"1073\" data-end=\"1076\" \/>NoMad Productions was founded in 2023 by Karen MADAR and operates between Paris and New York. The company\u2019s short films have screened at Sundance, SXSW, Rotterdam, Palm Springs and Aspen Shortfest, and are available on platforms including HBO Max, the Criterion Channel, Arte, Canal+ and Short of the Week. NoMad is currently developing the debut feature films of Chheangkea and Pepi Ginsberg, and is dedicated to stories that resonate deeply on a human level while introducing audiences to new people, places and perspectives.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Little Phnom Penh<\/b><span style=\"font-weight: 400\">, directed by Chheangkea (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Mirex<\/b><span style=\"font-weight: 400\">, directed by Pepi Ginsberg (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Trou Normand<\/b><span style=\"font-weight: 400\">, directed by Chloe Sarbib (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Grandma Nai Who Played Favorites<\/b><span style=\"font-weight: 400\">, directed by Chheangkea (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Wassupkayle<\/b><span style=\"font-weight: 400\">, directed by Pepi Ginsberg (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Let<\/b><span style=\"font-weight: 400\">, directed by Alyssa Loh (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Don\u2019t You Dare Film Me Now<\/b><span style=\"font-weight: 400\">, directed by Cade Featherstone (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u00a0<\/span><b>Skin Can Breathe<\/b><span style=\"font-weight: 400\">, directed by Chheangkea (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tKatla S\u00f3lnes (Iceland)- CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Katla-Solnes.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"32\" data-end=\"783\"><strong data-start=\"32\" data-end=\"58\">Katla S\u00d3LNES (Iceland)<\/strong> is an Icelandic writer and director represented by True North Talent. She is a 2025 Sundance Screenwriters Lab fellow with her debut feature <strong data-start=\"200\" data-end=\"212\">Eruption<\/strong>, currently in development and produced by Anton M\u00e1ni Svansson of Still Vivid. She recently completed an MFA at Columbia University and has received support from the Alfred P. Sloan Foundation, the Icelandic Film Fund and Indian Paintbrush. Her background spans documentary features and advertising, and she also teaches as an adjunct assistant professor of Screenwriting at Columbia University. Her short films <strong data-start=\"624\" data-end=\"647\">Make a Wish, Ben\u00f3n\u00fd<\/strong>, <strong data-start=\"649\" data-end=\"695\" data-is-only-node=\"\">Whim Rules the Child and Weather the Field<\/strong> and <strong data-start=\"700\" data-end=\"730\">With the Arrival of Spring<\/strong> have screened and won awards at festivals worldwide.<\/p>\n<p data-start=\"785\" data-end=\"1466\"><strong data-start=\"785\" data-end=\"810\">Still Vivid \u2013 Iceland<\/strong><br data-start=\"810\" data-end=\"813\" \/>Still Vivid is an international film production company based in Reykjav\u00edk, founded in 2022 by producer Anton M\u00e1ni Svansson, who previously co-founded FR\u00c6 Films and Join Motion Pictures. Building on a track record of director-driven films with strong international profiles, the company continues a legacy established in 2007. Svansson\u2019s productions, including <strong data-start=\"1174\" data-end=\"1188\">Heartstone<\/strong>, <strong data-start=\"1190\" data-end=\"1212\" data-is-only-node=\"\">A White, White Day<\/strong>, <strong data-start=\"1214\" data-end=\"1234\">Beautiful Beings<\/strong> and <strong data-start=\"1239\" data-end=\"1250\">Godland<\/strong>, have received more than 230 awards and screened at major festivals such as Cannes, Berlin and Venice, and have represented Iceland in the race for the Academy Award for International Feature Film in multiple years.<\/p>\n<p data-start=\"1468\" data-end=\"1547\" data-is-last-node=\"\" data-is-only-node=\"\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"1468\" data-end=\"1547\">\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:c7999db2-1f53-43c5-beef-4c40669bbdaa-49\" data-testid=\"conversation-turn-66\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"45daf4ce-b46f-4a78-bd52-a379d32d9e3f\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\n<p data-start=\"0\" data-end=\"56\" data-is-last-node=\"\" data-is-only-node=\"\"><strong data-start=\"0\" data-end=\"12\" data-is-only-node=\"\">Eruption<\/strong>, directed by Katla S\u00f3lnes (fiction feature)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.sundance.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Sundance Institute\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Swiss Films<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJulia Schubiger (Switzerland)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Julia-Schubiger-scaled.png\" alt=\".\" \/><\/p>\n<p><span style=\"font-weight: 400\">Julia SCHUBIGER (Switzerland) studied Ethnology and Communication before beginning her career as a programmer at several international film festivals, including the Locarno Film Festival, Fribourg IFF, Neuch\u00e2tel IFFF and Geneva IFF. She then spent two years working on film shoots as a second assistant director and production coordinator. Since 2023, SCHUBIGER has been working as a producer at Langfilm in Zurich.<\/span><\/p>\n<p><b>Langfilm \u2013 Switzerland<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400\">Langfilm was founded in 1980 and has produced more than 70 fiction, documentary and animated films and series, many of them in European co-production. The company\u2019s recent titles have premiered at major international festivals including Cannes, Berlin and Venice.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Affam\u00e9<\/b><span style=\"font-weight: 400\">, directed by Philippe Audi Dor (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Lucies in the Sky<\/b><span style=\"font-weight: 400\">, directed by Anna Luif (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Nicos Geister<\/b><span style=\"font-weight: 400\">, directed by Robert Ralson (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ein Klassenfilm<\/b><span style=\"font-weight: 400\">, directed by Felix Hergert (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Serra<\/b><span style=\"font-weight: 400\">, directed by Aulona Selmani (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Brunaupark<\/b><span style=\"font-weight: 400\">, directed by Felix Hergert (documentary feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tDamien Hauser (Switzerland \/ Kenya)- CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Damien-Hauser.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"45\" data-end=\"746\">Damien HAUSER (Switzerland \/ Kenya) is a Swiss\u2013Kenyan filmmaker and the founder of Hauserfilm GmbH. He creates bold, emotionally grounded films that blend arthouse sensibilities with African perspectives and inventive visual storytelling. His latest feature <strong data-start=\"307\" data-end=\"335\">Memory of Princess Mumbi<\/strong> premiered in the Giornate degli Autori section at the Venice Film Festival and later screened at TIFF Centrepiece, Zurich Film Festival and BFI London. He is currently completing post-production on <strong data-start=\"534\" data-end=\"543\">Sahau<\/strong> and developing several new projects, including the drama <strong data-start=\"601\" data-end=\"624\">Cheikhs Little Life<\/strong>. Hauser\u2019s work focuses on intimate human stories, cultural hybridity and formally ambitious cinema with global resonance.<\/p>\n<p data-start=\"748\" data-end=\"1218\"><strong data-start=\"748\" data-end=\"781\">Hauserfilm GmbH \u2013 Switzerland<\/strong><br data-start=\"781\" data-end=\"784\" \/>Hauserfilm GmbH is a Swiss production company founded by Damien Hauser. The company produces bold, emotionally grounded films that combine arthouse sensibilities with African perspectives and inventive visual storytelling. Recent highlights include <strong data-start=\"1033\" data-end=\"1061\">Memory of Princess Mumbi<\/strong>, which screened at Venice GdA, TIFF Centrepiece and Zurich Film Festival. Hauserfilm\u2019s mission is to craft distinctive, human stories with global resonance.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Cheikhs Little Life<\/b><span style=\"font-weight: 400\">, directed by (fiction feature, dir. Damien Hauser)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Sahau<\/b><span style=\"font-weight: 400\">, directed by (fiction feature, dir. Damien Hauser)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Memory of Princess Mumbi<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>After the Long Rains<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Theo: A Conversation with Honesty<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Blind Love for Culture<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Allein<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Home<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Cocoon<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)\u00a0\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Killhim<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Die haarstr\u00e4ubenden F\u00e4lle des Philip Maloney<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Dokumentation \u00fcber wahre Magie<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Der Bauch eines Buddha<\/b><span style=\"font-weight: 400\">, directed by Damien Hauser (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Blind Soul<\/b>, directed by Damien Hauser (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.swissfilms.ch\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Swiss Films\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Swedish Film Institute<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tCalle Isberg (Sweden)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Calle-Isberg.png\" alt=\".\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Calle ISBERG founded Giants &amp; Toys, one of the Nordic region&#8217;s leading commercial production companies, and now heads and actively produces within its long-format division, Giants &amp; Toys Drama. With more than 15 years of global experience producing commercials and music videos, he has also created several short films, produced the Swedish comedy cult series <strong>Morran &amp; Tobias<\/strong>, and served as associate producer on two features (<strong>Jimmie<\/strong> and <strong>The Real Estate<\/strong>). Giants &amp; Toys Drama recently greenlit its first feature, <strong>The Snaps Trilogy<\/strong>, shooting from February 2022, and is currently building a strong and expanding slate of film and TV projects with top Scandinavian writers and directors.<\/p>\n<p><b>Giants &amp; Toys Drama \u2013 Nordic Region<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400\"> Giants &amp; Toys Drama is an independent, creatively driven long-form production company developing original scripts and producing high-end series, short films and feature films in close collaboration with leading Scandinavian writers and directors.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The company is part of the Giants &amp; Toys Group, one of the Nordic region\u2019s most established and acclaimed commercial production companies, providing a strong creative and production infrastructure and decades of storytelling expertise to support its drama output.<\/span><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Be Prepared<\/strong>, directed by Gustaf \u00c5kerstr\u00f6m (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Room for Traveling<\/strong>, directed by Jens Jonsson (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Occult Club<\/strong>, directed by Jens Jonsson (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Promised Land<\/strong>, directed by Ville Gobi (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Newton<\/strong>, directed by Jens Jonsson (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Turkey<\/strong>, directed by Mani Maserrat (action comedy feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Mole<\/strong>, directed by Lisa Farzaneh (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Arm Candy<\/strong>, directed by Jens Jonsson (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Morran &amp; Tobias S3<\/strong>, directed by Mats Lindberg (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bomb Man<\/strong>, directed by Jens Jonsson (series)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Snapstrilogin<\/strong>, directed by Ville Gobi (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Morran &amp; Tobias S2<\/strong>, directed by Mats Lindberg (series);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>A Bloody Mess<\/strong>, directed by Josefin Malm\u00e9n &amp; David Strindberg (fiction short);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Touch Me<\/strong>, directed by Ian Isak (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.filminstitutet.se\/en\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Swedish Film Institute\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Telefilm Canada<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tBryan Demore (Canada)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/493beec5-949f-4296-bfd9-01559b719a08.jpg\" alt=\".\" \/><\/p>\n<div data-test-render-count=\"2\">\n<div class=\"mb-1 mt-6 group\">\n<div class=\"flex flex-col items-end gap-1\">\n<div class=\"group relative inline-flex gap-2 bg-bg-300 rounded-xl pl-2.5 py-2.5 break-words text-text-100 transition-all max-w-[75ch] flex-col !px-4 max-w-[85%]\">\n<div class=\"flex flex-row gap-2 relative\">\n<div class=\"flex-1\">Bryan DEMORE has worked in Vancouver, Toronto and New York as a producer and filmmaker. Credits include: <strong>Riceboy Sleeps<\/strong> (CRAVE), winner of over 30+ festival awards including the TIFF Jury Prize, <strong>Ali and Ratu Ratu Queens<\/strong> (Netflix) and <strong>Daughter<\/strong> (CBC GEM\/Amazon). As a partner\/founder of A Lasting Dose Productions he has had multiple premieres at: TIFF, Busan International Film Festival, Palm Springs Film Festival, Marrakech International Film Festival, Cannes Short Film Corner, Vancouver International Film Festival, Bronx International Film Festival and Calgary International Film Festival. His recent work on <strong>Riceboy Sleeps<\/strong> won Best BC Film at the Vancouver Film Critics Circle Awards and was nominated for Best Picture at the Canadian Screen Awards.<\/div>\n<div><\/div>\n<\/div>\n<div><strong>A Lasting Dose Productions \u2013 Canada<\/strong><\/div>\n<div><\/div>\n<div>A Lasting Dose Productions is a joint venture between Bryan Demore and Neil Champagne. The company was formed out of their shared time at York University and a mutual passion for independent cinema. Over the years, they have developed short films for international festivals, produced award-winning Canadian features including Riceboy Sleeps and Daughter, and gained experience within the network television studio system, strengthening their ability to develop original content. The company\u2019s current slate includes <strong>Leviathan<\/strong> (feature film), <strong>Slowly We Rot<\/strong> (horror feature), <strong>Dangerous Flames<\/strong> (film noir mystery limited series) and <strong>Yard Sale<\/strong> (survival horror feature).<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div data-test-render-count=\"1\">\n<div class=\"group\">\n<div class=\"group relative relative pb-3\" data-is-streaming=\"false\">\n<div class=\"font-claude-response relative leading-[1.65rem] [&amp;_pre&gt;div]:bg-bg-000\/50 [&amp;_pre&gt;div]:border-0.5 [&amp;_pre&gt;div]:border-border-400 [&amp;_.ignore-pre-bg&gt;div]:bg-transparent [&amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [&amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\">\n<div class=\"standard-markdown grid-cols-1 grid gap-4 [&amp;_&gt;_*]:min-w-0 standard-markdown\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Leviathan<\/strong>, directed by Bryan Demore (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Farmer&#8217;s Wife and Her Monster<\/strong>, directed by Anthony Shim (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Riceboy Sleeps<\/strong>, directed by Anthony Shim (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Daughter<\/strong>, directed by Anthony Shim (fiction feature)<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tPriscilla Galvez (Canada)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p data-start=\"35\" data-end=\"740\">Priscilla GALVEZ (Canada) is an award-winning director and producer whose films have premiered at major festivals including TIFF, DOC NYC, Slamdance and SXSW. She is best known for producing <strong data-start=\"230\" data-end=\"241\">Islands<\/strong>, which won an award at SXSW, and she has received two Canadian Screen Awards: Best Documentary Short for <strong data-start=\"347\" data-end=\"368\">Sing Me a Lullaby<\/strong> and Best Live-Action Drama Short for <strong data-start=\"406\" data-end=\"420\">Motherland<\/strong>. As a director, she is recognised for the visceral body-horror short <strong data-start=\"490\" data-end=\"512\" data-is-only-node=\"\">A Fermenting Woman<\/strong>, starring Sook-Yin Lee, which screened internationally and won multiple awards including the Grand Prize at the Festival Court M\u00e9trage in Rennes. She is currently in post-production on two feature films due for release in 2026.<\/p>\n<p data-start=\"0\" data-end=\"396\"><strong data-start=\"0\" data-end=\"25\">Silent Tower \u2013 Canada<\/strong><br data-start=\"25\" data-end=\"28\" \/>Silent Tower is an award-winning motion picture company based in Toronto, dedicated to bold and offbeat storytelling rooted in an independent spirit. Founded in 2018 by filmmakers Priscilla Galvez and Jeff Pavlopoulos, the company has grown into a full-service production studio developing and producing narrative features, documentaries, series and short-form work.<\/p>\n<p data-start=\"398\" data-end=\"629\" data-is-last-node=\"\" data-is-only-node=\"\">Silent Tower\u2019s films have premiered at major international festivals including TIFF, Slamdance, Fantastic Fest, Santa Barbara and SXSW, and have been distributed by platforms and broadcasters such as CBC, <em data-start=\"603\" data-end=\"619\">The New Yorker<\/em> and Hulu.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>The Sheep&#8217;s Head<\/b><span style=\"font-weight: 400\">, directed by Maziyar Khatam (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Fetch<\/b><span style=\"font-weight: 400\">, directed by Priscilla Galvez (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Aileen<\/b><span style=\"font-weight: 400\">, directed by Jeff Pavlopoulos and Priscilla Galvez (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Rubberneck<\/b><span style=\"font-weight: 400\">, directed by Maziyar Khatam (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Pocket Mirror<\/b><span style=\"font-weight: 400\">, directed by Adrian Murray (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Retrograde<\/b><span style=\"font-weight: 400\">, directed by Adrian Murray (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Islands<\/b><span style=\"font-weight: 400\">, directed by Martin Edralin (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tJoaquin Cardoner (Argentina)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Joaquin-Cardoner-scaled.jpg\" alt=\"joaquin cardoner\" \/><\/p>\n<p data-start=\"56\" data-end=\"433\">Joaquin CARDONER (Argentina) is an independent producer whose work has earned wide international recognition. Born in Buenos Aires and raised in Brazil, he developed his filmmaking career in Canada and is now based in Paris. His films have screened at major festivals including Berlinale, Locarno, MoMA\u2019s New Directors\/New Films, AFI Fest, VIFF, Slamdance and Camerimage.<\/p>\n<p data-start=\"435\" data-end=\"838\">He produced <strong data-start=\"447\" data-end=\"467\">One Day This Kid<\/strong> (2025), directed by Alexander Farah, which won the Grand Jury Prize for Best Live Action Short at SXSW and is currently in the awards season campaign. His debut feature <strong data-start=\"637\" data-end=\"651\">100 Sunset<\/strong>, directed by Kunsang Kyirong, received an Honourable Mention for Best Discovery at the Toronto International Film Festival. Three of his films have also been selected for TIFF\u2019s Top Ten.<\/p>\n<p data-start=\"840\" data-end=\"1452\"><strong data-start=\"840\" data-end=\"868\">Migmar Pictures \u2013 Canada<\/strong><br data-start=\"868\" data-end=\"871\" \/>Migmar Pictures is a Canadian production company founded by filmmakers Kunsang Kyirong and Joaquin CARDONER. The company\u2019s debut feature <strong data-start=\"1008\" data-end=\"1022\">100 Sunset<\/strong> (2025) received an Honourable Mention for Best Discovery at TIFF and continues to screen internationally, including at Tokyo International Film Festival and S\u00e3o Paulo Mostra. Its first short <strong data-start=\"1214\" data-end=\"1224\">Ambush<\/strong>, directed by Yassmina Karajah, premiered at TIFF and screened in competition at the Busan International Film Festival. Migmar Pictures is currently developing its second fiction feature and its first feature-length documentary.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Waterfall of Youth<\/b><span style=\"font-weight: 400\">, directed by Kunsang Kyirong (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Letters From Tibet<\/b><span style=\"font-weight: 400\">, directed by Kunsang Kyirong (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>In Blue<\/b><span style=\"font-weight: 400\">, directed by Sam Kuhn, (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>\u00d6\u00f6 (night)<\/b><span style=\"font-weight: 400\">, directed by Emily Kai Bock, (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Grand Prairie<\/b><span style=\"font-weight: 400\">, directed by Evan Prosofsky (hybrid feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Letters From Tibet<\/b><span style=\"font-weight: 400\">, directed by Kunsang Kyirong (documentary short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>100 Sunset<\/b><span style=\"font-weight: 400\">, directed by Kunsang Kyirong (feature fiction)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ambush<\/b><span style=\"font-weight: 400\">, directed by Yassmina Karajah (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>One Day This Kid<\/b><span style=\"font-weight: 400\">, directed by Alexander Farah (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Lay Me by the Shore<\/b><span style=\"font-weight: 400\">, directed by David Findlay (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Drier Down Here<\/b><span style=\"font-weight: 400\">, directed by Christopher Lorenz (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Golden Ladder<\/b><span style=\"font-weight: 400\">, directed by Farhad Ghaderi (fiction short)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/telefilm.ca\/en\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Telefilm Canada\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Unifrance<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tConstance Le Scouarnec (France)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Constance-LE-SCOUARNEC.jpeg\" alt=\".\" \/><\/p>\n<p data-start=\"41\" data-end=\"775\"><strong data-start=\"41\" data-end=\"76\">Constance LE SCOUARNEC (France)<\/strong> is a French producer and founder of ANNA FILMS. After working with leading arthouse companies such as Les Films Pell\u00e9as and Jonas Films, she established her own company in 2024 with the aim of developing author-driven films and strengthening her engagement in international co-production. Before launching ANNA FILMS, she worked as an executive producer at Miyu Productions, where she supervised a slate of award-winning animated shorts including <strong data-start=\"524\" data-end=\"530\">27<\/strong> (2023) by Fl\u00f3ra Anna Buda, winner of the Short Film Palme d\u2019Or at Cannes, as well as <strong data-start=\"616\" data-end=\"638\">Life with an Idiot<\/strong> by Theodore Ushev, <strong data-start=\"658\" data-end=\"678\">The Siren\u2019s Song<\/strong> by Gianluigi Toccafondo, <strong data-start=\"704\" data-end=\"720\">Via Dolorosa<\/strong> by Rachel Gutgarts and <strong data-start=\"744\" data-end=\"757\">La Valise<\/strong> by Chlo\u00e9 Mazlo.<\/p>\n<p data-start=\"777\" data-end=\"1228\">Through ANNA FILMS, LE SCOUARNEC produces both live-action and animated projects across multiple formats in international co-production with countries including the Czech Republic, Iran and Turkey. She is committed to supporting filmmakers from short to feature-length projects, and is currently producing Orane Gibier\u2019s debut short, which forms the foundation for an upcoming feature project developed as a continuation of their creative partnership.<\/p>\n<p data-start=\"1230\" data-end=\"1977\"><strong data-start=\"1230\" data-end=\"1253\">Anna Films \u2013 France<\/strong><br data-start=\"1253\" data-end=\"1256\" \/>Anna Films is an independent film production company founded in June 2024 by Constance LE SCOUARNEC. Drawing on her experience at companies including Les Films Pell\u00e9as, Jonas Films and Miyu Productions, the company supports singular and innovative works by a new generation of filmmakers, across both live-action and animation. Anna Films is dedicated to fostering diverse voices and strengthening the presence of women in the film industry, following LE SCOUARNEC\u2019s role in supporting Fl\u00f3ra Anna Buda\u2019s <strong data-start=\"1760\" data-end=\"1766\">27<\/strong> (2023), which won the Short Film Palme d\u2019Or at Cannes. The company is currently developing several short and feature-length projects with the ambition of bringing emerging filmmakers to the international stage.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Ouch!<\/b><span style=\"font-weight: 400\">, directed by Bianca Scali (animated documentary series)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Groupie<\/b><span style=\"font-weight: 400\">, directed by Mia Oustry (midlength documentary)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Real Life<\/b><span style=\"font-weight: 400\">, by Mahboobeh Kalaee (animated short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Lover Fish<\/b><span style=\"font-weight: 400\">, directed by Chlo\u00e9 Farr (animated short)\u00a0<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>God What Bullshit<\/b><span style=\"font-weight: 400\">, directed by Bara Halirova (animated short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Judith Col\u00e8re<\/b><span style=\"font-weight: 400\">, directed by Orane Gibier (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Marble Mountain<\/b><span style=\"font-weight: 400\">, directed by Sercan Sezgin (fiction short)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Syncope<\/b><span style=\"font-weight: 400\">, directed by Quentin L&#8217;Helgoualc&#8217;h (fiction short)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Uraniborg<\/b><span style=\"font-weight: 400\">, directed by Th\u00e9o Jollet, Thomas Trichet and Martin Maire (animated short)\u00a0<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tCosme Bongrain (France)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Cosme-Bongrain.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"33\" data-end=\"587\">Cosme BONGRAIN (France) is a producer and founder of Goodseed Productions. After graduating from La F\u00e9mis through the Ludwigsburg\u2013Paris Workshop, he established Goodseed Productions in 2016 as an independent company dedicated to cinema. He supports both short and feature-length films in fiction and documentary, working closely with filmmakers throughout the artistic development process. Deeply committed to excellence, inclusivity and environmentally responsible filmmaking, Cosme fosters bold and ambitious projects in France and internationally.<\/p>\n<p><strong data-start=\"589\" data-end=\"622\">Goodseed Productions \u2013 France<\/strong><br data-start=\"622\" data-end=\"625\" \/>Goodseed Productions is an independent production company dedicated to creating films for the cinema. The company supports emerging filmmakers in developing original, distinctive and thought-provoking projects in France and internationally. Its mission is to help new voices bring their artistic visions to life while making a lasting impact, combining a sensitive yet rigorous approach to independent filmmaking that is inclusive, responsible and environmentally conscious.<\/p>\n<p data-start=\"0\" data-end=\"25\"><span style=\"text-decoration: underline\">Projects in development<\/span><\/p>\n<ul>\n<li data-start=\"27\" data-end=\"441\"><strong data-start=\"27\" data-end=\"42\">The Kingdom<\/strong>, directed by Samira Hmouda (documentary feature)<\/li>\n<li data-start=\"27\" data-end=\"441\"><strong data-start=\"94\" data-end=\"114\">The Golden Child<\/strong>, directed by Joffrey Monteiro-No\u00ebl (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"441\"><strong data-start=\"170\" data-end=\"186\">Noir Plaisir<\/strong>, directed by Benoit M\u00e9ry (documentary short)<\/li>\n<li data-start=\"27\" data-end=\"441\"><strong data-start=\"234\" data-end=\"263\">In the Name of the Father<\/strong>, directed by Sarah Makharine (documentary short)<\/li>\n<li data-start=\"27\" data-end=\"441\"><strong data-start=\"315\" data-end=\"328\">Born Free<\/strong>, directed by Alexander Murphy (fiction feature)<\/li>\n<li data-start=\"27\" data-end=\"441\"><strong data-start=\"379\" data-end=\"390\">Bonjour<\/strong>, directed by Clarence Larrivoire (fiction feature)<\/li>\n<\/ul>\n<p data-start=\"443\" data-end=\"467\"><span style=\"text-decoration: underline\">Projects in production<\/span><\/p>\n<ul>\n<li data-start=\"469\" data-end=\"546\"><strong data-start=\"469\" data-end=\"494\">A Road Less Travelled<\/strong>, directed by Alexander Murphy (documentary feature)<\/li>\n<\/ul>\n<p data-start=\"548\" data-end=\"564\"><span style=\"text-decoration: underline\">Released films<\/span><\/p>\n<ul>\n<li data-start=\"566\" data-end=\"637\"><strong data-start=\"566\" data-end=\"585\">Goodbye Sisters<\/strong>, directed by Alexander Murphy (documentary feature)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/en.unifrance.org\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Unifrance\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">VIPO<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tFumika Fukuda (Japan)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Fumika-Fukuda.jpg\" alt=\".\" \/><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Fumika FUKUDA worked for two years as an assistant director in television before joining CHOCOLATE Inc. in 2018. Since then, she has focused on story-driven film and animation projects, including short films and feature films. As producer or co-producer, she has worked on three features directed by Ryo Takebayashi: the documentary Bookmark 14 (2021), the fiction film MONDAYS: See You &#8216;This&#8217; Week! (2022), and the documentary A Big Home (2024). MONDAYS: See You &#8216;This&#8217; Week! was nominated in the New Visions section at Sitges Film Festival and won the Grand Prize at the Vevey International Funny Film Festival, with theatrical releases in France and China. She is currently producing the feature film The Invisibles, slated for release around August 2026.<\/p>\n<p data-start=\"0\" data-end=\"301\"><strong>CHOCOLATE Inc. \u2013 Japan<\/strong><br data-start=\"26\" data-end=\"29\" \/>CHOCOLATE Inc. is a Tokyo-based entertainment company founded in 2017. It creates a wide range of content, from films, animation, character and game projects to exhibitions, products, apparel and city-based initiatives, with the aim of creating \u201ca future that inspires\u201d.<\/p>\n<p data-start=\"303\" data-end=\"707\" data-is-last-node=\"\" data-is-only-node=\"\">The company operates across two main areas: Brand Produce, which develops advertising and communication solutions as well as brand-related products and services, and IP Produce, which creates character- and story-driven entertainment IP and expands it globally across multiple platforms. Through this dual approach, CHOCOLATE Inc. seeks to transform everyday life into engaging and enjoyable experiences.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in development: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Good Time Machine<\/strong>, directed by Ryo Takebayashi (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Projects in production:<\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Invisibles<\/strong>, directed by Ryo Takebayashi (fiction feature)<\/li>\n<\/ul>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"text-decoration: underline\">Released films: <\/span><\/p>\n<ul>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Bookmark 14<\/strong> (2021), directed by Ryo Takebayashi (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>MONDAYS: See You &#8216;This&#8217; Week!<\/strong> (2022), directed by Ryo Takebayashi (fiction feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>A Big Home<\/strong> (2024), directed by Ryo Takebayashi (documentary feature);<\/li>\n<li class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>The Yellow Flower<\/strong>, directed by Takenori Tokuyama (fiction short)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tMomi Yamashita (Japan) &#8211; CREATOR\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Momi-Yamashita.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"32\" data-end=\"787\">Momi YAMASHITA (Japan) is a filmmaker based in Japan. She studied zoology in the United States before joining a television documentary production company as a director, where she conducted more than 300 interviews and produced numerous programmes. After going freelance to focus on filmmaking, her debut short <strong data-start=\"346\" data-end=\"356\">Kotaro<\/strong> was selected for the Mito Short Film Festival. She has since continued to make independent short films alongside her work as a television director, receiving recognition at international festivals. Her fifth short film <strong data-start=\"576\" data-end=\"588\" data-is-only-node=\"\">Kanoyama<\/strong> (2021) was selected for the Orizzonti Shorts section of the 78th Venice International Film Festival. She is currently developing her first feature film while balancing life as a mother and director.<\/p>\n<p data-start=\"789\" data-end=\"874\" data-is-last-node=\"\" data-is-only-node=\"\"><span style=\"text-decoration: underline\">Projects in production<\/span><\/p>\n<ul>\n<li data-start=\"789\" data-end=\"874\"><strong data-start=\"818\" data-end=\"835\">Autumn Ripens<\/strong> (fiction feature, dir. Momi Yamashita)<\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tHana Tsuchikawa (Japan)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Tsuchikawa-Hana.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"33\" data-end=\"401\">Hana TSUCHIKAWA (1993, Japan) joined OLM, Inc. after graduating from university and has since worked on a wide range of live-action films and television dramas, primarily on projects directed by Takashi Miike. In recent years she has served as line producer on the international co-production <strong data-start=\"330\" data-end=\"355\">Bad Lieutenant: Tokyo<\/strong>, produced with American and British partners.<\/p>\n<p data-start=\"403\" data-end=\"703\"><strong data-start=\"403\" data-end=\"424\">OLM, Inc. \u2013 Japan<\/strong><br data-start=\"424\" data-end=\"427\" \/>OLM, Inc. is a leading Japanese animation and live-action production company, internationally recognised for the <strong data-start=\"540\" data-end=\"551\">Pok\u00e9mon<\/strong> franchise. Alongside its animation work, the company is a major force in high-end live-action cinema, particularly for films directed by Takashi Miike.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Left Turn<\/b><span style=\"font-weight: 400\">, directed by Mami Sunada (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Obpyriform<\/b><span style=\"font-weight: 400\"> directed by Ai Tsuno (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li data-start=\"705\" data-end=\"834\"><b>Mar\u00eda<\/b><span style=\"font-weight: 400\">, directed by Tomoka Terada (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.vipo.or.jp\/en\/\"\n\t\t\t\ttarget=\"_blank\" rel=\"noopener\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to VIPO\n\n\t\t\t\t\t\t\t<span class=\"sr-only\">Opent in een nieuw venster<\/span>\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Wallonie Bruxelles Images<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tBertrand Willems (Belgium)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Bertrand-Willems-scaled.jpg\" alt=\".\" \/><\/p>\n<p data-start=\"36\" data-end=\"806\">Bertrand WILLEMS (Belgium) is a Brussels-based producer at Playtime Films, where he oversees development and executive production across documentary, fiction and television projects. He studied Film Analysis and Screenwriting at the Universit\u00e9 Libre de Bruxelles and began his career at the Namur International Francophone Film Festival before moving into production in 2017, first as an assistant and later as a coordinator. Since 2025, he has also been a member of the selection committee of the Centre du Cin\u00e9ma et de l\u2019Audiovisuel of the F\u00e9d\u00e9ration Wallonie-Bruxelles. He is currently developing several international co-productions\u2014short films, features and drama series\u2014centred on socially engaged stories with a strong point of view and broad audience appeal.<\/p>\n<p data-start=\"808\" data-end=\"1379\"><strong data-start=\"808\" data-end=\"836\">Playtime Films \u2013 Belgium<\/strong><br data-start=\"836\" data-end=\"839\" \/>Playtime Films is an independent film and television production company based in Brussels, founded in 2007. The company develops ambitious fiction and documentary projects that provoke debate, break taboos and address contemporary social issues, with a strong international outlook. Its catalogue spans documentaries, short and feature films and drama series, developed and produced in collaboration with partners in France, Italy, Croatia, Estonia, Morocco, Lebanon, Armenia, the Netherlands and beyond, as well as with local broadcasters.<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Mademoiselle Sabena<\/b><span style=\"font-weight: 400\">, directed by Pauline Brisy and Nathalie Van Tongelen (series)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Ashes<\/b><span style=\"font-weight: 400\">, directed by Mustapha Abatane (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Billed to the Top<\/b><span style=\"font-weight: 400\">, directed by Sylvain Da\u00ef and Julien Vargas (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>5 Windows<\/b><span style=\"font-weight: 400\">, directed by Matthieu Frances and Sylvain Da\u00ef (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Look at Me<\/b><span style=\"font-weight: 400\">, directed by Chelsea Gahamanyi (fiction short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Little Monster,<\/b><span style=\"font-weight: 400\"> directed by Glenn Dumortier (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>In Front of Us<\/b><span style=\"font-weight: 400\">, directed by Inna Sahakyan (documentary feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in production<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Jeanne On The Bridge<\/b><span style=\"font-weight: 400\">, directed by Matthieu Frances (fiction short)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Colorblind<\/b><span style=\"font-weight: 400\">, directed by Diane Ntahimpera, Gilles de Voghel, Singo Elanga, Matthieu Frances and Amel Bena\u00efssa (series)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Marie Patate Has Had Enough<\/b><span style=\"font-weight: 400\">, directed by Nina Faure (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Between The Two Of Us&#8230;. Marseille<\/b><span style=\"font-weight: 400\">, directed by Dima Al-Joundi (documentary feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Banou: Show Yourself<\/b><span style=\"font-weight: 400\">, directed by Mouhssine El Badaoui (documentary feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"https:\/\/www.wbimages.be\/\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Wallonie Bruxelles Images\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:translate-x-2 group-focus-visible:translate-x-2 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"m23.575 13.022-8.639 8.638a1.442 1.442 0 0 1-2.04-2.04l6.18-6.177H1.44a1.44 1.44 0 0 1 0-2.88h17.637l-6.178-6.18a1.442 1.442 0 0 1 2.04-2.04l8.638 8.638a1.44 1.44 0 0 1-.002 2.04Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Yayasan Cipta Citra Indonesia<\/h2>\n\n\n\n\n\n\t<div data-name=\"acf\/block-accordion\" class=\"aligncenter\" >\n\t\t<div class=\"flex flex-col gap-4 md:gap-6\">\n\t\t\t\n\t\t\t\n<ul data-component=\"accordion\" class=\"flex flex-col gap-2\">\n\t\t\t<li>\n\t\t\t<details  class=\"rounded-lg group bg-base-300\">\n\t\t\t\t<summary class=\"flex items-center justify-between gap-2 p-4 list-none cursor-pointer md:py-6\">\n\t\t\t\t\t<h3 class=\"font-heading md:text-md\">\n\t\t\t\t\t\tPerlita Desiani (Indonesia)- PRODUCER\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t<svg class=\"transition group-open:rotate-90 shrink-0\" aria-hidden=\"true\" width=\"18\" height=\"18\" viewBox=\"0 0 18 18\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t\t\t\t\t\t<path d=\"M8.29688 0.5625H9.70312C9.82812 0.5625 9.89062 0.625 9.89062 0.75V17.25C9.89062 17.375 9.82812 17.4375 9.70312 17.4375H8.29688C8.17188 17.4375 8.10938 17.375 8.10938 17.25V0.75C8.10938 0.625 8.17188 0.5625 8.29688 0.5625Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path class=\"transition group-open:opacity-0\" d=\"M1.125 8.10938H16.875C17 8.10938 17.0625 8.17188 17.0625 8.29688V9.70312C17.0625 9.82812 17 9.89062 16.875 9.89062H1.125C1 9.89062 0.9375 9.82812 0.9375 9.70312V8.29688C0.9375 8.17188 1 8.10938 1.125 8.10938Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg>\n\t\t\t\t<\/summary>\n\n\t\t\t\t<div class=\"px-4 pb-4 -mt-2 md:pb-6 ll-wysiwyg\">\n\t\t\t\t\t<p><img decoding=\"async\" src=\"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2026\/01\/Perlita-Desiani.png\" alt=\".\" \/><\/p>\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\n<p data-start=\"37\" data-end=\"812\">Perlita DESIANI (Indonesia) is a film producer whose feature debut with director Adriyanto Dewo was <strong data-start=\"141\" data-end=\"150\">Mudik<\/strong> (2018), which competed at the International Film Festival &amp; Awards Macau and CinemAsia Amsterdam and was selected for the Golden Rooster Foreign Film Panorama and Asian Cinema Week in South Korea. The film won the Citra Award for Best Screenplay at the 2020 Festival Film Indonesia. She went on to produce <strong data-start=\"457\" data-end=\"476\">One Night Stand<\/strong> (2021) and <strong data-start=\"488\" data-end=\"499\" data-is-only-node=\"\">Kajiman<\/strong> (2023). She later released <strong data-start=\"527\" data-end=\"548\">Goodbye, Farewell<\/strong>, for which Lutesha received a Best Supporting Actress nomination at the 2024 Festival Film Indonesia, and which also competed at the Jogja-NETPAC Asian Film Festival. Her most recent release is the horror feature <strong data-start=\"762\" data-end=\"804\">Pernikahan Arwah (The Butterfly House)<\/strong> (2025).<\/p>\n<\/div>\n<p data-start=\"0\" data-end=\"352\"><strong data-start=\"0\" data-end=\"28\">Relate Films \u2013 Indonesia<\/strong><br data-start=\"28\" data-end=\"31\" \/>Relate Films is a production company founded in 2019 by Perlita Desiani and Adriyanto Dewo, dedicated to creating films that captivate and inspire audiences. The company develops and produces stories that resonate with both local and international viewers, grounded in creativity, professionalism and artistic ambition.<\/p>\n<p data-start=\"354\" data-end=\"893\" data-is-last-node=\"\" data-is-only-node=\"\">Its filmography spans a wide range of genres. Before founding Relate Films, Adriyanto Dewo directed his debut feature <strong data-start=\"472\" data-end=\"487\">Tabula Rasa<\/strong> (2014), which won Best Director at the Indonesian Film Festival. At Relate Films, Dewo and Desiani collaborated on <strong data-start=\"603\" data-end=\"625\">Mudik (Homecoming)<\/strong>, winner of Best Original Screenplay at the Indonesian Film Festival in 2020. Their subsequent projects include the horror feature <strong data-start=\"756\" data-end=\"767\">Kajiman<\/strong> (2022), the cross-cultural drama <strong data-start=\"801\" data-end=\"822\">Goodbye, Farewell<\/strong>, and the horror film <strong data-start=\"844\" data-end=\"885\">Pernikahan Arwah: The Butterfly House<\/strong> (2025).<\/p>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Projects in development<\/span><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><b>Evil Underground<\/b><span style=\"font-weight: 400\">, directed by Adriyanto Dewo (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Lukisan Berlumur Darah<\/b><span style=\"font-weight: 400\">, directed by Adriyanto Dewo (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>All Things Real and Unreal<\/b><span style=\"font-weight: 400\">, directed by Paul Agusta (fiction feature)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline\"><span style=\"font-weight: 400\">Released films\u00a0<\/span><\/span><\/p>\n<ul>\n<li><b>Mudik<\/b><span style=\"font-weight: 400\">, directed by Adriyanto Dewo (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Kajiman<\/b><span style=\"font-weight: 400\">, directed by Adriyanto Dewo (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>Goodbye, Farewell<\/b><span style=\"font-weight: 400\">, directed by Adriyanto Dewo (fiction feature)<\/span><\/li>\n<li style=\"font-weight: 400\"><b>The Butterfly House<\/b><span style=\"font-weight: 400\">, directed by Paul Agusta (fiction feature)<\/span><\/li>\n<\/ul>\n\n\t\t\t\t<\/div>\n\t\t\t<\/details>\n\t\t<\/li>\n\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n\n\t<div data-name=\"acf\/block-buttons\" class=\"align\">\n\t\t\n\t\t<ul class=\"flex flex-wrap gap-2 md:gap-6\">\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t\t\t\n\n\n\n\n<a\n\tclass=\"group btn btn-outline  \"\n\t\t\thref=\"http:\/\/Tsuchikawa\"\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t>\n\t\n\t\t\t<span data-button-text>\n\t\t\tGo to Yayasan Cipta Citra Indonesia\n\n\t\t\t\t\t<\/span>\n\t\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"transition-transform duration-300 group-hover:rotate-45 group-focus-visible:rotate-45 flex items-center justify-center w-[1em] h-[1em] icon group-expanded:hidden\" aria-hidden=\"true\">\n\t\t\t<svg width=\"16\" height=\"16\" viewBox=\"0 0 16 16\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M14.667 2.386v9.122a1.053 1.053 0 0 1-2.105 0V4.93l-9.43 9.428a1.054 1.054 0 1 1-1.49-1.491l9.429-9.429H4.493a1.052 1.052 0 0 1 0-2.105h9.121a1.053 1.053 0 0 1 1.053 1.053Z\" fill=\"currentColor\"\/><\/svg>\n\n\t\t<\/span>\n\n\t\t\t\n\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/div>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re proud to introduce to you the 83 emerging producers and creators from over 45 countries coming to IFFR for this edition&#8217;s Rotterdam Lab. Across five inspiring days of panels, roundtables, and networking events, participants have the chance to sharpen their producing skills and knowledge, exchange ideas, and build lasting international connections in a vibrant, [&hellip;]<\/p>\n","protected":false},"author":19510,"featured_media":226760,"parent":44582,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"editor_notices":[],"footnotes":""},"class_list":["post-221448","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rotterdam Lab 2026           producers and creators - IFFR EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffr.com\/en\/iffr-pro\/talent-development\/rotterdam-lab\/rotterdam-lab-participants-2026\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rotterdam Lab 2026           producers and creators - IFFR EN\" \/>\n<meta property=\"og:description\" content=\"We&#8217;re proud to introduce to you the 83 emerging producers and creators from over 45 countries coming to IFFR for this edition&#8217;s Rotterdam Lab. 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