{"version":"1.0","provider_name":"IFFR EN","provider_url":"https:\/\/iffr.com\/en","title":"Fukeiron, or the Politics and Poetics of Landscape - IFFR EN","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hcDU7VuxDR\"><a href=\"https:\/\/iffr.com\/en\/iffr\/2017\/events\/fukeiron-or-the-politics-and-poetics-of-landscape\">Fukeiron, or the Politics and Poetics of Landscape<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/iffr.com\/en\/iffr\/2017\/events\/fukeiron-or-the-politics-and-poetics-of-landscape\/embed#?secret=hcDU7VuxDR\" width=\"600\" height=\"338\" title=\"&#8220;Fukeiron, or the Politics and Poetics of Landscape&#8221; &#8212; IFFR EN\" data-secret=\"hcDU7VuxDR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2024\/06\/7b713699-962e-4290-848d-d8645dbcdcaa.jpg?image-crop-positioner-ts=1717300860","thumbnail_width":2050,"thumbnail_height":1152,"description":"Speakers: Eric Baudelaire (Artist), Claire Atherton (Editor), Nicole&nbsp;Brenez (Film Theorist and Curator). Rather than filming the subject of his film&mdash;a recently arrested 19 year old serial killer&mdash;Masao Adachi turned the camera 180 degrees, and instead, decided to film the landscapes seen by the subject over the course of his life. The resulting film,&nbsp;A.K.A. Serial Killer&nbsp;(1969) [&hellip;]"}