{"version":"1.0","provider_name":"IFFR EN","provider_url":"https:\/\/iffr.com\/en","title":"Sylvia Kristel - Paris - IFFR EN","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"u5qqNHHsJX\"><a href=\"https:\/\/iffr.com\/en\/iffr\/2008\/films\/sylvia-kristel-paris\">Sylvia Kristel &#8211; Paris<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/iffr.com\/en\/iffr\/2008\/films\/sylvia-kristel-paris\/embed#?secret=u5qqNHHsJX\" width=\"600\" height=\"338\" title=\"&#8220;Sylvia Kristel &#8211; Paris&#8221; &#8212; IFFR EN\" data-secret=\"u5qqNHHsJX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2024\/05\/a811263a-eb98-41e9-bdda-4be68457eec7-1.jpg?image-crop-positioner-ts=1715880971","thumbnail_width":1876,"thumbnail_height":1433,"description":"When does a recording become a portrait? When we find something unique in it? Or when we recognise it somehow? Ten years ago, Manon de Boer started to make radically sober recordings of reading faces. Since then she had continued to explore the impact of a face, registered by a camera. Or she has created [&hellip;]"}