{"version":"1.0","provider_name":"IFFR EN","provider_url":"https:\/\/iffr.com\/en","title":"\u201cThe people we depicted gave me their souls to put in a film\u201d: Jaydon Martin on Flathead - IFFR EN","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"5Aw7JI2cEw\"><a href=\"https:\/\/iffr.com\/en\/blog-jaydon-martin-on-flathead\">\u201cThe people we depicted gave me their souls to put in a film\u201d: Jaydon Martin on Flathead<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/iffr.com\/en\/blog-jaydon-martin-on-flathead\/embed#?secret=5Aw7JI2cEw\" width=\"600\" height=\"338\" title=\"&#8220;\u201cThe people we depicted gave me their souls to put in a film\u201d: Jaydon Martin on Flathead&#8221; &#8212; IFFR EN\" data-secret=\"5Aw7JI2cEw\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/iffr.com\/en\/wp-content\/uploads\/sites\/2\/2024\/12\/1-scaled.jpg?image-crop-positioner-ts=1734003772","thumbnail_width":2560,"thumbnail_height":1440,"description":"\u201cI&#8217;ve always wanted to make a small, strange film that people stumble upon\u201d, says Jaydon Martin about the journey he went on with his first feature film. The Australian filmmaker made his feature directorial debut at IFFR 2024 with Flathead, a black-and-white intimate docu-fiction portraying the lives of a small working-class community from Bundaberg, Australia. [&hellip;]"}