1.0IFFR ENhttps://iffr.com/enrich600338<blockquote class="wp-embedded-content" data-secret="xuTr9KhQgN"><a href="https://iffr.com/en/person/natalia-del-mar-ka%c5%a1ik">Natalia del Mar Kašik</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/en/person/natalia-del-mar-ka%c5%a1ik/embed#?secret=xuTr9KhQgN" width="600" height="338" title="“Natalia del Mar Kašik” — IFFR EN" data-secret="xuTr9KhQgN" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://iffr.com/en/wp-content/uploads/sites/2/2024/06/7c010611-cc23-4dca-9154-8778442a530e.jpg?image-crop-positioner-ts=1717313856650650Natalia DEL MAR KASIK (1997, Austria) studies video and video installation at the Academy of Fine Arts Vienna. She prefers an analogue approach to her cinematic work, using mostly Super8 and 16mm film. Her projects mainly explore themes of femininity within a post-feminist media culture. Pistoleras (2023), IFFR 2024 selection, is her debut film. Filmography […]