1.0IFFR ENhttps://iffr.com/enKate Solar - IFFR ENrich600338<blockquote class="wp-embedded-content" data-secret="W01lFUIMSZ"><a href="https://iffr.com/en/person/kate-solar">Kate Solar</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/en/person/kate-solar/embed#?secret=W01lFUIMSZ" width="600" height="338" title="“Kate Solar” — IFFR EN" data-secret="W01lFUIMSZ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]> */
</script>
https://iffr.com/en/wp-content/uploads/sites/2/2026/01/e9ba45fa-89a6-45bd-8d7c-d7a7c2d24947.jpg?image-crop-positioner-ts=176900566520742074Kate SOLAR (Canada) is a filmmaker working with documentary and experimental forms. Her practice examines the boundaries of memory and the interstitial space between landscape and documentation. Working primarily with analogue film, she approaches the film frame as tactile material, using it as a method to engage with archival poetics and material traces. Solar holds […]