1.0IFFR ENhttps://iffr.com/enrich600338<blockquote class="wp-embedded-content" data-secret="9xX1fpvCEg"><a href="https://iffr.com/en/person/jana-stallein">Jana Stallein</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/en/person/jana-stallein/embed#?secret=9xX1fpvCEg" width="600" height="338" title="“Jana Stallein” — IFFR EN" data-secret="9xX1fpvCEg" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://iffr.com/en/wp-content/uploads/sites/2/2025/12/4ade2fe7-1600-4cf7-b724-1363500d5887.jpg?image-crop-positioner-ts=1765458116900900Jana STALLEIN (1994, Germany) is a filmmaker and film editor currently completing a master’s degree in documentary directing at the Konrad Wolf Film University in Babelsberg. Her short documentary films explore socially critical subjects, including stories around gender, sexuality and migration. Works such as Mom Undressed (2018), Pure Fiction (2019) and Shapes of Lesbos (2021) […]