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<oembed><version>1.0</version><provider_name>IFFR EN</provider_name><provider_url>https://iffr.com/en</provider_url><title>Las voces - IFFR EN</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="pMvMKiWrWi"&gt;&lt;a href="https://iffr.com/en/iffr/2012/films/las-voces-2"&gt;Las voces&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/en/iffr/2012/films/las-voces-2/embed#?secret=pMvMKiWrWi" width="600" height="338" title="&#x201C;Las voces&#x201D; &#x2014; IFFR EN" data-secret="pMvMKiWrWi" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>In 2006, Carlos Armella made his co-directing debut with Toro negro, an impressive docu portrait that undoubtedly was the inspiration for his own first feature. In the ominous The Voices, Armella asks what can happen to the main character of a documentary once their filmic purpose has been served.Filmmaker Sebastian makes the reverse journey from [&hellip;]</description></oembed>
