1.0IFFR ENhttps://iffr.com/enThe Oral Thing - IFFR ENrich600338<blockquote class="wp-embedded-content" data-secret="QTnd9zyMEb"><a href="https://iffr.com/en/iffr/2003/films/the-oral-thing">The Oral Thing</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://iffr.com/en/iffr/2003/films/the-oral-thing/embed#?secret=QTnd9zyMEb" width="600" height="338" title="“The Oral Thing” — IFFR EN" data-secret="QTnd9zyMEb" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]> */
</script>
https://iffr.com/en/wp-content/uploads/sites/2/2024/05/de49bd33-9511-4ca4-906f-35d1e658fdd9.jpg?image-crop-positioner-ts=1715887287827620Drawing on the often inane and repetitive nature of daytime television, Melhus creates complex, almost surreal scenarios that parody the formats of TV religious programs, advertisements, and chat shows such as Maury Povitch. In much of his work, Melhus produces strange ‘sets’ that emulate both the physical designs of talk shows, as well as the […]