Vivian Ostrovsky

Vivian Ostrovsky

Still: USSA
Vivian OSTROVSKY (1945, USA) was born in New York, grew up in Rio de Janeiro and studied in Paris, where she still lives. Her films have been shown at festivals and museums around the world and she continues to be an active and vital experimental filmmaker. Ostrovsky is also a programmer with the Jerusalem Film Festival. Alongside filmmaking and programming, Ostrovsky makes installation works, sound pieces and has authored a children's book with her sister and illustrator, Rose Ostrovsky.

Filmography

Top Ten Designers in Paris (1980, doc, co-dir), Movie (V.O.) (1982, short), Copacabana Beach (1983, short), Allers-venues (1984, short), U.S.S.A. (1985, short), * * * (Trois etoiles) (1987, short), Eat (1988, short), M.M. In Motion (1992, short), Uta Makura/Pillow Poems (1995, short), Public Domain (1996, short), American International Pictures (1997, short), Work and Progress (1999, co-dir), Nikita Kino (2002, short), Ice/Sea (2005, short), Telepattes (2007, short), Fone Fur Follies (2008, short), Ne pas sonner (2008, short), The title was shot (2009, short), Tatitude (2009, short), P.W. – PINCÉIS E PAINÉIS/P.W. – Paintbrushes and Panels (2010, short), Ocean Bazar (2011, instal), Wherever was never there (2011, short), SPLASH (2013, instal), CORrespondência e REcorDAÇÕES (2013, short), LOSING THE THREAD (2014, short), On Dizziness (2016, instal), But elsewhere is always better (2016, short), DizzyMess (2017, short), Hiatus (2018, short), Unsound (2019, short)

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