Okuyama Jun'ichi
Still: A Man Playing MovieOKUYAMA Jun'ichi (1947, Tokyo) graduated from Tamagawa University. He consistently offers a radical expression of cinema itself, using diverse and wide-ranging techniques.
Filmography
(selection, all short) Nothing (1964), Bang Voyage (1967), Frameless 35 (1968), Cut-Off Movie (1969), Zero-man co.LTD (1969), Being Painted (1970), Yellow JAP (1970), Outrage (1971), No Perforations (1971), Frameless 16 (1971), Paper Film (1972), Sightseeing Film (1973), Le cinema (1975), Human Flicker (1975), Swing Movie (1975), Origin of Motion Picture (1978), My Movie Melodies (1980), Movie Watching (1982), Cinemassage (1985), Bacchanalia for Roading Films (1985), A Man Playing Movie (1987), Frames of Movie (1988), The Time Slit (1989), At a Same Time Expose Both Sides (1990), Spend My Days in Movie (1992), A Sun-Picture Movie (1993), Osmography (1994), Stop Motion (1995), Inga no sekai/Touch of Inga (1996), My Self-Timer (1997), Sandwiches (1998), Swing Movie '98 (1998), In the Light (1999), Sync Pic (2001), Half DEV. (2002), The Deviation of the Movie Time (2003) 3D Gooooo! (2004, DEV-18 (2005), Regular8 is 16mm Film (2006)
Okuyama Jun'ichi at IFFR
Regular8 is 16mm Film
11'
Japan
IFFR 2008
Human Flicker
4'
Japan
IFFR 2016
Regular 8 is 16mm film/LIVE
20'
Japan
IFFR 2016
Wakka
15'
Japan
IFFR 2016
Touch of Inga
11'
Japan
IFFR 2017
Le cinéma
“A film for those who know nothing about cinema... what it is, and how it is made.”
5'
Japan
IFFR 2023
A Man Playing Movie
A brief meditation on film's fundamental frailty as a key condition for cinema's unique beauty.
10'
Japan
IFFR 2023
My Movie Melodies
We hear for the first time / The sound of the image itself.
7'
Japan
IFFR 2023