Dietmar Brehm

Blicklust

• 18'

• Austria

IFFR 1993

3-kronen

--The experimental film-maker Dietmar Brehm often uses found footage: existing material made by acquaintances, literally found or bought at flea markets. He then manipulates it intensively.

• 3'

• Austria

IFFR 1994

5 Kurzfilme 1989

--The experimental film-maker Dietmar Brehm often uses found footage: existing material made by acquaintances, literally found or bought at flea markets. He then manipulates it intensively.

• 3'

• Austria

IFFR 1994

Badezimmer

--The experimental film-maker Dietmar Brehm often uses found footage: existing material made by acquaintances, literally found or bought at flea markets. He then manipulates it intensively.

• 6'

• Austria

IFFR 1994

Insch (2)

--The experimental film-maker Dietmar Brehm often uses found footage: existing material made by acquaintances, literally found or bought at flea markets. He then manipulates it intensively.

• 2'

• Austria

IFFR 1994

Perfect day

--The experimental film-maker Dietmar Brehm often uses found footage: existing material made by acquaintances, literally found or bought at flea markets. He then manipulates it intensively.

• 5'

• Austria

IFFR 1994

Pool

--The experimental film-maker Dietmar Brehm often uses found footage: existing material made by acquaintances, literally found or bought at flea markets. He then manipulates it intensively.

• 4'

• Austria

IFFR 1994

Macumba

Provocative mixture: ethnographic porn.

• 18'

• Austria

IFFR 1996

Party

Film as optical lubricant.

• 18'

• Austria

IFFR 1996

Perfekt 1-3

Brehm himself restored (in a very free way) several of his 8mm films from the early eighties. Reborn films.

• 41'

• Austria

IFFR 1997

Korridor

Sombre sexual encounters. Everything that moves can be used.

• 18'

• Austria

IFFR 1998

Mix 2 (21 Szenen 1997)

Spring clean by a film-maker. Twenty-one old films dusted down.

• 38'

• Austria

IFFR 1998

Organics

Found-footage images of a mask, a veiled woman's face and a skeleton in a flowing hypnotic cut.

• 18'

• Austria

IFFR 1999

Blitze

Possibly a family scene, with father, mother and child, continuously interrupted by lightning flashes and a disquieting silence.

• 7'

• Austria

IFFR 2001

Mix-3 (1983-1999)

New mix of older 8mm material, tending towards abstraction, by and about the artist Brehm himself.

• 14'

• Austria

IFFR 2001

Mix-4 (1996-1999)

Recent transformations of everyday life and beyond by one of the great masters of the experimental Austrian film.

• 21'

• Austria

IFFR 2001

Verdrehte augen, 2. version

In a stylish experiment, a woman is dissected by looks. About discomfort.

• 12'

• Austria

IFFR 2003

Zentrale 2

Slowly moving abstract figures in which only a practiced eye can see the original porn.

• 9'

• Austria

IFFR 2003

Huh Huh 1976 - 78

You spend an afternoon playing with your Super-8 camera with friends as if you are Godard or Warhol. Twenty five years later, you take your films out of the drawer and see the early days of cinema. A silent film from the time of Lou Reed.

• 70'

• Austria

IFFR 2004

Echo-Echo

Associative new context for earlier fragments from films by the well-known Austrian film maker.

• 6'

• Austria

IFFR 2005

Peep-2

Back in time with a voyeuristic look at the British porn film Peeping Tom.

• 3'

• Austria

IFFR 2005

Peng-Peng

Experimental film maker rediscovers the Kuleshov effect. From a porn film, he cuts a western and vice versa.

• 7'

• Austria

IFFR 2007

Selektion

Looking at dirty pictures; porn films dating from those days have been changed under the skilled hands of experimental film maker Grehm into responsible yet still stimulating art.

• 4'

• Austria

IFFR 2007