Blackout

With images sourced from the Liberty human rights archive, this installation shows post-colonial and racial tensions in mid-20th-century Britain.

A constellation of sounds, images and histories from research into Sun Ra, Afrofuturism and the African diaspora is brought together in this slide-projection performance.

This flickering installation with multiple slide projectors is a study of motion that activates fossils that have been stationary for millennia.

Using found 35mm slides depicting an abandoned mosque, Raha Raissnia’s performance considers the state of religion in contemporary society.

This installation oscillates between archival images of stars, craters on the moon and under-recognised women scientists in space stations.

A series of mysterious photographs of people pointing into Vietnamese landscapes becomes a commentary on news events in this slide installation.

A poetic slide installation that intertwines psychic medium Francisco Candido Xavier, Brazil’s race and class relations and military dictatorship.

In a continuation of Raissnia's project on memory, hand-painted film loops and slides are projected onto a specially conceived double screen that makes the image appear sculptural.

In Greek mythology, Mneme is memory personified. This installation is a projection onto a painting where textures are subtly combined.

The history of Thai political events since 1932 is reshuffled out of chronological order in this installation with multiple slide projectors.

A present-day hippy finds his way into historical photographs that mark Malaysian history in this humorous slide installation.

This installation examines the caves of Cannerberg, located on the Dutch-Belgian border, which bear traces of its layered history.

A nod to Sun Ra’s obsession with rainbows, this installation places living plants, theatrical furniture and a rainbow mural in an ‘arkestral’ arrangement.

Luis Macías’ expanded cinema performance using four slide projectors, an external shutter and colour gels stages the emergence of an animal-like presence from within the darkness.

Conceived during a time of violent protests in Kashmir, this installation dwells on Srinagar’s cultural history and media representations of the region.