What was the Argentinian mindset immediately preceding Jorge Videla’s right-wing military coup? Director Benjamín Naishtat’s darkly funny, highly stylish film immerses itself in Argentina’s collective subconscious in 1975, resulting in an X-ray image of madness and moral decline. This is his third feature film in four years.

Set in an Argentinian provincial town, an unknown man and a crime unsettle the quiet life of a successful lawyer. It’s not that the lawyer committed the crime; rather, his looking the other way and doing nothing led to people dying. Filmed in the style of 1970s crime dramas, Rojo can be seen as an absurd thriller and as a bitter analysis of the national indifference that led to Argentina suffering four consecutive military coups in 1976. As in Rojo, countless people disappeared in the desert, never to be seen again.

Filmmaker
Benjamín Naishtat
Country
Argentina, Brazil, France, Netherlands, Germany
Year
2018
Medium
DCP
Length
109’
Language
Spanish
Producer
Federico Eibuszyc, Barbara Sarasola Day, Rachel Daisy Eliis, Emmanuel Chaumet, Marleen Slot, Ingmar Trost, Dan Wechsler, Jamal Zeinal Zade
Production Company
Pucará Cine, Desvia Produções, Ecce Films, Viking Film, Sutor Kolonko, Bord Cadre Films
Sales
Luxbox
Writer
Benjamín Naishtat
Cinematography
Pedro Sotero
Editor
Andrés Quaranta
Production Design
Julieta Dolinsky
Sound Design
Fernando Ribero
Music
Vincent van Warmerdam
Cast
Dario Grandinetti, Andrea Frigerio, Alfredo Castro, Diego Cremonesi, Rafael Federman, Raymond E. Lee