Metropolis

Four nameless characters drift through long Chennai nights and bleak Chennai days. They’re office workers and gangsters, lovers and passion rejects, goons out to hurt and lost souls just looking to get unharmed out of messes they didn’t make. One of last year's biggest revelations in Tamil cinema. 
[EB: Ik weet niet precies wat er bedoeld wordt met 'passion rejects'.]

I Am God

Rudran was send away from home as a child by his superstitious father. When Rudran, an aghori (an ascetic man of the Gods, dwelling at times among the dead) throws his lot in with a bunch of human-trafficking beggars, his life becomes hell. Seeing is believing. You haven't seen anything like this before.

Wage War

When boxes of chopped-off limbs appear all over the city on New Year's Eve, J.K. from CID's elite CB branch gets to work. Darkness soon takes his hand. A police procedural turns social expose turns meditation on the metaphysics of truth, by way of a homage to Kurosawa and Kitano.

Vagabond

Rasa, a young man from the country, finds a job on a tea plantation where, like all the workers, he is subjected to all kinds of maltreatment. An unsparing, scathing vision of life under British rule that can profitably be read as a more general allegory on politics and abuse of power.