as close as possible/as far as possible
With tones of nostalgia and magic, a universe is revealed, where imagination and personal memories seem impossible to separate. (Winnipeg Film Group)
7'
Canada
IFFR 2018
Versions investigates the peculiarities of original and copy: both have a different status, and the copy is not necessarily inferior to the original. Each version of a work has its own meaning and is a contribution to culture. (LIMA)
With tones of nostalgia and magic, a universe is revealed, where imagination and personal memories seem impossible to separate. (Winnipeg Film Group)
7'
Canada
IFFR 2018
Bowl Me Over is an animated road movie painted directly onto film that travels the highways carved through the unpeopled wilderness of New Zealand's South Island. (Circuit)
5'
New Zealand
IFFR 2018
A solo man dances to music on his headphones on a Santa Monica beach, while a story of racist aggression is casually discussed. (LUX)
6'
United Kingdom
IFFR 2018
This is a media-fashioned attack aimed at the disturbing omnipotence of hyperrealism and fascist banality - best symbolised by Donald Trump's burning latex effigy. (Collectif Jeune Cinéma)
6'
USA
IFFR 2018
Programme
Bright Future Short focuses on experimental short films and features the sound//vision programme, with live A/V performances.
Read more about this programmeEach image is paced to provoke a tense, iconoclastic revelation of a plaster-covered man taking part in symbolic acts of self-mutilation. (sixpackfilm)
5'
Austria
IFFR 2018
3rd Builders' Street focuses on the concrete-panel houses which appeared throughout the Soviet Union from the 1960s. The use of colour separation accentuates the dialectical image.
14'
Netherlands
IFFR 2018
Part-fiction documentary tracing the movements of the New Silk Road. AAA Cargo follows distribution networks which are expanding across vast regions between China and Europe.
34'
China
IFFR 2018