#11, Marey <-> Moiré
Featuring images generated by revisiting the chronophotographic techniques of Étienne-Jules Marey, this film deals with the discontinuity that lies at the heart of the film medium.
21'
Netherlands
IFFR 2017
Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle's that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.
All Short films at IFFR 2017
Featuring images generated by revisiting the chronophotographic techniques of Étienne-Jules Marey, this film deals with the discontinuity that lies at the heart of the film medium.
21'
Netherlands
IFFR 2017
Hommage to the way daylight changes colour during the course of the day, linking this to how film as a medium captures and radiates light.
12'
Netherlands
IFFR 2017
Images for this work were created by recording the movements of a tiny light source with extremely long exposure times, drawing traces on the emulsion of the film.
4'
Netherlands
IFFR 2017
Through images made by using very non-virtual, simple reflecting materials, #5 can be regarded as a kind of action painting with light.
6'
Netherlands
IFFR 2017
Programme
Featuring images generated by revisiting the chronophotographic techniques of Étienne-Jules Marey, this film deals with the discontinuity that lies at the heart of the film medium.
21'
Netherlands
IFFR 2017
Hommage to the way daylight changes colour during the course of the day, linking this to how film as a medium captures and radiates light.
12'
Netherlands
IFFR 2017
Inspired by concepts found in medieval and Renaissance optics, #23.2, Book of Mirrors was made with a set-up in which elementary optical principles are used to generate images.
12'
Netherlands
IFFR 2017