In Groundplay, Robert Todd uses his 16mm camera as a microscope. The sensitive instrument does not perceive objects, but dives into the empty spaces between them. The focus shifts to a new world filled with structures, grit and dust barely perceptible to the naked eye.
- Director
- Robert Todd
- Premiere
- European premiere
- Country of production
- USA
- Year
- 2009
- Festival Edition
- IFFR 2010
- Length
- 12'
- Medium
- 16mm
- Language
- no dialogue
- Producer
- Robert Todd
- Production Company
- Flapping Bird Productions
- Sales
- Flapping Bird Productions
- Screenplay
- Robert Todd
- Cinematography
- Robert Todd
- Editor
- Robert Todd
- Production Design
- Robert Todd
- Sound Design
- Robert Todd
- Music
- Robert Todd
- Website
- http://www.roberttoddfilms.com