A non-stop digital vortex. Visual artist Annemie van Kerkhoven intercuts The AntiSade Press Calendar for 2007 with notes and snapshots and other kinds of mental annotations from Berlin. Free entrance / walk-in-walk-out.
300'
Belgium
IFFR 2007
Rudimentary, groovy overhead-projections from Berlin artist Katrin Bethge and Mikomikona replace traditional smooth visuals, accompanying DJ sets from Für Diesen Abend and a surprise DJ.
120'
Denmark
IFFR 2007
A growing collection of overhead slides is submitted by artists, graphic designers, filmmakers, cartoonists, writers et cetera. Christian Faubel’s Overheadbots are completely autonomous, all their energy is delivered by the overhead.
Denmark
IFFR 2007
The Lebanese artist designed a map of Beirut city, engraved in centimeters thick, lusterless rubber. The result is a monochrome, rather macabre puzzle.
Lebanon
IFFR 2007
A careful deconstruction of one of the most revealing recordings made during the most recent Iraq war, the elimination of a couple of soldiers via satellite command. Free entrance / walk-in-walk-out.
180'
USA
IFFR 2007
Hundreds of light bulbs, some flashing, others unwired, but all wrapped in plastic images cut by the artist, together form a kind of animated chain reaction.
USA
IFFR 2007
Before he launched himself as the European pioneer of drawn animation, Cohl was one of the liveliest representatives of the ‘Incoherents’. Besides some samples of his graphic works, this exhibition comprises four of his early films.
France
IFFR 2007
Media artist and theoretician Keith Sanborn expands on his current book on Dziga Vertov and on film projects in progress: Labyrinth of Solitude, Clear to Engage Project for a New American Century or the Art of Persecution, Notes on Ground Zero.
80'
USA
IFFR 2007
Artist/performer Julien Maire deconstructed a video camera, but kept the light sensor intact. Dots of light spread throughout the space are being recorded by this camera and form a colourful light play.
France
IFFR 2007
A semi-scientific experiment to expose film by electrocution, involving a Tesla Coil, medical lubricant and buckets of film developer. Results will be screened on the spot.
80'
USA
IFFR 2007
On light boxes and monitors Tscherkassky shows two versions of his CinemaScope Trilogy: as stream of moving images, and as a montage of filmstrips.
Austria
IFFR 2007
A laughing contest.
5'
United Kingdom
IFFR 2007
Narrative musical performance by the Korean visual artist and performer Sung Hwan Kim and American musician David Michael DiGregorio. Based on the personal life of Sung Hwan Kim. Free entrance / walk-in-walk-out.
45'
Netherlands
IFFR 2007
Building their own blue screen special effects studio, AL and AL have subtitled reality with a computer generated simulation.
13'
United Kingdom
IFFR 2007
A projector in a room spills the contents of a film reel onto the floor. Over the course of the exhibition there emerges an uncontrollable growing heap of entanglement flooding the gallery’s floor. A light spill, so to speak.
USA
IFFR 2007
For The Muse of Cinema Laitala exposed the film directly with a light source, not a movie camera.
20'
USA
IFFR 2007
Latham used a spray gun for a series of 60 one-second drawings which denoted ‘the least event’; an illustration of Latham's view on the fundamental unit of time and our existence.
United Kingdom
IFFR 2007
…
Belgium
IFFR 2007
The Rotterdam artist evokes brutal, ‘primal scenes’ from which all civilized norms are banned. For this exhibition he creates a big mural drawing and covers another wall with his smaller drawings.
Netherlands
IFFR 2007
Paper Pixels takes up the 200 year old principle of the punched data carrier to convert a scène from the video game Half Life, in an 8 x 8 pixel resolution into light.
Germany
IFFR 2007
The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a performance that involves methodically mixing raw film stock, vinegar, vegetables and spices.
USA
IFFR 2007
The film involves 19 separate takes of people vomiting to camera.
20'
United Kingdom
IFFR 2007
A digital video tape flutters in the air stream of a ventilator, dances in the light beam of a projector, throws jittery shadows: calligraphy and informal art, original cinema magic and psychedelic dream machine meet in a shared shadow-play.
Germany
IFFR 2007
The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that also deconstructs projection.
Belgium
IFFR 2007
A performance Trigger, whereby each image, or flash of light is triggered by a live gunshot. In Trigger the interaction between the sound of the gun and the image is utterly direct.
France
IFFR 2007
For the monumental ‘Two Pencil Durations’ McCall used two types of pencil for a minimalist game with simple hatch marks, to maximum effect.
United Kingdom
IFFR 2007
The photo-piece ‘Toast’ is just a reflection on cinema, with the allure of an emblematic tableau. ‘Verité Projetée’ is a poster-installation that also deconstructs projection.
Belgium
IFFR 2007
A video performance based on Luis Bunuel’s Simon of the Desert (1965), interlaced with six pieces of contemporary video art, followed by a live DJ set. Bring your dancing shoes!
180'
United Kingdom
IFFR 2007
The Yellow Movies are Conrad’s solution to the problem of how to produce films that could run for a lifetime. The Pickled Films are the result of a performance that involves methodically mixing raw film stock, vinegar, vegetables and spices.
USA
IFFR 2007