For Fossilization D'Haeseleer used video as a kneading machine. Layers of images are moulded into a sticky mess that absorbs and attracts everything it touches. It's an apocalyptic endgame, starring several cars and some human remains and maybe even some wishful thinking on a moody, rainy day.

Filmmaker
Premiere
World premiere
Country
Belgium
Year
2005
Medium
DV cam PAL
Length
9’
Language
Music
David Shea