At first sight, this is a conventional documentary sketching a picture of a recruiting office for the United States Marine Corps in the district Queens in New York. After some time, it turns out that the film is more meticulous and stubborn than the usual documentary and in addition takes more time to get to know its protagonists (and to present them to the viewer). The Marines who have to do the recruiting -they have to acquire a quota of applications within a fixed time -are young, inexperienced and hardly differ in age and background from their target group. This target group is made up of young men (and women) who are about to be social failures. Without schooling, without a job, but still not quite on drugs or involved in crime. The marines as a last resort. The recruiting officers regard their work on the home front as a significant contribution to the battle -and of course as a way to advance their careers within the Marines. The film follows several people (recruiting officers and recruits) for a longer period: from a first conversation to the completion of the first real training camp. In a matter-of-fact way, the film provides a revealing glimpse of the men and women who together form the American army. Cannon fodder. (GjZ)
- Directors
- David Houts, Andrew Dunn
- Premiere
- World premiere
- Country of production
- USA
- Year
- 2004
- Festival Edition
- IFFR 2004
- Length
- 90'
- Medium
- Betacam Digi PAL
- Language
- English
- Producers
- Hybrid Films, Daniel Elias, David Houts
- Sales
- Films Transit International Inc.
- Cinematography
- Andrew Dunn
- Sound Design
- David Houts
- Website
- http://www.hybridfilms.tv